對(duì)規(guī)訓(xùn)的逃離—《革命之路》中“窗”意象的研究
發(fā)布時(shí)間：2018-08-28 08:22
【摘要】：理查德·耶茨是美國(guó)"焦慮時(shí)代"的偉大作家,美國(guó)20世紀(jì)30至60年代的代言人。而耶茨作為一位自傳性因素很強(qiáng)的作家,在以現(xiàn)實(shí)主義手法忠實(shí)記錄20世紀(jì)中葉美國(guó)主流生活的同時(shí),還在作品中或多或少地滲透著他的自我意識(shí)。由于耶茨本人獨(dú)特的經(jīng)歷,使其終生都渴望逃離。50年代壓抑的政治氣氛又強(qiáng)化了他的逃離意識(shí),《革命之路》便是時(shí)代與個(gè)人雙重壓抑的產(chǎn)物。所以《革命之路》不僅表現(xiàn)了耶茨個(gè)人的逃離意識(shí),更表現(xiàn)了一個(gè)時(shí)代的逃離意識(shí)。50年代早已被貼上"沉悶保守"的政治標(biāo)簽,中產(chǎn)階級(jí)這一群體由于其獨(dú)特的社會(huì)地位在這種時(shí)代氛圍下更是噤若寒蟬。但中產(chǎn)階級(jí)并非鐵板一塊,以知識(shí)技能為主導(dǎo)特征的"新中產(chǎn)階級(jí)"內(nèi)部已有分化,一部分向以資本為主要特征的老派中產(chǎn)階級(jí)靠攏,安分守己是他們的生活方式,一部分向激進(jìn)的青年一代靠攏,具有強(qiáng)烈的反叛精神。中產(chǎn)階級(jí)的這種內(nèi)部分化昭示著沉悶保守的50年代背后也潛藏著一股激流。正是這股激流使50年代和60年代前后相承,而非斷裂。但由于時(shí)代環(huán)境等諸因素使然,具有反叛精神的這部分中產(chǎn)階級(jí)并未采取實(shí)際的激進(jìn)舉措,僅僅是進(jìn)行了象征意義上的"革命"。這種反叛精神在《革命之路》中表現(xiàn)為逃離意識(shí)。"窗"意象便是這種逃離意識(shí)的載體。在《革命之路》中"窗"的隱喻義非常豐富,作品中的"窗"一方面是察看外部世界的媒介,另一方面又因封閉是逃離現(xiàn)有困境的障礙。除了 "窗"的實(shí)義層面外,無(wú)處不在的"窗"象征著福柯所說(shuō)的"權(quán)力的眼睛",是社會(huì)規(guī)范對(duì)人的禁閉、監(jiān)視和迫害。作為隱喻層面的"窗"可用于隔離、監(jiān)視和逃離。本文的論述主要分三個(gè)部分,分別對(duì)應(yīng)"窗"的這三重隱喻功能,這三重隱喻功能也反映出《革命之路》中人物的生存狀態(tài)以及50年代的時(shí)代氛圍。本文借助文本解讀從"窗"的這三重隱喻功能著手分析《革命之路》中人物的生存狀態(tài),更進(jìn)一步探微那個(gè)時(shí)代。
[Abstract]:Richard Yates is a great American writer in the Age of anxiety and a spokesman for America in the 1930s and 1960s. As a writer with strong autobiographical factors, Yates, while faithfully recording the mainstream American life in the middle of the 20th century, has more or less permeated his self-consciousness in his works. Because of his own unique experience, Yates longed to escape from the political atmosphere of the 1950s and strengthened his escape consciousness. The Road of Revolution is the product of the dual repression of the times and individuals. So the road to revolution not only shows Yates' personal sense of escape, but also the escape consciousness of an era. The 1950s has long been labeled "dreary and conservative" politics. The middle class, because of its unique social status, is shivering in this era. But the middle class is not a monolithic one. The "new middle class", characterized by knowledge and skills, has become divided within itself, some of which are drawn closer to the old-school middle class characterized mainly by capital, and their way of life is to keep one's share and keep one's own. Part of the radical younger generation drew closer, with a strong rebellious spirit. This internal division of the middle class reveals a torrent behind the dreary conservative 1950s. It was this torrent that made the 1950s and '60s, rather than break. However, due to various factors, such as the times, the rebellious spirit of this part of the middle class did not take practical radical measures, only a symbolic "revolution". This rebellious spirit is manifested in the road to revolution as a sense of escape. " The image of window is the carrier of escape consciousness. The metaphorical meaning of "window" in "the Road of Revolution" is very rich. On the one hand, the "window" in the works is the medium of viewing the external world, on the other hand, the closure is the obstacle to escape from the present predicament. In addition to the "window", the ubiquitous window symbolizes Foucault's "eyes of power", which is the confinement, surveillance and persecution of people by social norms. As a metaphorical level, the window can be used to isolate, monitor and escape. This thesis is divided into three parts, corresponding to the triple metaphorical function of "window", which also reflects the living state of the characters in "the Road of Revolution" and the atmosphere of the era in the 1950s. With the help of textual interpretation, this paper analyzes the living state of the characters in the Road of Revolution from the perspective of the triple metaphorical function of the window, and further explores that era.
【學(xué)位授予單位】：南京大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I712.074
本文編號(hào)：2208829
[Abstract]:Richard Yates is a great American writer in the Age of anxiety and a spokesman for America in the 1930s and 1960s. As a writer with strong autobiographical factors, Yates, while faithfully recording the mainstream American life in the middle of the 20th century, has more or less permeated his self-consciousness in his works. Because of his own unique experience, Yates longed to escape from the political atmosphere of the 1950s and strengthened his escape consciousness. The Road of Revolution is the product of the dual repression of the times and individuals. So the road to revolution not only shows Yates' personal sense of escape, but also the escape consciousness of an era. The 1950s has long been labeled "dreary and conservative" politics. The middle class, because of its unique social status, is shivering in this era. But the middle class is not a monolithic one. The "new middle class", characterized by knowledge and skills, has become divided within itself, some of which are drawn closer to the old-school middle class characterized mainly by capital, and their way of life is to keep one's share and keep one's own. Part of the radical younger generation drew closer, with a strong rebellious spirit. This internal division of the middle class reveals a torrent behind the dreary conservative 1950s. It was this torrent that made the 1950s and '60s, rather than break. However, due to various factors, such as the times, the rebellious spirit of this part of the middle class did not take practical radical measures, only a symbolic "revolution". This rebellious spirit is manifested in the road to revolution as a sense of escape. " The image of window is the carrier of escape consciousness. The metaphorical meaning of "window" in "the Road of Revolution" is very rich. On the one hand, the "window" in the works is the medium of viewing the external world, on the other hand, the closure is the obstacle to escape from the present predicament. In addition to the "window", the ubiquitous window symbolizes Foucault's "eyes of power", which is the confinement, surveillance and persecution of people by social norms. As a metaphorical level, the window can be used to isolate, monitor and escape. This thesis is divided into three parts, corresponding to the triple metaphorical function of "window", which also reflects the living state of the characters in "the Road of Revolution" and the atmosphere of the era in the 1950s. With the help of textual interpretation, this paper analyzes the living state of the characters in the Road of Revolution from the perspective of the triple metaphorical function of the window, and further explores that era.
【學(xué)位授予單位】：南京大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I712.074
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