【摘要】：論文以塞萬提斯創(chuàng)作的三部長篇小說和一部短篇小說集為研究對象。通過梳理四百年來國內(nèi)外的塞萬提斯學(xué)術(shù)史，作者提出的問題是：流浪作為塞萬提斯小說中人物的一種常見的行為模式，，作者是如何書寫的？它有何內(nèi)涵？它對小說的人物和故事模式又有怎樣的影響？論文主要采取社會(huì)歷史批評和形式批評的方法，通過文本細(xì)讀對塞萬提斯小說作品中的人物流浪形態(tài)、內(nèi)涵進(jìn)行探討，并總結(jié)出塞萬提斯的流浪書寫，既擴(kuò)充了文學(xué)作品中流浪者的群體，同時(shí)又以現(xiàn)實(shí)的筆觸重構(gòu)了騎士小說、以高尚的主題升華了流浪漢小說。 論文緒論通過對塞萬提斯學(xué)術(shù)史的梳理，指出歷年來對塞萬提斯的研究具有一個(gè)顯著的特點(diǎn)：即以《堂吉訶德》為主要研究對象，以人物形象和創(chuàng)作目的論為基本切入點(diǎn)的。論文第一章對塞萬提斯小說中的流浪形態(tài)進(jìn)行了整理歸納和分類，認(rèn)為塞萬提斯小說中人物的流浪有三種基本的形態(tài)：情感流浪、民族流浪和英雄流浪。論文第二章以歷時(shí)和共時(shí)兩個(gè)維度，探討了塞萬提斯小說中的流浪所具有的歷史和象征內(nèi)涵，認(rèn)為塞萬提斯小說中的流浪，既對當(dāng)時(shí)的西班牙乃至歐洲的社會(huì)風(fēng)貌和問題進(jìn)行了現(xiàn)實(shí)的表現(xiàn)，同時(shí)也體現(xiàn)了作者自身的倫理道德訴求和精神追求。論文第三章著重探討塞萬提斯的流浪書寫之于歐洲小說人物模式、故事模式的影響，認(rèn)為塞萬提斯通過流浪這種行為方式完成對人物性格和關(guān)系的塑造，并完成對騎士小說的反動(dòng)和流浪漢小說的升華。結(jié)論認(rèn)為：塞萬提斯小說中的流浪是其塑造人物形象，推動(dòng)情節(jié)發(fā)展，表達(dá)主題的手段；并以此為基礎(chǔ)，塞萬提斯整合了騎士小說的虛構(gòu)性和流浪漢小說的現(xiàn)實(shí)性，從而為現(xiàn)代小說的發(fā)展作出了貢獻(xiàn)。
[Abstract]:The thesis focuses on three novels and a collection of short stories by Cervantes. By combing the academic history of Cervantes at home and abroad in the past 400 years, the author puts forward the following questions: how does the writer write vagrancy as a common behavior pattern of the characters in Cervantes' novels? What does it mean? How does it affect the characters and story patterns of the novel? This paper mainly adopts the methods of social and historical criticism and formal criticism, through the text of carefully reading the characters in Cervantes' novels, the form and connotation of wandering, and summarizes the vagrancy writing of Cervantes. It not only expands the group of vagrants in literary works, but also reconstructs chivalry novels with realistic strokes and sublimates vagrant novels with noble themes. By combing the academic history of Cervantes, the introduction points out that the study of Cervantes in the past years has a remarkable characteristic: take Don Quixote as the main object of study, and take figure image and Skopos as the basic breakthrough point. The first chapter summarizes and classifies the wandering forms in Cervantes' novels, and concludes that there are three basic forms of vagrancy of characters in Cervantes' novels: emotional vagrancy, national vagrancy and heroic vagrancy. The second chapter discusses the historical and symbolic connotation of vagrancy in Cervantes' novels from the diachronic and synchronic dimensions. It not only reflects the social features and problems in Spain and even Europe, but also reflects the author's ethical and moral demands and spiritual pursuit. The third chapter focuses on the influence of Cervantes' vagrancy writing on the patterns of characters and stories in European novels, and points out that Cervantes completes the shaping of character and relationship through vagrancy. And complete the reaction to the knight novel and the sublimation of the tramp novel. The conclusion is that the vagrancy in Cervantes' novels is the means to portray the characters, promote the plot development and express the theme. On the basis of this, Cervantes integrates the fictitious nature of knight novels and the reality of tramp novels, thus contributing to the development of modern novels.
【學(xué)位授予單位】：湘潭大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：I551.074

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本文編號(hào)：2375172