發(fā)布時(shí)間：2018-04-04 21:01

  本文選題：五六十年代宣傳畫　切入點(diǎn)：哈瓊文　出處：《華東師范大學(xué)》2010年碩士論文

【摘要】： 作為在20世紀(jì)中國(guó)宣傳畫發(fā)展軌跡中具有分水嶺標(biāo)志的時(shí)期,本文將從藝術(shù)特征、影響因素和地位價(jià)值等幾方面對(duì)這一時(shí)期的政治宣傳畫,特別是其中的代表人物哈瓊文的相關(guān)作品進(jìn)行分析和闡述,以哈瓊文宣傳畫所代表的五六十年代宣傳畫具有自己的獨(dú)特風(fēng)貌。宣傳畫是一個(gè)創(chuàng)作和畫面表現(xiàn)與政治、經(jīng)濟(jì)、文化息息相關(guān)的畫種,在20世紀(jì)中國(guó)風(fēng)起云涌的社會(huì)背景下,呈現(xiàn)出了與這段歷史相對(duì)應(yīng)而又多姿多彩的面目和風(fēng)格。 藝術(shù)特征上,五六十年代的宣傳畫在題材上由之前如反對(duì)八國(guó)聯(lián)軍、反對(duì)北洋政府、抗日戰(zhàn)爭(zhēng)、解放戰(zhàn)爭(zhēng)等主要以反對(duì)帝國(guó)主義、封建主義的諷刺性的政治宣傳畫演變?yōu)槿缈姑涝�、三反五反、婚姻法、增產(chǎn)節(jié)約等主題以表現(xiàn)新中國(guó)生產(chǎn)和建設(shè)為主的歌頌性的政治宣傳畫；在畫面形式上,建國(guó)前的政治宣傳畫大多都具有主題突出鮮明、形象粗獷簡(jiǎn)潔、色彩黑白對(duì)比強(qiáng)烈等特點(diǎn),多是以木刻、漫畫和諷刺畫等形式出現(xiàn)；建國(guó)后的則在風(fēng)格上呈現(xiàn)出形象塑造結(jié)實(shí)有力、背景復(fù)雜、色彩鮮明熱烈等,特征風(fēng)貌比較多的以國(guó)畫、水粉、油畫、年畫等形式表現(xiàn)技法；宣傳畫的創(chuàng)作隊(duì)伍也出現(xiàn)了多元化的趨勢(shì),首先是專業(yè)創(chuàng)作隊(duì)伍,一批專門的宣傳畫畫家出現(xiàn),如哈瓊文、游龍姑、吳性清、翁逸之、錢大昕、吳敏、楊文秀、張汝濟(jì)、丁浩等等。以木刻、漫畫等替代宣傳畫的境況也得到了很大的改觀。建國(guó)初期的宣傳畫藝術(shù)一直就走在造型藝術(shù)前列,吸引了眾多的油畫家、年畫家和國(guó)畫家,他們紛紛以自己擅長(zhǎng)的藝術(shù)表現(xiàn)形式創(chuàng)作政治宣傳畫。 五六十年代的宣傳畫的影響因素主要體現(xiàn)在社會(huì)政治、蘇聯(lián)、波蘭宣傳畫藝術(shù)及中國(guó)民族民間藝術(shù)等方面。因?yàn)樯鐣?huì)政治的需要,政治觀念和口號(hào)成為了宣傳畫的所要表現(xiàn)的主題和題材,宣傳畫也成為了很多視覺造型藝術(shù)的先導(dǎo)；蘇聯(lián)和波蘭的宣傳畫藝術(shù)以及中國(guó)民族民間藝術(shù)影響了這一時(shí)期政治宣傳畫的畫面形式和風(fēng)格。 二十世紀(jì)五六十年代的宣傳畫在平面設(shè)計(jì)發(fā)展史中起到了承上啟下的作用,使宣傳畫的表現(xiàn)題材和風(fēng)格形式有了新貌。同時(shí)也顯示出了這個(gè)時(shí)期的宣傳畫獨(dú)有的歷史價(jià)值、藝術(shù)價(jià)值和美學(xué)價(jià)值。
[Abstract]:As a period with watershed mark in the development track of Chinese posters in the 20th century, this paper will discuss the political posters of this period from the aspects of artistic characteristics, influencing factors and status value.In particular, the representative character of Ha Qiongwen's related works are analyzed and expounded, and the 50's and 60's posters represented by Hachongwen's posters have their own unique style and features.Poster is a kind of painting which is closely related to politics, economy and culture. In the social background of the 20th century, it presents a colorful face and style corresponding to this period of history.In terms of artistic characteristics, the themes of posters in the 1950s and 1960s were mainly opposed to imperialism, such as the opposition to the Allied Forces of the eight Powers, the opposition to the Beiyang Government, the War of Resistance against Japan, the War of Liberation, and so on.The satirical political propaganda paintings of feudalism evolved into political posters with themes such as resistance to US aggression and aid to Korea, three opposing and five opposing, marriage laws, production and economy, and so on, which were mainly about the production and construction of new China; in the form of pictures,Before the founding of the people's Republic of China, most of the political posters were characterized by prominent themes, rough images, strong contrast between black and white colors, and so on, mostly in the form of woodcut, caricature and caricature.After the founding of the people's Republic of China, the style showed strong and powerful image, complex background, bright and warm color, and many features of traditional Chinese painting, water powder, oil painting, New year painting and other forms of performance techniques;The creative team of posters has also shown a trend of diversification. First of all, the professional creative team, a group of specialized posters painters have appeared, such as Ha Qiongwen, you Longgu, Wu Xiqing, Weng Yizhi, Qian Daxin, Wu Min, Yang Wenxiu, and Zhang Ruji.Ding Hao, wait.The situation of alternative posters such as wood carvings and comics has also been greatly improved.At the beginning of the founding of the people's Republic of China, the art of propaganda has always been in the forefront of plastic arts, attracting many oil painters, painters and national painters, who created political posters one after another in the form of artistic expression they are good at.The influential factors of posters in 1950s and 1960s are mainly reflected in social politics, Soviet Union, Polish propaganda art and Chinese folk art.Because of the need of social politics, political ideas and slogans have become the theme and theme of posters, and posters have become the forerunner of many visual plastic arts.The art of propaganda in Soviet Union and Poland and Chinese folk art influenced the form and style of political posters in this period.Posters in the 1950s and 1960s played a connecting role in the history of graphic design.At the same time, it also shows the unique historical value, artistic value and aesthetic value of the posters of this period.
【學(xué)位授予單位】：華東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：J209.2

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本文編號(hào)：1711663