【摘要】：在當(dāng)今,全球經(jīng)濟(jì)一體化的浪潮下,強(qiáng)勢的全球文化的逼進(jìn),特別是西方文化大量涌入中國,在中國現(xiàn)代的室內(nèi)設(shè)計(jì)領(lǐng)域出現(xiàn)了全球化、同一化的新傾向,導(dǎo)致一些傳統(tǒng)、地域性特色的設(shè)計(jì)不斷丟失。因此,如何將傳統(tǒng)文化融入到現(xiàn)代室內(nèi)設(shè)計(jì)中,創(chuàng)造出既具文化內(nèi)涵又具時(shí)代性的室內(nèi)設(shè)計(jì),是當(dāng)下中國室內(nèi)設(shè)計(jì)領(lǐng)域需要面臨的重要課題。 現(xiàn)階段我國的室內(nèi)設(shè)計(jì)思想還處于一種較低的水平狀態(tài),在設(shè)計(jì)上基本都是大同小異,互相抄襲,盲目追求西方古典裝飾風(fēng)格或追求所謂的“民族風(fēng)格”,到處充斥傳統(tǒng)構(gòu)件,為了形式而形式,缺乏中國特有的文化內(nèi)涵。中國幾千年的文化底蘊(yùn)賜予我們重大的財(cái)富,為室內(nèi)設(shè)計(jì)的發(fā)展和創(chuàng)新提供了新的源泉。而室內(nèi)設(shè)計(jì)本身也是一種對文化、對思想內(nèi)涵的詮釋,實(shí)際上是一種文化的設(shè)計(jì)。所以,目前中國的室內(nèi)設(shè)計(jì)應(yīng)該秉承優(yōu)秀的傳統(tǒng)文化,將中國傳統(tǒng)文化的精髓融入到現(xiàn)代室內(nèi)設(shè)計(jì)中,創(chuàng)造出具有傳統(tǒng)文化內(nèi)涵與文化精神的中國現(xiàn)代室內(nèi)設(shè)計(jì)。 探索中國傳統(tǒng)文化在現(xiàn)代室內(nèi)設(shè)計(jì)中的傳承,既要滿足當(dāng)代中國人的心理、生理與精神需要,又要體現(xiàn)傳統(tǒng)文化的文化內(nèi)涵及審美價(jià)值。因此,需要從時(shí)代的角度去認(rèn)識與了解傳統(tǒng),在繼承傳統(tǒng)的基礎(chǔ)上不斷創(chuàng)新與發(fā)展,充分挖掘、提煉傳統(tǒng)文化的精髓。從傳統(tǒng)文化思維、傳統(tǒng)文化神韻、傳統(tǒng)文化符號等方面進(jìn)行借鑒與創(chuàng)新應(yīng)用,傳統(tǒng)與現(xiàn)代相結(jié)合,兼容并蓄,融會貫通,設(shè)計(jì)出符合中國現(xiàn)代人審美觀念的室內(nèi)設(shè)計(jì)。
[Abstract]:At present, under the tide of global economic integration, the strong global culture, especially the great influx of the western culture into China, has experienced the globalization and the same new tendency in the modern interior design field of China, leading to the loss of the design of some traditional and regional features. Therefore, how to integrate the traditional culture into the modern interior design, to create the interior design with both the cultural connotation and the times, is an important subject that needs to be faced in the field of interior design in China. At present, the design of interior design in our country is still in a lower level, and in the design, the design is basically the same as the small, the plagiarism, the blind pursuit of the western classical decoration style or the pursuit of the so-called "national style", full of the traditional components, in the form of the form expression, lack of China's unique culture The Chinese culture of thousands of years has given us great wealth, and provides a new source for the development and innovation of interior design The interior design itself is a kind of culture, the interpretation of the connotation of the thought is actually a culture. Therefore, the interior design of China should adhere to the excellent traditional culture, integrate the essence of Chinese traditional culture into the modern interior design, create the modern indoor set with the traditional cultural connotation and the cultural spirit To explore the inheritance of Chinese traditional culture in modern interior design, to meet the psychological, physiological and spiritual needs of contemporary Chinese people, and to reflect the cultural connotation and trial of the traditional culture. Therefore, it is necessary to realize and understand the traditional culture from the angle of the times, to innovate and develop on the basis of the inheritance of the traditional culture, to fully exploit and refine the traditional culture. The essence of the traditional culture, the traditional culture, the traditional cultural symbol and so on is used for reference and innovative application. The combination of the traditional and the modern, the compatibility and the combination of the traditional culture and the modern culture and the combination of the traditional and the modern are designed to be in the chamber of the Chinese modern aesthetic concept.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：TU238.2

【參考文獻(xiàn)】

相關(guān)期刊論文 前6條

1 安慧;;當(dāng)代室內(nèi)設(shè)計(jì)中傳統(tǒng)空間意境的營造手法[J];大眾文藝;2012年21期

2 譚秋華;;淺談寧波傳統(tǒng)建筑與現(xiàn)代建筑設(shè)計(jì)的融合[J];家具與室內(nèi)裝飾;2010年06期

3 丁晗;;傳統(tǒng)文化與反傳統(tǒng)文化——關(guān)于室內(nèi)設(shè)計(jì)發(fā)展的一點(diǎn)思考[J];美術(shù)大觀;2012年04期

4 李梅紅;;中國傳統(tǒng)文化精神在現(xiàn)代室內(nèi)設(shè)計(jì)中的運(yùn)用[J];設(shè)計(jì)藝術(shù)研究;2013年03期

5 史俊巧;;室內(nèi)設(shè)計(jì)中對傳統(tǒng)文化繼承的意義[J];攀枝花學(xué)院學(xué)報(bào);2008年02期

6 李琦;;記憶與延續(xù)——淺析蘇州博物館與寧波博物館建筑設(shè)計(jì)[J];藝術(shù)與設(shè)計(jì)(理論);2010年01期

，

本文編號：2463013