本文選題：南豐儺面具　切入點(diǎn)：藝術(shù)特征　出處：《重慶大學(xué)》2014年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：儺，一種從遠(yuǎn)古圖騰崇拜跨越三千多年的漫長(zhǎng)歲月發(fā)展至今，，形成一種固有的以驅(qū)鬼除疫祭祀儀式的載體。江西是中國(guó)儺文化的重要發(fā)布區(qū)之一，尤其是地處江西的南豐縣，極其明晰的保留著自西漢初年以來(lái)這一古老文明傳承的印記，記錄著這特有的文化現(xiàn)象在歲月流轉(zhuǎn)中變遷的痕跡[1]�！澳县S儺面具藝術(shù)在現(xiàn)代設(shè)計(jì)中的應(yīng)用”這項(xiàng)課題是由傳統(tǒng)理論研究轉(zhuǎn)向現(xiàn)代實(shí)踐創(chuàng)新性研究的系統(tǒng)工程。本課題是基于南豐儺面具藝術(shù)獨(dú)特地民俗魅力的基礎(chǔ)之上深入挖掘儺文化與儺精神背后地內(nèi)涵，并處現(xiàn)代語(yǔ)境下通過(guò)全新的設(shè)計(jì)手法對(duì)南豐儺面固有的藝術(shù)造型和精神文化進(jìn)行再創(chuàng)新，創(chuàng)作出具有現(xiàn)代形式感又不失其精神內(nèi)涵的藝術(shù)作品。最終，呈現(xiàn)出在現(xiàn)代社會(huì)語(yǔ)境下對(duì)非遺文化重新詮釋的目的。
[Abstract]:Nuo, a long time from ancient totem worship spanning more than 3,000 years, has formed an inherent carrier of sacrificial ritual of exorcism and epidemic elimination. Jiangxi is one of the important publishing areas of Nuo culture in China, especially in Nanfeng County, Jiangxi Province. Keeping the imprint of this ancient civilization since the beginning of the Western Han Dynasty. It records the trace of the change of this unique cultural phenomenon in the course of the years. "the Application of Nanfeng Nuo Mask Art in Modern Design" is a systematic engineering from the traditional theory research to the modern practical innovation research. Based on the unique folklore charm of Nuo mask art in Nanfeng, the thesis deeply excavates the connotation of Nuo culture and Nuo spirit. At the same time in the modern context through a new design techniques to Nanfeng Nuo face inherent artistic modeling and spiritual culture re-innovation, create a sense of modern form without losing its spiritual connotation of art works. It presents the purpose of reinterpreting the non-posthumous culture in the context of modern society.
【學(xué)位授予單位】：重慶大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：J528.3

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 張道一;中國(guó)民藝的現(xiàn)狀與未來(lái)[J];美術(shù)觀察;1997年02期

本文編號(hào)：1571124