【摘要】：作為當代著名華裔美國作家,譚恩美的作品數(shù)次登上暢銷書排行榜,以其為數(shù)不多的作品震撼了世界文壇。她作品中所體現(xiàn)出的東西文化沖突、母女沖突、主人公的情感困惑等主題吸引著全世界的大批讀者。除了以上主題,她的作品中還貫穿著神秘的東方形象、轉世輪回及鬼魂形象,在她的前兩部作品《喜福會》和《灶君之妻》都有所體現(xiàn),在其第三部作品《通靈女孩》中更是表現(xiàn)得淋漓盡致。然而評論界對書中撲朔迷離的故事情節(jié)褒貶不一,爭論的焦點在于小說中所涉及的鬼魂和迷信現(xiàn)象。 本文將針對爭論的焦點,依據(jù)原型批評理論從人物和主題兩個方面對《通靈女孩》中的原型進行全面分析,旨在挖掘人類愛的集體無意識。 本文由引言、正文和結論三部分組成。引言部分對譚恩美及其作品《通靈女孩》進行了簡要介紹,接著概要回顧了學術界對《通靈女孩》所做的相關研究,最后對原型批評理論的起源和發(fā)展做了大致介紹,分析了本文的研究角度和結構安排。 正文部分主要分為三個章節(jié)：第一章對《通靈女孩》中的原型進行了分析,主要包括李寬的智慧老人原型；李彬彬的大地母親原型,以及李寬的死亡所體現(xiàn)的替罪羊原型。第二章論述了兩個神話主題：死亡—重生主題,以及替罪羊主題。第三章通過分析奧利維亞和李寬,以及奧利維亞和西蒙之間從隔離到融合的錯綜復雜的關系,挖掘作品中隱含的集體無意識—無窮無盡的愛。 最后一部分為論文的結論部分,論文作者在結論部分強調(diào)了譚恩美通過運用原型的意義,增強了《通靈女孩》的可讀性及深刻性,并且挖掘出了人類不同種群所共有的集體無意識,強化了小說愛的主題。
[Abstract]:As a famous contemporary Chinese American writer, Amy Tan's works have been on the bestseller list several times and shocked the world with a few of her works. The conflicts between East and West cultures, Mother and daughter conflicts, protagonists' emotional puzzles and so on in her works attract a large number of readers all over the world. In addition to the above themes, there are also mysterious Oriental images, reincarnation and ghost images in her works, which are reflected in her first two works, "Joy Luck Club" and "the wife of the Zaojun". In his third work, the channeling Girl, it was even more incisive. However, critics are mixed about the mystery of the story in the book, the focus of the debate is the ghost and superstition involved in the novel. In this paper, according to the theory of archetypal criticism, the archetypes in channeling Girl are comprehensively analyzed in terms of characters and themes, in order to excavate the collective unconsciousness of human love. This paper consists of three parts: introduction, text and conclusion. In the introduction part, I briefly introduce Amy Tan and her work "the channeling Girl", and then review the relevant research done by the academic circles, and at last introduce the origin and development of the archetypal criticism theory. The research angle and structure arrangement of this paper are analyzed. The main body is divided into three chapters: the first chapter analyzes the archetypes in "channeling Girl", including Li Kuan's prototype of the wise elderly, Li Binbin's prototype of Mother Earth, and Li Kuan's death as the scapegoat prototype. Chapter two discusses two mythological themes: death-rebirth and scapegoat. The third chapter analyzes Olivia and Li Kuan, as well as the complicated relationship between Olivia and Simon from isolation to fusion, and explores the hidden collective unconsciousness-endless love in the works. The last part is the conclusion of the paper. In the conclusion part, the author emphasizes that Amy Tan enhances the readability and profundity of channeling Girl through the use of archetypes. It also excavates the collective unconscious shared by different species of human beings and strengthens the theme of love in novels.
【學位授予單位】：北京交通大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：I712.074

【參考文獻】

相關期刊論文 前10條

1 楊媛;;虛構與想象——論譚恩美《靈感女孩》[J];安徽文學(下半月);2007年10期

2 魯婭輝;;《百種神秘感覺》的精神分析說[J];長江師范學院學報;2009年05期

3 閆建華;《靈感女孩》:一個救贖與獻祭犧牲的現(xiàn)代神話[J];解放軍外國語學院學報;2005年06期

4 譚岸青;女性“講古”的新體式——論譚恩美四部小說的敘事策略[J];暨南學報(人文科學與社會科學版);2004年01期

5 岳琳;;《靈感女孩》中的中西文化沖突解讀[J];內(nèi)蒙古農(nóng)業(yè)大學學報(社會科學版);2008年01期

6 閆建華;愛的尋覓與原始的回歸——《靈感女孩》與《蜜蜂的神秘生活》的互文性閱讀[J];浙江工業(yè)大學學報(社會科學版);2005年01期

7 程愛民,張瑞華;中美文化的沖突與融合:對《喜福會》的文化解讀[J];國外文學;2001年03期

8 陳蕾蕾;透析譚恩美《靈感女孩》中的迷信現(xiàn)象[J];國外文學;2002年04期

9 張洪偉;岳林;;揮之不去的“東方主義情結”——解讀譚恩美小說《靈感女孩》[J];外國語言文學研究;2006年01期

10 鄒建軍;;從分離到融合:《通靈女孩》中的三個倫理維度[J];外國文學研究;2007年06期

，

本文編號：2289860