本文選題：余秀華現(xiàn)象　切入點(diǎn)：受眾心理　出處：《海南師范大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：余秀華現(xiàn)象在大眾文場(chǎng)域中成為一場(chǎng)大眾的符號(hào)化狂歡,受眾在余秀華現(xiàn)象中起著舉足輕重的地位。從大眾文化接受的角度切入,通過受眾文化心理的層面審視“余秀華現(xiàn)象”,結(jié)合中國(guó)本土的大眾文化特征,能更深入地分析其文化內(nèi)因。余秀華現(xiàn)象經(jīng)歷幾次讀者與生產(chǎn)者的加工,由一個(gè)網(wǎng)絡(luò)話題走向文學(xué)事件,貼在余秀華身上的符號(hào)起到至關(guān)重要的作用。符號(hào)背后蘊(yùn)含著大眾對(duì)于底層的想象、情欲的釋放以及權(quán)威加冕等內(nèi)涵,余秀華現(xiàn)象已經(jīng)成為被抽去內(nèi)核的空洞符碼。在符號(hào)化的過程中,余秀華及詩(shī)歌被消費(fèi)和娛樂。在中國(guó)的大眾文化場(chǎng)域中,余秀華現(xiàn)象不僅具有商品消費(fèi)時(shí)代的文化工業(yè)特質(zhì),還有中國(guó)文化的民粹主義傳統(tǒng)。余秀華現(xiàn)象契合了大眾追求震驚與快感的閱讀訴求;中國(guó)文化浸潤(rùn)下的大眾有著受道德感召的同情心以及反精英情緒。在符號(hào)生產(chǎn)的過程中,生產(chǎn)者不斷迎合受眾心理,修改宣傳策略。余秀華及詩(shī)歌經(jīng)過這樣一場(chǎng)符號(hào)化狂歡后有得有失。一方面,在符號(hào)化的過程中,余秀華詩(shī)歌的詩(shī)意被遮蔽;另一方面,處于網(wǎng)絡(luò)時(shí)代的余秀華,余詩(shī)在大眾的誤讀中獲得了意義的再創(chuàng)造,余秀華作為詩(shī)人的知名度也大大提升了。余秀華的詩(shī)歌創(chuàng)作原意雖被遮蔽,也在讀者接受的過程被重新解讀,此外新媒體時(shí)代給予了詩(shī)人更多機(jī)會(huì)與渠道走向大眾。網(wǎng)絡(luò)時(shí)代的大眾文化對(duì)文學(xué)藝術(shù)如一把雙刃劍,利弊共存,時(shí)代給予作家機(jī)遇與挑戰(zhàn)。
[Abstract]:Yu Xiuhua phenomenon has become a public symbolic carnival in the field of popular literature, and the audience plays an important role in Yu Xiuhua phenomenon. By examining the "Yu Xiuhua phenomenon" from the perspective of the audience's cultural psychology and combining the characteristics of the mass culture in China, we can further analyze the internal causes of its culture. Yu Xiuhua's phenomenon has experienced several processes of readers and producers. From a network topic to a literary event, the symbols affixed to Yu Xiuhua play a vital role. Behind the symbols are the public's imagination of the bottom, the release of lust and the coronation of authority. Yu Xiuhua's phenomenon has become an empty code that has been removed from the core. In the process of symbolization, Yu Xiuhua and his poems are consumed and entertained. In China's mass cultural field, Yu Xiuhua's phenomenon not only has the cultural and industrial characteristics of the era of commodity consumption. There is also the populist tradition of Chinese culture. Yu Xiuhua fits in with the public's pursuit of shock and pleasure in reading. The masses under the influence of Chinese culture have moral sympathy and anti-elitist sentiments. In the process of symbol production, The producer constantly caters to the audience psychology and modifies the propaganda strategy. Yu Xiuhua and his poems have some gains and losses after such a symbolic carnival. On the one hand, the poetic meaning of Yu Xiuhua's poetry is obscured in the process of symbolization; on the other hand, the poetic meaning of Yu Xiuhua's poetry is obscured. Yu Xiuhua, who is in the network age, has recreated the meaning of Yu's poems in the misreading of the public, and Yu Xiuhua's popularity as a poet has also been greatly enhanced. Although Yu Xiuhua's original intention of poetry creation has been obscured, In addition, the new media era has given poets more opportunities and channels to go to the masses. The mass culture in the network age is like a double-edged sword to literature and art, the advantages and disadvantages coexist, and the times give writers opportunities and challenges.
【學(xué)位授予單位】：海南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.25

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本文編號(hào)：1577746