【摘要】：英國現(xiàn)代詩人伯納德·斯賓塞的詩作《舒卜拉的埃及舞者》通過多元視角的轉換,透視埃及東方舞背后的文化寓意:作為埃及傳統(tǒng)文化與西方殖民主義、帝國主義相雜糅的商業(yè)化產(chǎn)物,東方舞成為埃及現(xiàn)代城市書寫的文化表征。本文借助跨藝術詩學的批評理論,探討斯賓塞如何通過舞蹈與詩歌之間的"藝格符換",即兩種藝術媒介間的轉化與融合,在詩歌中吸納埃及東方舞的精髓與時代精神,立體呈現(xiàn)了20世紀上半葉埃及現(xiàn)代化、城市化進程中的日常生活場景和獨特的城市文化景觀,從而超越了薩義德所批判的"東方主義"樊籬。
[Abstract]:British modern poet Bernard Spencer's poem "the Egyptian Dancer of Shubra", through the transformation of multiple perspectives, explores the cultural implication behind Egyptian Oriental Dance: as an Egyptian traditional culture and Western colonialism, A mixture of imperialism and commercialization, Oriental dance became the cultural representation of Egyptian modern city writing. With the help of the critical theory of cross-artistic poetics, this paper discusses how Spencer absorbed the essence and spirit of Egyptian Eastern Dance in his poetry through the "Eigen-Verse exchange" between dance and poetry, that is, the transformation and fusion between the two kinds of artistic media, and how to absorb the essence and the spirit of the times of Egyptian Eastern Dance in his poetry. Three-dimensional presentation of Egypt's modernization in the first half of the 20th century, urbanization in the process of daily life and unique urban cultural landscape, thus surpassing Saeed's critique of "Orientalism" fence.
【作者單位】： 杭州師范大學外國語學院;
【基金】：國家社科基金重點項目“歐美跨藝術詩學研究”(批準號:14WW001) 教育部人文社會科學研究規(guī)劃基金項目“英美現(xiàn)代派詩歌中的城市書寫研究”(13YJA752014)的階段性成果
【分類號】：I561.072
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本文編號：2449297