本文選題：當(dāng)代書法 + 書法創(chuàng)作　； 參考：《中國書法》2013年04期

【摘要】：正從二十世紀(jì)八十年代中期到九十年代初新時期展覽體制中,由中國書協(xié)主辦的"中青展"及"全國展"構(gòu)成展覽體制的核心,成為書壇最具權(quán)威的兩大展事。當(dāng)代大多數(shù)中青年書法名家,無不是通過這兩大權(quán)威展覽而在書壇成名并確立其書法地位的。由此,這兩大展覽的審美取向和導(dǎo)向價值便對當(dāng)代書法潮流產(chǎn)生極大影響。如"中青展"的民間書法取向和倡導(dǎo)便在二十世紀(jì)八十年代中后期至九十年代初中期產(chǎn)生很大影響,對當(dāng)代中青年書法創(chuàng)作也發(fā)生了整體效應(yīng)。從書史立場而言,"中青展"以其激進(jìn)的創(chuàng)作審美取向和學(xué)術(shù)倡導(dǎo),試圖
[Abstract]:From the mid-1980s to the early 1990s, the exhibition system of "China Youth Exhibition" and "National Exhibition", sponsored by the Chinese calligraphy Association, constituted the core of the exhibition system and became the two most authoritative exhibitions in the world of books. Most contemporary young and middle-aged calligraphers became famous and established their calligraphy status through these two authoritative exhibitions. As a result, the aesthetic orientation and guiding value of these two exhibitions have a great impact on the trend of contemporary calligraphy. For example, the folk calligraphy orientation and advocacy of the "Zhongqing Exhibition" had a great influence on the calligraphy creation of contemporary young and middle-aged people from the middle and late 1980s to the middle and middle of the 1990s, and also had a whole effect on the calligraphy creation of contemporary young and middle-aged people. From the standpoint of the history of the book, the exhibition tries to make an attempt with its radical aesthetic orientation of creation and academic advocacy.
【分類號】：J292.1

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本文編號：1939679