本文選題：多寶講寺　切入點：藏傳佛寺　出處：《浙江師范大學(xué)學(xué)報(社會科學(xué)版)》2015年06期 　論文類型：期刊論文

【摘要】：地處浙江省三門縣的多寶講寺在建筑風(fēng)格上呈現(xiàn)出漢藏合流的特征。寺內(nèi)可見典型的藏式建筑如白塔和轉(zhuǎn)經(jīng)殿,主體大殿結(jié)合了藏傳佛教的宮堡式底座和漢式門窗和歇山大頂,在立柱檐椽、梁枋斗拱等主要建筑構(gòu)件上融合了雙鹿法輪、八瑞相、六字箴言等大量藏式建筑符號;大雄寶殿回廊與彌勒殿內(nèi)墻分別以藏傳佛教的千手觀音與五部佛為主題,由康巴地區(qū)的藏族畫師精心繪制。多寶講寺作為江南藏傳佛寺的首剎,在融合漢藏建筑藝術(shù)和豐富地方建筑類型等方面都具有較高價值。
[Abstract]:Located in three counties of Zhejiang province Duobao lecture monastery showing characteristics of Tibetan confluence in architectural style. The temple showed typical Tibetan architecture such as the White Pagoda and temple, the main hall with the castle style base of Tibetan Buddhism and Chinese style doors and Xie Shan head, column in the eaves rafters, Liang Fang brackets etc. The main building on the fusion of deer Gong, eight Swiss, six words a lot of Tibetan architectural symbols; the main hall and the Maitreya hall corridor wall respectively to Tibetan Buddhism Avalokitesvara and five Buddha as the theme, from the Kham area of Tibetan artist carefully drawn. The temple of Tibetan Buddhist temples as Jiangnan Bao first Rizal, all it is of high value in fusion of Chinese and Tibetan architectural art and rich local architectural types.

【作者單位】： 臺州學(xué)院藝術(shù)學(xué)院;
【基金】：浙江省臺州市哲學(xué)社會科學(xué)規(guī)劃課題“從臺州多寶講寺看漢藏佛寺建筑藝術(shù)的融合”(12GHB05)
【分類號】：J218.6;TU252

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1 魏德東;感受漢地的藏傳佛教[N];中國民族報;2010年

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本文編號：1631594