【摘要】：石黑一雄,1954年出生于日本長(zhǎng)崎,后跟隨父母移居英國,是一位杰出的日裔英國當(dāng)代小說家。自1982年他的第一部作品《群山淡影》出版,三十幾年的創(chuàng)作生涯中,他著有六部長(zhǎng)篇小說,分別是《群山淡影》(1982)、《浮世畫家》(1986)、《長(zhǎng)日留痕》(1989)、《無法安慰》(1995)、《上海孤兒》(2000)、以及本文所關(guān)注的《別讓我走》(2005)。自《群山淡影》之后,石黑一雄的作品及其本人就走進(jìn)了文學(xué)批評(píng)家的視野中,幾乎每一部作品都在英國暢銷書榜單之列。他的作品視野寬廣,思想深刻,筆法簡(jiǎn)單純熟,正因如此,他在當(dāng)代英國文壇地位擁有十分重要的地位。 《別讓我離開》講述了一群生活在主流視野之外的克隆人,他們因?yàn)槿祟愥t(yī)學(xué)的需要來到這個(gè)世界,注定以在壯年之前捐獻(xiàn)出自己的器官而結(jié)束生命。通過描述克隆人來關(guān)照現(xiàn)代人的生存處境,可以說是一個(gè)有關(guān)現(xiàn)代人生存現(xiàn)狀的隱喻。《別讓我走》自出版以來在文學(xué)批評(píng)界受到廣泛關(guān)注,本文從敘事空間的角度進(jìn)行文本分析,旨在闡釋《別讓我離開》的敘事空間特征,以及敘事空間如何幫助建構(gòu)作品的主題。石黑一雄將物理空間按照時(shí)間順序排布,以事件為節(jié)點(diǎn)繪制記憶空間的地圖,說明了生命的短暫和記憶的重要。本文將《別讓我離開》中的空間分別剝離開來,從物理空間,記憶空間以及權(quán)力空間三個(gè)層面進(jìn)行分析。本文主要圍繞以下論點(diǎn)展開,第一,物理空間的選擇和排布凸顯了小說作為人類生存描繪隱喻的特征；第二,小說敘事者描繪的記憶空間取消了時(shí)間,以繪制地圖與設(shè)立地標(biāo)的方式突出整體性的敘事形式,同時(shí)說明記憶可貴的主題。第三,權(quán)利空間通過記憶空間呈現(xiàn),并通過物理空間的排布構(gòu)建,說明小說的社會(huì)性。文章結(jié)論部分總結(jié)全文論述,說明空間在小說的敘事功能與主題建構(gòu)上都舉足輕重,并指出了新的研究方向
[Abstract]:Ishihiro, born in 1954 in Nagasaki, Japan, moved to England with his parents. He is an outstanding contemporary Japanese novelist. Since the publication of his first work, "Light Shadow of the Mountains" in 1982, he has written six novels in his more than thirty years' writing career, namely, "the Light Shadow of the Mountains" (1982), "the floating Painter" (1986), and "the long Day traces" (1989). "No comfort" (1995), "Shanghai Orphan" (2000), and "Don't let me go" (2005). Since then, Ishihiro's works and his own have come into the view of literary critics, almost every one of which is on the best seller list in England. His works are broad in vision, profound in thought and simple in writing, which is why he holds a very important position in the contemporary English literary world. Don't let me go "tells the story of a group of clones living outside the mainstream who came to the world for the needs of human medicine and were destined to end their lives by donating their organs before adulthood." By describing human cloning to care for the living situation of modern people, we can say that it is a metaphor about the current situation of modern people's existence. "Don't let me go" has received widespread attention in literary criticism since its publication. This paper analyzes the narrative space from the perspective of narrative space in order to explain the characteristics of narrative space and how the narrative space helps to construct the theme of the work. Ishihiro arranges the physical space according to the order of time, taking the event as the node to draw the map of the memory space, which shows that the life is short and the memory is important. In this paper, the space in "Don't let me leave" is separated and analyzed from three aspects: physical space, memory space and power space. This paper focuses on the following points: first, the choice and arrangement of physical space highlights the features of the novel as a metaphor for human existence; Second, the memory space described by the narrator cancels the time, highlighting the overall narrative form by drawing maps and setting landmarks, and explaining the valuable theme of memory at the same time. Thirdly, the power space is presented by memory space and constructed through the arrangement of physical space to explain the sociality of the novel. The conclusion of the article summarizes the full text, explains that space plays an important role in the narrative function and theme construction of the novel, and points out the new research direction.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：I561.074

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相關(guān)碩士學(xué)位論文 前3條

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2 吳昌國;從空間敘事視角分析《核時(shí)代》中的核焦慮[D];國防科學(xué)技術(shù)大學(xué);2011年

3 王艷;個(gè)人記憶中的歷史[D];蘇州大學(xué);2005年

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本文編號(hào)：2428792