【摘要】：《晉察冀畫報(bào)》誕生于抗日戰(zhàn)爭(zhēng)時(shí)期的晉察冀邊區(qū),是共產(chǎn)主義群眾話語(yǔ)指導(dǎo)文藝創(chuàng)作的產(chǎn)物。都市畫報(bào)作為都市文化的參與者和建構(gòu)者,在遭遇共產(chǎn)主義的群眾話語(yǔ)之后展現(xiàn)出全新的面貌。以"走向群眾"的方針為指導(dǎo),主辦者將《晉察冀畫報(bào)》定位于"為群眾鼓動(dòng)工作服務(wù)",然而受制于歷史情境,導(dǎo)致其傳播效果有限,內(nèi)容生產(chǎn)也不可避免地帶上了都市畫報(bào)的傳統(tǒng)。盡管如此,《晉察冀畫報(bào)》所做的開創(chuàng)性嘗試仍然為中國(guó)共產(chǎn)主義畫報(bào)的發(fā)展奠定了基礎(chǔ),是新中國(guó)畫報(bào)史的第一頁(yè)。
[Abstract]:Jin-Cha-Ji Illustrated, born in the Jin-Cha-Ji Border region during the War of Resistance against Japan, is the product of the literary and artistic creation directed by the communist masses. As a participant and constructor of urban culture, Metropolitan Illustrated presents a new look after the communist mass discourse. Guided by the policy of "going to the masses", the organizers positioned the Jin-Chaji Illustrated newspaper as "serving for the masses' agitation work", but was constrained by the historical situation, which led to its limited dissemination effect. Content production also inevitably takes place on the city pictorial tradition. Nevertheless, the pioneering attempt made by Shanxi and Chaji Illustrated still laid the foundation for the development of Chinese Communist Illustrated and was the first page in the history of New China Illustrated.
【作者單位】： 中國(guó)傳媒大學(xué)新聞傳播學(xué)部電視學(xué)院;
【基金】：國(guó)家社科基金藝術(shù)學(xué)項(xiàng)目“新中國(guó)畫報(bào)史:圖像中的社會(huì)變遷”(項(xiàng)目編號(hào):15BF071)的研究成果
【分類號(hào)】：G219.29

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