【摘要】：科技的進(jìn)步帶動(dòng)文化領(lǐng)域的繁榮,文獻(xiàn)展作為各種文化展覽中一種具有特定形式內(nèi)涵與風(fēng)格特征的展覽形式,最近幾年來(lái)在世界各地不斷呈現(xiàn)。中國(guó)的文獻(xiàn)展從名目到內(nèi)容也更加豐富起來(lái),形式也更加多樣化,文獻(xiàn)展在中國(guó)的發(fā)展過(guò)程,是從陌生到不斷趨于熟悉,并逐漸適應(yīng)的過(guò)程,這個(gè)過(guò)程雖然積累了一定的實(shí)踐經(jīng)驗(yàn),但對(duì)文獻(xiàn)展的藝術(shù)特征與文化特質(zhì)的研究其實(shí)尚未真正起步,文獻(xiàn)展制度的理論研究更是處于剛剛接觸和探索階段。本論文通過(guò)對(duì)當(dāng)代語(yǔ)境下文獻(xiàn)展的資料梳理,總結(jié)在其文獻(xiàn)性影響下的展覽特質(zhì)形式,進(jìn)而對(duì)“文獻(xiàn)性”概念的理解與定義有較為系統(tǒng)的探析�！拔墨I(xiàn)”起初是作為記錄知識(shí)的一個(gè)技術(shù)性專(zhuān)用詞語(yǔ)存在于社會(huì)知識(shí)領(lǐng)域,之后“文獻(xiàn)”被引入到展覽文化討論的范疇,進(jìn)而形成文獻(xiàn)展這一展覽形式�！拔墨I(xiàn)”從“技術(shù)性”詞語(yǔ)身份進(jìn)入“展覽文化”術(shù)語(yǔ)身份,在身份轉(zhuǎn)換中文獻(xiàn)展繼承和延續(xù)了“文獻(xiàn)”的文獻(xiàn)性,并通過(guò)展覽的實(shí)踐探索,文獻(xiàn)展的“文獻(xiàn)性”內(nèi)涵也隨之變得更加豐富,使其出現(xiàn)兩種相對(duì)的傾向,一種相對(duì)偏向于主觀性認(rèn)識(shí)文獻(xiàn)展,一種相對(duì)偏向于客觀性闡釋的文獻(xiàn)展。差異的傾向?qū)е挛墨I(xiàn)展之間顯現(xiàn)形式內(nèi)涵和風(fēng)格特征的區(qū)別,進(jìn)而形成不同文化藝術(shù)面貌類(lèi)型的文獻(xiàn)展。各種類(lèi)型的文獻(xiàn)展以展覽實(shí)踐的方式豐富和充實(shí)著文獻(xiàn)展的發(fā)展,使文獻(xiàn)展的形式特征與內(nèi)涵特征以及影響力特征成為各種有關(guān)展覽類(lèi)型研究的熱門(mén)話題。
[Abstract]:The progress of science and technology leads to the prosperity of cultural field. As a kind of exhibition form with special form connotation and style, literature exhibition has been presented all over the world in recent years. The document exhibition in China has become more abundant in terms of name and content, and has become more diversified in form. The development process of the document exhibition in China is a process from being unfamiliar to becoming more familiar with and gradually adapting to it. Although this process has accumulated some practical experience, the research on the artistic characteristics and cultural characteristics of the literature exhibition has not really started, and the theoretical study of the literature exhibition system is just in the stage of contact and exploration. By combing the literature exhibition materials in the contemporary context, this paper summarizes the exhibition characteristic forms under the influence of its literature, and then makes a systematic analysis of the understanding and definition of the concept of "documentary nature". At first, "document" was used as a technical special word to record knowledge in the field of social knowledge. Later, "document" was introduced into the scope of cultural discussion of exhibition, and then formed the exhibition form of literature exhibition. From the status of "technical" words to the term identity of "exhibition culture", the literature exhibition inherits and continues the documentary character of "document" in the process of identity conversion, and explores through the practice of exhibition. The connotation of "documentary nature" in literature exhibition has become more abundant, making it appear two relative tendencies, one is relatively biased towards subjective cognitive literature exhibition, the other is relatively biased towards objective interpretation of literature exhibition. The tendency of difference leads to the difference of formal connotation and style between literature exhibitions, and then forms literature exhibitions with different cultural and artistic features. Various types of literature exhibitions enrich and enrich the development of literature exhibitions in the way of exhibition practice, which makes the formal characteristics, connotation characteristics and influence characteristics of literature exhibitions become hot topics in the study of various kinds of exhibition types.
【學(xué)位授予單位】：北京印刷學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：G252.1

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