岡倉天心(1862-1913)代表了明治維新時(shí)期日本知識分子在東西對峙中敏感的文化觸角和靈魂掙扎,他的系列英文作品《東方的覺醒》、《東方的理想》、《日本的覺醒》及《茶之書》反映出暗夜中日本面對的選擇焦慮:是應(yīng)該支持德川幕府向內(nèi)尋求文化滋養(yǎng)與自我覺醒的傳統(tǒng),抑或是傾向于福澤諭吉脫亞入歐派向外接受全盤西化的策略?還是尋覓另外的發(fā)展道路?他的作品皆彌散著對歷史沿革中民族命運(yùn)的思考以及對植根其中的人文藝術(shù)的關(guān)懷,用融入東方價(jià)值觀的西方語言為載體,言說亞洲并解密東方,受到世界的關(guān)注與重視。更重要的是,岡倉天心這四本書是東西方文化碰撞狂濤乍起之時(shí)的傾力之作,是消解權(quán)力話語下異質(zhì)性文化偏見并融入文化間對話與認(rèn)同的訴求與實(shí)踐。諸如“自我”與“他者”互為鏡像的形象塑造,多元文化碰撞中的矛盾心態(tài),以及本土和全球意識的踐行等跨文化研究問題有一定的參考價(jià)值。目前有關(guān)形象學(xué)的研究多側(cè)重對異國形象或異國對本國形象的單向度敘事上,涉及從不同主體視角對自我與他者形象關(guān)系的探究還有待開拓,對雙語創(chuàng)作者岡倉天心的文學(xué)表現(xiàn)與闡釋也是一塊極具跨文化實(shí)踐意義卻鮮有研究的領(lǐng)域。作者以跨文化批判學(xué)為框架,形象學(xué)與跨文化形象學(xué)為理論...

【文章頁數(shù)】：172 頁

【文章目錄】：
Acknowledgements 摘要 Abstract Chapter One: Introduction
1.1 Research Background and Rationale
1.2 Research Questions and Significance
1.3 Research Methodology and Epistemology
1.4 Research Objects: Okakura and his Works
    1.4.1 A Prominent Figure in the Meiji Era
    
1.4.1.1 Nurture from Multiethnic Sources
    
1.4.1.2 Exposure to a Fluctuating Circumstance
    
1.4.1.3 Experience with Greater Global Vision
    1.4.2 Okakura’s Works in English
    
1.4.2.1 The Awakening of the East
    
1.4.2.2 The Ideals of the East
    
1.4.2.3 The Awakening of Japan
    
1.4.2.4 The Book of Tea Chapter Two: Literature Review
2.1 Theoretical Framework
    2.1.1 Imagology
    2.1.2 Intercultural Image Studies
2.2 Conceptualization of the Self and the Other
    2.2.1 Important Definitions of Selfhood and Otherness
    
2.2.1.1 The Self and the Other in Philosophy
    
2.2.1.2 The Self and the Other in Cultural Studies and Intercultural Communication Studies
    
2.2.1.3 The Self and the Other in Image Studies
    2.2.2 New Paradigms in Intercultural Communication Studies
    
2.2.2.1 Critical Intercultural Communication
    
2.2.2.2 Towards a Dialectical Perspective
2.3. Studies on Okakura and his works Chapter Three: Intercultural Images in Okakura’s Works
3.1 Images of the Self and the Other
    3.1.1 The Western Images of Asia
    3.1.2 Okakura’s Images of the West
    3.1.3 The Self-constructed Images of Asia
    3.1.4 Dynamic Process of Othering and Self-othering
3.2 Sustained Dialogue between the East and the West
    3.2.1 Complementing Images
    3.2.2 Inherent Conflicting Images
    
3.2.2.1 The Conscious Fighting Against the Aggressive Image of Asia .
    
3.2.2.2 The Unconscious Reinforcement of the “Aggressive” Asia
3.3 Summary Chapter Four: Factors Affecting the Construction of the Images
4.1 Explicit Factors
    4.1.1 Time as Vertical Axis
    4.1.2 Distance as Horizontal Axis
    4.1.3 Angle from Different Positions
4.2 Implicit Factors
    4.2.1 Identity Shifts
    4.2.2 Power Manipulations
    4.2.3 Nationalistic Sentiment
4.3 Summary Chapter Five: Okakura’s Identity in Literary Expressions
5.1 A Multifaceted Identity in Style
    5.1.1 Hybridity
    
5.1.1.1 Content within the Code
    
5.1.1.2 Superiority vs. Inferiority
    5.1.2 Fluidity
    
5.1.2.1 The Elusive and The Everlasting
    
5.1.2.2 The Root and The Route
    5.1.3 Ambivalence
    
5.1.3.1 Conflicts vs. Compromises
    
5.1.3.2 Sense of Pride vs. Sense of Guilt
5.2 An Interwoven Intertextuality Phenomena
    5.2.1 Diction with Intertextual Memes
    
5.2.1.1 Coinage
    
5.2.1.2 Idioms
    5.2.2 Texts Embedded in Texts
    
5.2.2.1 Paragraphs and Sentences
    
5.2.2.2 Rhetorical Devices
5.3 Summary Chapter Six: Conclusion
6.1 Summary
6.2 Limitation of the Study
6.3 Implications and Prospects for Future Research References



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