本文關(guān)鍵詞： 《我是貓》 文明開(kāi)化 知識(shí)分子 資本家　出處：《吉林大學(xué)》2014年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：夏目漱石被看作明治以后日本文學(xué)上“最偉大的文學(xué)者”，，在日本文壇的地位首屈一指。日本以及世界各國(guó)的文學(xué)者都對(duì)“漱石文學(xué)”進(jìn)行了研究。在日本建造了專(zhuān)門(mén)的圖書(shū)館和展覽間，用以保存大量的關(guān)于夏目漱石文學(xué)的研究書(shū)籍和論文�！段沂秦垺肥窍哪渴奶幣鳎⑶沂怯忻拈L(zhǎng)篇小說(shuō)之一。主人的弟子·寒月，美學(xué)家迷亭，詩(shī)人東風(fēng)等人的信口開(kāi)河和對(duì)世俗攻擊等排列，講述了各種各樣的人之間的隔閡。最后“我”落入水缸，嘴里念著南無(wú)阿彌陀佛死去。作品中通過(guò)貓“咱家”的視點(diǎn)，戲劇性地諷刺了珍野一家以及聚集在他們周?chē)呐笥选㈤T(mén)下學(xué)生們的那種“太平的逸民”的樣子。 本文以先行研究為基礎(chǔ)，分析了《我是貓》的主題和思想，并且考察了其文學(xué)價(jià)值和藝術(shù)性。以作品論和作家論的資料為基礎(chǔ)來(lái)解讀夏目漱石的《我是貓》，可以看出在作品當(dāng)中，明治政府以“文明開(kāi)化”為口號(hào)，向失去自我的西洋化前進(jìn)的狀態(tài)下，人性變得淡薄、虛偽，欲望固執(zhí)的惡習(xí)愈加清晰。夏目漱石試圖查明明治人的精神悲劇的側(cè)面，或者說(shuō)在物質(zhì)文明開(kāi)化驚人進(jìn)步的背后，當(dāng)時(shí)日本人被強(qiáng)迫的精神上的悲慘。此外，《我是貓》這部作品在某種意義上，可以看出當(dāng)時(shí)對(duì)社會(huì)的文明批判深化的過(guò)程。夏目漱石在《我是貓》中對(duì)把對(duì)日本近代化的思考寄托在登場(chǎng)人物身上，以各種各樣的形式表達(dá)出來(lái)�？傮w看來(lái)，可以理解為：與逐步發(fā)展的西歐的穩(wěn)定相比，對(duì)于差距懸殊的日本出現(xiàn)的不自然的急躁的擔(dān)心，明確地認(rèn)識(shí)到急于輸入西方的成果、不斷地一味模仿的陳舊弊病。本論文對(duì)小說(shuō)里的登場(chǎng)人物的描寫(xiě)進(jìn)行了考察以及對(duì)夏目漱石在小說(shuō)中對(duì)明治時(shí)期的知識(shí)分子、政治家、資本家的諷刺和批判這一主題進(jìn)行了分析。 本文將圍繞“文明開(kāi)化”和《我是貓》的語(yǔ)言特色來(lái)進(jìn)行論述。夏目漱石以“西方的開(kāi)化是自發(fā)的，日本的開(kāi)化是外發(fā)的”這一觀(guān)點(diǎn)批判了日本的近代化。認(rèn)識(shí)到日本的開(kāi)化是被西方強(qiáng)迫的，并分析了日本的文明開(kāi)化對(duì)日本社會(huì)、日本文化、日本思想帶來(lái)了什么樣的影響。本論文試圖在把握夏目漱石生活的時(shí)代背景和作者本身的人格思想傾向的同時(shí)，通過(guò)援引相關(guān)的理論，分析登場(chǎng)人物，并通過(guò)對(duì)《我是貓》的主題思想的分析以及援引夏目漱石的其他的著作，進(jìn)一步探討夏目漱石在東方傳統(tǒng)文化和西洋現(xiàn)代文明沖突之間，對(duì)異質(zhì)文明觀(guān)的批判。
[Abstract]:Natsumi Shu-shih is regarded as the "greatest literary man" in Japanese literature after Meiji. In the Japanese literary world the position is second to none. Japanese as well as the world literature people have carried on the research to "gargashi literature". In Japan has built the specialized library and the exhibition room. "I am the Cat" is the first work of Natsuke and one of the most famous novels. Master's disciple Cold Moon, the aesthetician fan Pavilion. The lines of the poet Dongfeng and others, such as the line of words and attacks on the common world, tell of the estrangement between all kinds of people. Finally, "I" fell into a water tank. Nanyu Amitabha dies in his mouth. Through the view of the cat "our Home," the works dramatically satirize the family and the friends gathered around them. The students at the bottom of the door look like "peaceful Yi Min". Based on the first research, this paper analyzes the theme and thought of "I am the Cat", and examines its literary value and artistry. It can be seen that in the works, the Meiji government "civilized civilization" as a slogan, to lose their own Westernization of the state of progress, human nature has become weak, hypocritical. The evil habit of desire stubbornness became clearer. Natsuke tried to find out the side of the Meiji spiritual tragedy, or, behind the amazing progress of material civilization, the forced spiritual misery of the Japanese. "I am the Cat" in a sense, we can see the process of deepening the criticism of the civilization of the society at that time. In "I am the Cat", the author puts his thoughts on the modernization of Japan on the personages. Expressed in a variety of ways. In general, it can be understood as an unnatural impatience of Japan's disparity in comparison with the stability of developing Western Europe. Clearly aware of the rush to import Western results. This paper examines the description of the characters in the novel and the intellectuals and politicians of Meiji period in the novel. The theme of satire and criticism by capitalists is analyzed. This article will focus on the language characteristics of "civilized civilization" and "I am the cat". This view criticizes the modernization of Japan, realizes that Japanese civilization is forced by the West, and analyzes the Japanese civilization and civilization to Japanese society and culture. This paper attempts to grasp the background of Natsumi's life and the personality tendency of the author, at the same time, by invoking relevant theories, this paper analyzes the personages on the scene. Based on the analysis of the theme of "I am the Cat" and the reference of other works by Natalie, this paper further discusses the criticism of the heterogeneous view of civilization between the traditional culture of the East and the conflict between the western and modern civilizations.
【學(xué)位授予單位】：吉林大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：I313.074

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