【摘要】：莎士比亞的經(jīng)典地位使得當(dāng)代莎士比亞十四行詩批評(píng)呈一邊倒的肯定態(tài)勢(shì),其批評(píng)史卻顯示并非如此。以詩學(xué)為視角,可以揭示莎士比亞十四行詩批評(píng)史的階段性特征:第一階段(1598—1779)主要受文本樣態(tài)與讀者品味的影響,第二階段(1780—1814)體現(xiàn)詩集編者的詩學(xué)調(diào)控;第三階段(1815—1929)是浪漫主義詩學(xué)對(duì)其經(jīng)典地位的確立;第四階段(1930至今)成為檢驗(yàn)不同詩學(xué)理論的試金石。莎士比亞十四行詩批評(píng)史不僅關(guān)涉詩歌與歷史,還關(guān)涉時(shí)代詩學(xué)對(duì)經(jīng)典的構(gòu)建過程。
[Abstract]:The classical status of Shakespeare makes the contemporary Shakespeare sonnet criticism take on a one-sided positive trend, but the history of his criticism shows that it is not. From the perspective of poetics, we can reveal the stage characteristics of Shakespeare's sonnet criticism history: the first stage (1598-1779) is mainly influenced by the style of the text and the taste of the reader, and the second stage (1780-1814) embodies the poetic regulation of the editor of the anthology of poems; The third stage (1815-1929) is the establishment of Romantic poetics to its classical status, and the fourth stage (1930 to now) has become the touchstone for testing different poetic theories. The history of Shakespeare's sonnet criticism relates not only to poetry and history, but also to the construction process of classical poetry.
【作者單位】： 電子科技大學(xué)外國語學(xué)院;
【基金】：四川省社科2014年度課題“翻譯詩學(xué)的理論嬗變研究”(項(xiàng)目編號(hào):SC14WY26) 電子科技大學(xué)中央高�；究蒲袠I(yè)務(wù)費(fèi)項(xiàng)目“翻譯與詩學(xué):莎士比亞十四行漢譯研究”(項(xiàng)目編號(hào):ZYGX2013J145)資助
【分類號(hào)】：I561.072
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本文編號(hào)：2417578