【摘要】：“超平”（Super Flat)是描述現(xiàn)代日本設(shè)計(jì)實(shí)踐的關(guān)鍵詞，從“超平”概念進(jìn)入建筑領(lǐng)域，到“超平”建筑產(chǎn)生直至形成世界性的影響，不過二十多年�！俺健苯ㄖ诙虝r(shí)間內(nèi)獲得巨大的成功有其深刻原因。日本建筑師的深刻思考和“超平”建筑的獨(dú)特性讓它區(qū)別于眾多現(xiàn)代建筑風(fēng)格顯示獨(dú)特面貌。 與作品外觀的簡(jiǎn)單直接不同，在視覺化的表皮下隱藏的是等待破譯的“超平”建筑創(chuàng)作的豐富內(nèi)涵。本文從四個(gè)方面展開對(duì)“超平”建筑的研究。首先，，從“超平”建筑的背景入手，對(duì)該建筑的形成內(nèi)因進(jìn)行分析，認(rèn)為師承模式、西化后的自省、經(jīng)濟(jì)危機(jī)和消費(fèi)社會(huì)共同滋生這類臨時(shí)感強(qiáng)烈、單薄圖像化的建筑。其次，通過相當(dāng)數(shù)量的案例分析，研究“超平”建筑的設(shè)計(jì)特征。著重從功能、空間、建筑界面這三個(gè)角度展開分析，借由案例的分析和比較做出恰當(dāng)?shù)姆治龊驮u(píng)價(jià)。本文以為，“超平”建筑的最大特征即其在消解等級(jí)方面的努力。從功能到空間再到界面，“超平”建筑作品解構(gòu)經(jīng)典功能模式，漠視舊有建筑體系，關(guān)注均質(zhì)空間的呈現(xiàn)，摒棄“深度”，力圖用二維取代三維，界面代替空間，打破建筑中各層面的構(gòu)成和順序關(guān)系。再次，嘗試研討“超平”建筑的深層意義。該建筑的“扁平”深度，其與民族性、創(chuàng)新性的諸多關(guān)聯(lián)。此外，還探討了日本“超平”建筑發(fā)展經(jīng)驗(yàn)對(duì)國(guó)人當(dāng)下建筑之路的諸多意義和啟示。最后，在“超平”建筑現(xiàn)象、創(chuàng)作思潮的研究基礎(chǔ)上完成畢業(yè)設(shè)計(jì)。
[Abstract]:"Super flat" (Super Flat) is the key word to describe the modern Japanese design practice, from the concept of "super flat" into the field of architecture, to the emergence of "super flat" architecture until the formation of worldwide influence, but more than 20 years. There are deep reasons for the great success of super-level buildings in a short period of time. The profound thinking of Japanese architects and the unique features of "super flat" architecture make it different from many modern architectural styles. Different from the simple appearance of the works, what is hidden under the visual skin is the rich connotation of the "super flat" architectural creation waiting to be deciphered. In this paper, four aspects of the study of the "super-level" architecture. First of all, starting from the background of "super flat" building, this paper analyzes the internal cause of the formation of the building, and thinks that the model of learning, the introspection after westernization, the economic crisis and the consumption society together breed this kind of temporary strong, thin image building. Secondly, through a considerable number of case studies, the design characteristics of "super flat" architecture. It focuses on the analysis of function, space and architectural interface, and makes appropriate analysis and evaluation by case analysis and comparison. This paper argues that the greatest characteristic of the "super flat" architecture is its efforts to dispel the hierarchy. From function to space to interface, "super flat" architectural works deconstructs the classical functional model, ignores the old building system, pays attention to the presentation of homogeneous space, abandons "depth", and tries to replace three-dimensional and interface with two-dimensional space. Break the structure and sequence relation of each layer in the building. Again, try to study the deep meaning of "super flat" architecture. The "flat" depth of the building is associated with nationality and innovation. In addition, the paper also discusses the significance and enlightenment of the development experience of Japanese "surpassing" architecture to Chinese people's present architectural road. Finally, the graduation design is completed on the basis of the research of "super-flat" architectural phenomenon and creative trend of thought.
【學(xué)位授予單位】：蘇州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：TU201

【參考文獻(xiàn)】

相關(guān)期刊論文 前6條

1 許懋彥,鄒曉霞;由三個(gè)問題淺議20世紀(jì)90年代日本建筑現(xiàn)象[J];城市建筑;2005年04期

2 葛明;;結(jié)構(gòu)法(1)——設(shè)計(jì)方法系列研究之二[J];建筑學(xué)報(bào);2013年10期

3 錢強(qiáng);“超平”墻體進(jìn)化的墻體表現(xiàn)[J];室內(nèi)設(shè)計(jì)與裝修;2002年10期

4 藤森照信;周曉紅;;后現(xiàn)代主義的理論和表現(xiàn)[J];世界建筑;1989年04期

5 黃居正;吳國(guó)平;;建構(gòu)與生成——戰(zhàn)后日本現(xiàn)代建筑的演變[J];新建筑;2011年02期

6 李麗妹;;“解析”妹島和世的“森林住宅”[J];中國(guó)建筑裝飾裝修;2012年05期

本文編號(hào)：2230856