紀實類電視節(jié)目的戲劇性構(gòu)造研究
發(fā)布時間：2018-12-06 07:55
【摘要】：紀實類電視節(jié)目,是目前我國電視節(jié)目中內(nèi)容涉及面廣、創(chuàng)作方式多元和文化意味顯著的重要存在樣式。紀實類電視節(jié)目,既是以記錄方式寫實的典范,又是戲劇化書寫的客觀存在。早期紀錄片的紀實觀念及電視節(jié)目欄目化的進程,促使紀錄片中的紀實策略與電視節(jié)目有了更進一步的交融,它們?yōu)闈M足大眾日趨演進的觀看需求,又經(jīng)歷電視節(jié)目精品化的價值探尋,紀實節(jié)目采取適當?shù)膽騽⌒詷?gòu)造策略成為節(jié)目發(fā)展的必然導向。21世紀以來我國各類電視節(jié)目競爭激烈,如開闊的內(nèi)容擷取和真性情的敘事表達、古今傳奇對壘今朝軼事、還有與時俱進的視聽造型與固化的舞美設計之間的碰撞等,其間戲劇性的創(chuàng)作理念促使我國電視節(jié)目在世界舞臺大放異彩。而大量研究者對紀實節(jié)目的關注,卻大多還僅僅投注在紀實性的固步自封里,一時忽視了戲劇性與紀實性的理論矛盾和解,這既為我們提供了一個獨特的研究視角,又提供了頗具意義的研究對象。本文論題“紀實類電視節(jié)目的戲劇性構(gòu)造研究”包含:概念界定、戲劇性敘事、戲劇性情境、戲劇性造型和戲劇性審美五個方面,結(jié)合具體的節(jié)目案例對其進行了綜合性的整體研究。首先,探討了紀實類電視節(jié)目的概念與分類,并對“戲劇性”的內(nèi)涵及表現(xiàn)方式給予交代,從而籠統(tǒng)表達出當下紀實類電視節(jié)目已存在把戲劇性的表達方式作為行業(yè)主流的趨勢,表明戲劇性已然成為提升紀實類節(jié)目收視及口碑的重要驅(qū)使。然究其根本,紀實性仍是紀實類節(jié)目的生命之本,兩者并不存在相悖性。其次,分析構(gòu)成紀實類節(jié)目的戲劇性元素,包括戲劇化敘事、情境、造型、審美四個方面,并分別針對包含的戲劇性元素進行解讀。如在戲劇化敘事的方面:從敘事結(jié)構(gòu)和類型歸類各大紀實節(jié)目中的敘事走向,進一步從紀實類節(jié)目故事化的傾向中探尋情節(jié)、動作、沖突、懸念傳達出的內(nèi)在戲劇性構(gòu)建意旨。在戲劇化情境的方面:從紀實性情境的創(chuàng)設與表達和戲劇性的情景再現(xiàn),尋找寫實與表意的戲劇化情境的蘊味。在戲劇化造型的方面:通過對畫面造型、聲音運用及影像造型三者的視聽語言研究,從外在視角探析紀實類電視節(jié)目的戲劇性張力。在戲劇性審美方面,先分析紀實類節(jié)目應該體現(xiàn)的審美意蘊,再分析戲劇性可以為紀實性增加趣味即寓教于樂或寓思于樂,從而討論二者的協(xié)調(diào)與統(tǒng)一的關系,即戲劇性只是為紀實性增添審美內(nèi)涵的手段,其內(nèi)在本質(zhì)都該指向紀實性的文化表征。
[Abstract]:Documentary TV program is an important existing style of TV programs in our country, which involves a wide range of content, diverse creative ways and significant cultural significance. Documentary TV programs are not only a model of realistic writing in the way of recording, but also an objective existence of dramatic writing. The documentary concept of early documentaries and the process of TV program column make the documentary strategy of documentary film and TV program have a further blend, in order to meet the public's increasingly evolving viewing needs, After the exploration of the value of the quality TV programs, it has become the inevitable direction of the development of the programs that documentary programs adopt appropriate dramatic construction strategies. Since the 21st century, all kinds of TV programs in our country have been in fierce competition. Such as open content capture and true temperament of narrative expression, ancient and modern legend against the current anecdote, and with the audio-visual styling with the collision with the solidified dance design, and so on. During the dramatic creative ideas, China's television programs in the world stage brilliance. However, a large number of researchers have paid attention to documentary programs, but most of them have just invested in the reality and ignored the theoretical contradiction between drama and reality for a while. This has provided us with a unique research perspective. It also provides a meaningful research object. The research on the dramatic structure of documentary TV programs includes five aspects: concept definition, dramatic narration, dramatic situation, dramatic modeling and dramatic aesthetic appreciation. Combined with the specific program cases, it carries on the comprehensive overall research. First of all, it discusses the concept and classification of documentary TV programs, and explains the connotation and expression of "drama". Thus the general expression of the current documentary TV programs has a trend of taking dramatic expression as the mainstream of the industry, which indicates that drama has become an important driving force to improve documentary TV viewing and word-of-mouth. However, the reality is still the basis of the life of documentary programs, and there is no contradiction between the two. Secondly, this paper analyzes the dramatic elements of documentary programs, including dramatic narrative, situation, modeling, aesthetic four aspects, and respectively in view of the dramatic elements included in the interpretation. For example, in the aspect of dramatic narration, the author classifies the narrative trend of the major documentary programs from the narrative structure and types, and further explores the plot, action, conflict and suspense of the inner dramatic construction intention conveyed by the narrative structure and type of documentary programs. In the aspect of dramatic situation: from the creation and expression of documentary situation and dramatic scene reappearance, to find the connotation of realistic and ideographic dramatic situation. In the aspect of dramatic modeling: through the audio-visual language research of screen modeling, sound application and image modeling, this paper analyzes the dramatic tension of documentary TV programs from the external perspective. In the aspect of dramatic aesthetics, we first analyze the aesthetic implication that documentary programs should embody, and then analyze that drama can add interest to the documentary, that is, to teach or to think about music, so as to discuss the relationship between the coordination and unity of the two. That is, drama is only a means to add aesthetic connotation to the documentary, and its intrinsic essence should point to the cultural representation of the documentary.
