本文選題：文創(chuàng)產(chǎn)品 + 青銅器�。� 參考：《包裝工程》2017年20期

【摘要】：目的針對文創(chuàng)產(chǎn)品側重于將"文化"轉換成"創(chuàng)意"后附加于產(chǎn)品這一特點,實現(xiàn)文化與產(chǎn)品創(chuàng)新設計。方法以典型的青銅器產(chǎn)品為研究對象,結合青銅文化的藝術形式與傳承價值的聯(lián)系,從"形"和"神"著手,引入打散重構原理進行設計,利用形態(tài)分析法打散分解文化產(chǎn)品,從視覺形態(tài)和內在意識形態(tài)分析獲取設計元素,在保證原形態(tài)特征的前提下依據(jù)設計要求進行目標載體的形態(tài)重構。結論通過具有商周青銅鼎造型的文化創(chuàng)意產(chǎn)品實踐設計,為文化創(chuàng)意設計提供著系統(tǒng)且科學的思維方法。
[Abstract]:Aim to realize the innovative design of culture and product by focusing on the characteristics of "culture" being transformed into "creative" and appended to the product. Methods taking the typical bronze products as the research object, combining the relation between the art form of bronze culture and the inheritance value, starting from the "shape" and "god", the principle of dispersing and reconstructing was introduced, and the cultural products were disintegrated by morphological analysis method. The design elements are obtained from the analysis of visual form and internal ideology, and the morphological reconstruction of the target carrier is carried out according to the design requirements on the premise of guaranteeing the original morphological characteristics. Conclusion through the practical design of cultural creative products with bronze tripod shape in Shang and Zhou dynasties, it provides a systematic and scientific thinking method for cultural creative design.
【作者單位】： 陜西科技大學;
【基金】：國家社科基金項目(11xmz032)
【分類號】：TB472
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本文編號：2014099