本文選題：“壬辰倭亂” + 小說戲曲　； 參考：《文學遺產(chǎn)》2017年02期

【摘要】："壬辰倭亂"之后,中朝日三國相繼出現(xiàn)了大量以之為題材的小說戲曲。由于三國在這場戰(zhàn)爭中的角色不同及其文化差異,造成這些文學作品對"壬辰倭亂"采取了不同的記憶與重構(gòu)方式。作為援助國的中國,嘉靖年間發(fā)生在東南沿海的倭亂記憶,使這些作品表達出對鄰國的深切同情,同時士人借平倭建功以抒發(fā)平天下的政治理想;朝鮮作為受害國,相關(guān)小說全面、真實反映了倭亂過程,內(nèi)容豐富,既揭露侵略者的暴行,歌頌忠烈的愛國精神,也弘揚民族意識;日本作為侵略國,相關(guān)戲曲小說則極力將侵略行為正當化,美化侵略者,宣揚武士道精神,體現(xiàn)出強烈的對外擴張意識。
[Abstract]:After the chaos, a large number of novels and operas on the subject appeared in China, North Korea and Japan. Due to the different roles and cultural differences of the three Kingdoms in this war, these literary works have adopted different methods of memory and reconstruction. As a donor country, China's memory of Japan's chaos occurred in the southeast coastal areas during the years of Jiajing, which made these works express their deep sympathy for their neighbors, and at the same time, the scholars took advantage of the pacification of Japan to express the political ideal of leveling the world; North Korea, as an injured country, The relevant novels are comprehensive and truly reflect the process of Japanese chaos and are rich in content. They not only expose the atrocities of the aggressors, eulogize the patriotic spirit of the loyal and martyrs, but also carry forward the national consciousness. As an aggressor country, the relevant drama novels do their utmost to legitimize the aggressive acts. Beautifying the invaders, propagating the spirit of Bushido, reflecting a strong sense of external expansion.
【作者單位】： 浙江工業(yè)大學人文學院;
【基金】：國家社會科學基金重大項目“東亞漢文小說文獻整理與研究”(項目編號13&ZD113)階段性成果
【分類號】：I106

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1 王亞楠;壬辰倭亂時期俘虜體驗文學研究[D];南京師范大學;2014年

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本文編號：1918354