【摘要】：托尼·莫里森于1993年獲諾貝爾文學獎。作為迄今為止唯一一位獲得諾貝爾文學獎的美國黑人女作家,托尼·莫里森已在當今文學界產(chǎn)生深遠影響。被公認為當今世界最杰出的小說家之一,她的小說成就是美國黑人文學史上的一座豐碑。莫里森致力于保存和弘揚黑人文化,她的作品主要關注白人文化統(tǒng)治下的黑人生活,尤其是生活在社會邊緣的黑人女性。 《最藍的眼睛》發(fā)表于1970年,是托尼·莫里森的處女作,得到了評論家的高度關注。小說如歌如泣地講述了黑人小女孩佩科拉的經(jīng)歷。她沉湎幻想,渴望擁有一雙藍色的眼睛,認為這樣才能得到別人的欽佩和認可。最后佩科拉在自己的瘋狂世界里實現(xiàn)了自己的夢想,但墜入了充滿創(chuàng)傷和痛苦的深淵。小說中的主要人物在某種程度上都遭受著集體創(chuàng)傷和個人創(chuàng)傷,顯示出錯綜復雜的創(chuàng)傷癥狀。小說中主要人物經(jīng)歷的創(chuàng)傷各有不同。喬利作為黑人男性創(chuàng)傷者的代表,他的創(chuàng)傷來自于早期的個人悲慘經(jīng)歷。波琳,黑人女性創(chuàng)傷者之一,經(jīng)歷著家庭暴力和外界譏諷的雙重創(chuàng)傷。佩科拉的創(chuàng)傷主要來自于家庭的冷漠和社區(qū)的排擠。小說中的其他黑人小孩也經(jīng)歷著同樣的創(chuàng)傷。每一種創(chuàng)傷都給小說中的人物帶來深深的傷害。本文試運用創(chuàng)傷理論對小說進行分析,試圖發(fā)掘主要人物心里難以言表的創(chuàng)傷之痛,以及他們試圖走出創(chuàng)傷的種種努力。通過整合過去記憶和現(xiàn)在生活,尋找自身的社會身份,增進社區(qū)成員之間的親密關系,創(chuàng)傷者有可能從創(chuàng)傷中得到自我提升并重新審視世界。然而黑人所遭受的創(chuàng)傷之深、之痛注定了他們難以擺脫困擾他們的夢魘。喬利為了擺脫過去的夢魘,酗酒甚至將仇恨轉(zhuǎn)移到自己妻子和女兒身上,和女兒發(fā)生亂倫關系,象征著他沒有成功地將過去痛苦記憶整合到現(xiàn)在的生活中。波琳在經(jīng)歷個人創(chuàng)傷之后,喪失了愛的能力,甚至迷失了自我女性身份。佩科拉的瘋狂暗示著她拒絕融入白人社區(qū),只有在自己瘋狂世界里找尋自我。
[Abstract]:Tony Morrison was awarded the Nobel Prize for Literature in 1993. As the only black American writer ever to win the Nobel Prize for Literature, Tony Morrison has had a profound influence in the literary world. Recognized as one of the most outstanding novelists in the world today, her novel achievement is a monument in the history of black American literature. Morrison is committed to the preservation and promotion of black culture. Her works focus on black life under the rule of white culture, especially black women living on the margins of society. The Bluest eyes, published in 1970, is Tony Morrison's first work, which has received critical attention. The novel, like a song, tells the story of Pekola, a little black girl. She indulged in fantasies and longed to have blue eyes in order to be admired and recognized. In the end, Pecora realized her dream in her crazy world, but fell into an abyss of trauma and pain. To some extent, the main characters in the novel suffer from collective and personal trauma, showing complex trauma symptoms. The main characters in the novel experience different kinds of trauma. As a representative of black male traumatists, Jolly's trauma stems from his early personal tragic experiences. Pauline, one of the black female traumatists, experienced the double trauma of domestic violence and sarcasm. Pekola's trauma comes mainly from family apathy and community exclusion. Other black children in the novel experience the same trauma. Every kind of wound brings deep hurt to the characters in the novel. This paper tries to analyze the novel by using trauma theory, and tries to find out the unspeakable trauma pain of the main characters and their efforts to get out of the trauma. By integrating past memory and present life, finding their own social identity, and enhancing intimate relationships among community members, traumatists are likely to gain self-improvement from the trauma and re-examine the world. But the depth and depth of the wounds made it hard for blacks to get rid of the nightmares that beset them. In an attempt to get rid of the nightmare of the past, Jolly drank and even transferred hatred to his wife and daughter, having incest relations with his daughter, symbolizing his failure to integrate painful memories of the past into his present life. Pauline lost her ability to love and even lost her self-femininity after her personal trauma. Pecora's madness suggests that she refuses to fit into the white community and finds herself in her crazy world.
【學位授予單位】：武漢理工大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：I712.074

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