本文選題：散文詩(shī) + 文體獨(dú)立�。� 參考：《福建師范大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版)》2016年04期

【摘要】：散文詩(shī)作為一種新文體擁有獨(dú)特的體式特征、思想內(nèi)容和審美尺度,其嶄新的藝術(shù)形式不是外在空洞的框架,而是以造形的力量實(shí)現(xiàn)并宣布新內(nèi)容的誕生。散文詩(shī)的文體身份確認(rèn)可推動(dòng)創(chuàng)作的繁榮與理論的建構(gòu),其作為現(xiàn)代漢詩(shī)的重要組成部分,有助于重建漢語(yǔ)的詩(shī)意造型、增強(qiáng)漢語(yǔ)的創(chuàng)新體驗(yàn)、拓展?jié)h語(yǔ)的表達(dá)空間。借助�？碌臋�(quán)力話(huà)語(yǔ)考察散文詩(shī)的文體問(wèn)題可明晰創(chuàng)作實(shí)踐與體裁獨(dú)立性的追求對(duì)文類(lèi)規(guī)約的反抗意義,推動(dòng)理論研究進(jìn)入到更大的文化語(yǔ)境和文藝活動(dòng)實(shí)踐中去。
[Abstract]:As a new style, prose poetry has its unique style characteristics, ideological content and aesthetic standards. Its new artistic form is not an external empty frame, but a formative force to realize and announce the birth of new content. The stylistic identity confirmation of prose poetry can promote the prosperity of creation and the construction of theory. As an important part of modern Chinese poetry, it is helpful to reconstruct the poetic style of Chinese, strengthen the creative experience of Chinese, and expand the expression space of Chinese. By using Foucault's power discourse to investigate the stylistic problems of prose poetry, it is clear that the pursuit of creative practice and genre independence can promote the theoretical research into the larger cultural context and the practice of literary activities.
【作者單位】： 福建警察學(xué)院基礎(chǔ)部;
【基金】：2015年度教育部人文社會(huì)科學(xué)研究青年基金項(xiàng)目“中國(guó)現(xiàn)代散文詩(shī)的文體學(xué)研究”(15YJC751062)階段性成果 2016年度福建省高校新世紀(jì)優(yōu)秀人才支持計(jì)劃資助
【分類(lèi)號(hào)】：I106.2
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本文編號(hào)：1938717