發(fā)布時(shí)間：2018-06-09 12:37

  本文選題：山西磧口手工藝 + 慢手藝��； 參考：《沈陽大學(xué)》2014年碩士論文

【摘要】：本文研究對(duì)象是山西磧口古鎮(zhèn)現(xiàn)存手工藝，將實(shí)地訪問、考察的結(jié)果進(jìn)行如實(shí)記錄、歸納、整理和分析，以及對(duì)磧口的幾位民間手工藝者的訪問記錄。文中出現(xiàn)的圖片資料均為作者本人實(shí)地拍攝。由于山西磧口是黃河與湫水河交匯處的一個(gè)偏僻的小鎮(zhèn)，坐落在呂梁山中，交通不便利，，當(dāng)?shù)氐娜耸芙逃潭戎皇亲罨玖x務(wù)教育，沒有高學(xué)歷，所以他們的生活生產(chǎn)方式還是比較原始的。前人有對(duì)黃河流域的民間手工藝進(jìn)行過記錄，發(fā)表過文字論述，但是從現(xiàn)有的出版刊物和發(fā)表過的文獻(xiàn)資料來看，對(duì)于磧口鎮(zhèn)上現(xiàn)存的手工藝還沒有過文字記載，本文的獨(dú)創(chuàng)性就在于對(duì)磧口鎮(zhèn)現(xiàn)存的手工藝進(jìn)行記載、分類、整理和分析。磧口的手工藝并沒有太多的過人之處，手工藝者全都是普通的村民，但是這看似簡(jiǎn)單的手工藝中卻包含了生活在黃土高原的人們長(zhǎng)期以來積累下來的經(jīng)驗(yàn)與故事，一種手藝要結(jié)合當(dāng)?shù)氐娜宋沫h(huán)境、地理環(huán)境、風(fēng)俗習(xí)慣等來解讀，才能凸顯它的藝術(shù)價(jià)值和存在意義。 本文主要內(nèi)容包括對(duì)磧口現(xiàn)存的幾種手工藝的介紹，并結(jié)合當(dāng)?shù)厝爽F(xiàn)在的生活狀態(tài)對(duì)他們的手工藝進(jìn)行分析，結(jié)合當(dāng)?shù)鼐徛纳顮顟B(tài)對(duì)當(dāng)?shù)氐氖止に囎隽朔治觯岢鲆粋�(gè)自定的詞匯——“慢手藝”。行文順序是先將“慢手藝”是如何界定的進(jìn)行表述，然后又對(duì)當(dāng)?shù)厝酥谱鞯氖止げ纪媾�、石雕、木雕等手工藝品的造型進(jìn)行分析，如布玩偶的形象特點(diǎn)、色彩特點(diǎn)、材料的選擇及制作過程、磧口石雕、木雕造型的地域特色、磧口手工藝品的題材和內(nèi)容的分析等。旅游業(yè)對(duì)當(dāng)?shù)厥止に嚠a(chǎn)生了一定的影響，2005年磧口被國(guó)家列為中國(guó)歷史文化古鎮(zhèn)之一，而后開始興起旅游業(yè)，這不僅帶動(dòng)了磧口的經(jīng)濟(jì)發(fā)展，同時(shí)也對(duì)磧口手工藝的發(fā)展奠定了經(jīng)濟(jì)基礎(chǔ)。
[Abstract]:The object of this study is the existing handicraft in Qikou Town Shanxi Province. The field visit the results of the investigation are recorded summarized sorted and analyzed as well as the visiting records of several folk craftsmen in Qikou. All the pictures in this paper are taken by the author himself. Because Qikou in Shanxi Province is a remote town at the junction of the Yellow River and Qiushui River, located in the Luliang Mountains, the transportation is not convenient, and the local people's education level is only the most basic compulsory education, without high education. So their way of life is still relatively primitive. There have been records of folk handicrafts in the Yellow River Basin, and written expositions have been published. However, from the existing publications and published literature, there is no written record of the existing handicrafts in Qikou Town. The originality of this article lies in recording, classifying, sorting and analyzing the existing handicrafts in Qikou Town. Qikou's craftsmanship is not too good. The craftsmen are all ordinary villagers, but the seemingly simple craftsmanship contains the experience and stories accumulated over a long period of time by people living on the Loess Plateau. In order to highlight its artistic value and existential significance, a craft must be interpreted in combination with the local cultural environment, geographical environment, customs and habits. The main contents of this article include an introduction to several existing handicrafts in Qikou. Combined with the current living conditions of the local people to analyze their handicraft, combined with the local slow living state of the local handicraft to do an analysis, put forward a self-determined vocabulary-"slow trade". The order of writing is to first define how "slow craft" is defined, and then analyze the shapes of handicraft handicrafts made by the local people, such as cloth dolls, stone carvings, wood carvings, etc., such as the image characteristics and color characteristics of cloth dolls. Material selection and production process, Qikou stone carving, woodcarving modeling regional characteristics, Qikou handicrafts theme and content analysis. Tourism has had a certain impact on local handicrafts. In 2005, Qikou was listed as one of the ancient towns of Chinese history and culture, and then tourism began to rise, which not only led Qikou's economic development. At the same time, it also laid an economic foundation for the development of Qikou handicraft.
【學(xué)位授予單位】：沈陽大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J528

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本文編號(hào)：1999750