【學位授予單位】：曲阜師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：G222
本文編號：2365702
[Abstract]:Documentary TV program is an important existing style of TV programs in our country, which involves a wide range of content, diverse creative ways and significant cultural significance. Documentary TV programs are not only a model of realistic writing in the way of recording, but also an objective existence of dramatic writing. The documentary concept of early documentaries and the process of TV program column make the documentary strategy of documentary film and TV program have a further blend, in order to meet the public's increasingly evolving viewing needs, After the exploration of the value of the quality TV programs, it has become the inevitable direction of the development of the programs that documentary programs adopt appropriate dramatic construction strategies. Since the 21st century, all kinds of TV programs in our country have been in fierce competition. Such as open content capture and true temperament of narrative expression, ancient and modern legend against the current anecdote, and with the audio-visual styling with the collision with the solidified dance design, and so on. During the dramatic creative ideas, China's television programs in the world stage brilliance. However, a large number of researchers have paid attention to documentary programs, but most of them have just invested in the reality and ignored the theoretical contradiction between drama and reality for a while. This has provided us with a unique research perspective. It also provides a meaningful research object. The research on the dramatic structure of documentary TV programs includes five aspects: concept definition, dramatic narration, dramatic situation, dramatic modeling and dramatic aesthetic appreciation. Combined with the specific program cases, it carries on the comprehensive overall research. First of all, it discusses the concept and classification of documentary TV programs, and explains the connotation and expression of "drama". Thus the general expression of the current documentary TV programs has a trend of taking dramatic expression as the mainstream of the industry, which indicates that drama has become an important driving force to improve documentary TV viewing and word-of-mouth. However, the reality is still the basis of the life of documentary programs, and there is no contradiction between the two. Secondly, this paper analyzes the dramatic elements of documentary programs, including dramatic narrative, situation, modeling, aesthetic four aspects, and respectively in view of the dramatic elements included in the interpretation. For example, in the aspect of dramatic narration, the author classifies the narrative trend of the major documentary programs from the narrative structure and types, and further explores the plot, action, conflict and suspense of the inner dramatic construction intention conveyed by the narrative structure and type of documentary programs. In the aspect of dramatic situation: from the creation and expression of documentary situation and dramatic scene reappearance, to find the connotation of realistic and ideographic dramatic situation. In the aspect of dramatic modeling: through the audio-visual language research of screen modeling, sound application and image modeling, this paper analyzes the dramatic tension of documentary TV programs from the external perspective. In the aspect of dramatic aesthetics, we first analyze the aesthetic implication that documentary programs should embody, and then analyze that drama can add interest to the documentary, that is, to teach or to think about music, so as to discuss the relationship between the coordination and unity of the two. That is, drama is only a means to add aesthetic connotation to the documentary, and its intrinsic essence should point to the cultural representation of the documentary.
【學位授予單位】：曲阜師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：G222
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