“陌生化”理論是俄國(guó)形式主義運(yùn)動(dòng)的一個(gè)重要理論,由形式主義的首要代表和主要發(fā)言人什克洛夫斯基（以下簡(jiǎn)稱(chēng)十氏）于1916年在其著名的論文《作為藝術(shù)的手段》中提出。這是俄國(guó)形式主義運(yùn)動(dòng)的綱領(lǐng)性論文。在這篇文章中,什氏在批判波捷勃尼亞的藝術(shù)即形象思維這一觀點(diǎn)時(shí),寫(xiě)下了一段關(guān)于藝術(shù)的名言:“那種被稱(chēng)為藝術(shù)的東西的存在,正是為了喚回人對(duì)生活的感受,使人感受到事物,使石頭更成其為石頭。藝術(shù)的目的是使你對(duì)事物感覺(jué)如同你所見(jiàn)的視象那樣,而不是如同你所認(rèn)知的那樣;藝術(shù)的手法是事物的‘反�；址ㄊ菑�(fù)雜化形式的手法,它增加了感受的難度和時(shí)延,既然藝術(shù)中的領(lǐng)悟過(guò)程是以自身為目的的,它就理應(yīng)延長(zhǎng);藝術(shù)是一種體驗(yàn)事物之創(chuàng)造的方式,而被創(chuàng)造物在藝術(shù)中已無(wú)足輕重�！边@段文字讓我們看到了什氏對(duì)藝術(shù)的目的、藝術(shù)程序以及藝術(shù)是什么等重大問(wèn)題的回答,而其中“陌生化”正是解答這些問(wèn)題的關(guān)鍵。正值俄國(guó)形式主義運(yùn)動(dòng)蓬勃發(fā)展之時(shí),一位19歲的俄國(guó)少年卻由于政治原因離開(kāi)故土,開(kāi)始了自己此后漫長(zhǎng)的流亡人生。這人就是享譽(yù)當(dāng)今世界文壇多才多藝的文學(xué)巨擘—弗拉的米爾·納博科夫（1899--1977）。而他的《洛麗塔》,這部有著傳奇色彩且為納... 

【文章來(lái)源】：上海外國(guó)語(yǔ)大學(xué)上海市 211工程院校 教育部直屬院校

【文章頁(yè)數(shù)】：70 頁(yè)

【學(xué)位級(jí)別】：碩士

【文章目錄】：
Acknowledgements
摘要
Abstract
Introduction
Chapter 1. The feasibility of applying the theory "defamiliarization" to Lolita
    1.1 An Introduction to the Notion "Defamiliarization"
        1.1.1 the Definition of "Defamiliarization"
        1.1.2 The Methods to Defamiliarize in Literature
    1.2 Applying "defamiliarization" to Lolita
        1.2.1 Formalist Criticism about Vladimir Nabokov's Writings
        1.2.2 Novelty--the shared ideas between "defamiliarization" and Nabokov's view of art
Chapter 2. The Realization of Defamiliarization in Nabokov's Lolita
    2.1 Parody: an Essential method to Defamiliarize the Theme of Lolita
        2.1.1 Parody of Love Romance
        2.1.2 Parody of Detective stories
        2.1.3 Parody of the Prustian Theme on Time and Memory
        2.1.4 Sub-conclusion
    2.2 Poetic Language : a Most Effective Way to Defamiliarize in Lolita
        2.2.1 Multilingualism
        2.2.2 Baroque Language
        2.2.3 Word Play
        2.2.4 Sub-conclusion
Chapter 3. The Artistic Effect of the Realization of Defamiliarization in Lolita
    3.1 Defamiliarization Refracting Nabokov's Unique View of Art and Aesthetics
        3.1.1 Parody, a Key Word to Lolita
        3.1.2 Poetic Language, a Highlight in Lolita
    3.2 Defamiliarization Enabling Readers of Lolita to Acquire Artistic Perception
        3.2.1 Defamiliarization: an Effective Way to Acquire artistic perception
        3.2.2 Lolita: a Works of Art to Break Over-automatic Perception
Conclusion
Notes
Bibliography



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