本文選題：蘇珊·桑塔格 + 在美國��； 參考：《鄭州大學學報(哲學社會科學版)》2016年03期

【摘要】：《在美國》中波蘭女演員瑪琳娜到美國西部鄉(xiāng)村阿納海姆創(chuàng)建烏托邦式的集體社區(qū),并在這一實踐失敗后選擇在美國的舞臺上復出而大獲成功�，斄漳葘跬邪詈兔绹鴫舻淖非�,是她擺脫歷史與現(xiàn)實的束縛,尋找和創(chuàng)建自我身份的個人革命。然而她的自我危機并沒有在這場革命中得到化解,反而愈演愈烈,并無限推延。這是因為這場個人生活方式的變革實質上只是一種美學意義上的7負和超越。烏托邦和美國夢為她提供了波蘭生活中不可能享有的自由、想象、越軌等經(jīng)驗,發(fā)揮著異托邦空間的功效,卻并不能為她解決自我不斷異化的問題。
[Abstract]:In America, Polish actress Marina goes to Anaheim, a western American village, to create a utopian collective community, and after this practice fails, she chooses to return to the American stage with great success. Marina's pursuit of utopia and the American dream is her personal revolution in finding and creating her identity from the shackles of history and reality. Her self-crisis, however, was not resolved in the revolution, but intensified and postponed indefinitely. This is because this personal lifestyle reform is in essence an aesthetic sense of negative and transcendent. Utopia and the American dream provide her with the freedom, imagination, deviance and other experience in Polish life, play the role of heterotopia space, but can not solve the problem of self-alienation for her.
【作者單位】： 南京大學外國語學院;鄭州大學外語學院;
【基金】：國家社會科學基金項目“美國左翼女作家研究”(12CWW040) 教育部人文社會科學研究青年基金項目“‘沉默的美學’視閾下的桑塔格小說創(chuàng)作研究”(12YJC752044)
【分類號】：I712.074
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本文編號：2073129