【摘要】：長期以來,很多學(xué)者對后現(xiàn)代主義與大眾文化這兩種現(xiàn)象有所關(guān)注,認(rèn)為兩者在很多方面存在共同點(diǎn)。由此認(rèn)為,在文學(xué)層面上,后現(xiàn)代主義文學(xué)與大眾文學(xué)之間也存在相通之處。在世界文學(xué)的大框架下,俄羅斯后現(xiàn)代主義文學(xué)與大眾文學(xué)呈現(xiàn)出了同樣的特點(diǎn)。作為俄羅斯著名的作家,佩列文在文學(xué)方面的創(chuàng)作成果顯著。其作品在主題、內(nèi)容、結(jié)構(gòu)、語言等方面別具一格,受到讀者的廣泛好評,也備受評論界的關(guān)注。佩列文的多部小說在俄羅斯國內(nèi)外獲得了眾多獎項。從整體寫作風(fēng)格來看,人們一般認(rèn)為他屬于后現(xiàn)代主義文學(xué)作家行列。與此同時,佩列文擅長打破后現(xiàn)代主義文學(xué)與大眾文學(xué)的界限,在其創(chuàng)作中可以發(fā)現(xiàn)大量大眾文學(xué)元素。正是這些大眾文學(xué)元素的存在使佩列文的小說獨(dú)具特色,降低了文學(xué)閱讀的門檻。本論文將探究佩列文的創(chuàng)作特色,以《“百事”一代》為個案,分析小說中后現(xiàn)代主義與大眾文學(xué)元素雜糅的具體表現(xiàn)。本論文由緒論、主體和結(jié)語三部分組成。在緒論部分主要論述與本論文主題相關(guān)的研究背景、研究目的與意義、研究對象與問題、研究方法和創(chuàng)新之處及國內(nèi)外研究綜述。主體部分共分為四章。第一章分別介紹后現(xiàn)代主義、大眾文化、后現(xiàn)代主義文學(xué)、大眾文學(xué)產(chǎn)生的時代背景、基本特征等,在分析后現(xiàn)代主義與大眾文化的關(guān)系的基礎(chǔ)上探究后現(xiàn)代主義文學(xué)與大眾文學(xué)之間的聯(lián)系。第二章具體分析俄羅斯后現(xiàn)代主義文學(xué)、大眾文學(xué)的發(fā)展歷程及其特點(diǎn),通過對兩者特點(diǎn)的分析探究兩者的相通之處。第三章主要介紹俄羅斯后現(xiàn)代主義作家佩列文的生平與創(chuàng)作,探究其后現(xiàn)代主義創(chuàng)作中后現(xiàn)代主義與大眾文學(xué)元素的雜糅。第四章以佩列文的小說《“百事”一代》為個案,分析在該作品中后現(xiàn)代主義文學(xué)元素與大眾文學(xué)元素在題材、主題、人物、語言等幾個方面雜糅的具體表現(xiàn)。最后對論文進(jìn)行總結(jié)。在結(jié)語部分對研究內(nèi)容進(jìn)行總結(jié)。
[Abstract]:For a long time, many scholars have paid attention to postmodernism and popular culture, and think that they have common ground in many aspects. Therefore, on the literary level, postmodernism literature and popular literature also have similarities. Under the framework of world literature, Russian postmodernist literature and popular literature show the same characteristics. As a famous Russian writer, Peleven's literary achievements are remarkable. His works are unique in theme, content, structure, language and so on. Peleven's novels have won numerous awards at home and abroad. Judging from the overall writing style, he is generally regarded as a post-modernist literary writer. At the same time, Peleven is good at breaking the boundary between postmodernism literature and popular literature, and can find a lot of popular literature elements in his creation. It is the existence of these popular literary elements that makes Peleven's novels unique and lowers the threshold of literary reading. In this paper, we will explore the characteristics of Pelewen's creation, take Pepsi Generation as a case study, and analyze the concrete performance of the blending of postmodernism and popular literature elements in the novel. This thesis consists of three parts: introduction, subject and conclusion. In the introduction part, it mainly discusses the research background, the purpose and significance, the research object and problem, the research method and the innovation place and the domestic and foreign research summary. The main part is divided into four chapters. The first chapter introduces the background and basic characteristics of postmodernism, popular culture, postmodernism literature, popular literature, etc. On the basis of analyzing the relationship between postmodernism and popular culture, this paper explores the relationship between postmodernism literature and popular literature. The second chapter analyzes the development process and characteristics of Russian postmodernist literature and popular literature, and explores the similarities between the two through the analysis of their characteristics. The third chapter mainly introduces the life and creation of the Russian postmodernist writer Peleven, and probes into the mixture of postmodernism and popular literature elements in postmodernism creation. In the fourth chapter, taking the Pepsi Generation as a case study, the author analyzes the concrete performance of the blending of postmodernist literary elements and popular literary elements in themes, characters, language and so on. Finally, the paper is summarized. In the conclusion part, the research content is summarized.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I512.074

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本文編號：2151332