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對(duì)“人”的顛覆與美學(xué)自由——論德國(guó)作家博納文圖拉《守夜》中的破界

發(fā)布時(shí)間:2018-05-01 05:38

  本文選題:博納文圖拉 + 《守夜》 ; 參考:《外國(guó)文學(xué)》2016年05期


【摘要】:德國(guó)作家博納文圖拉的小說《守夜》自19世紀(jì)初問世之后,不僅因其強(qiáng)烈的顛覆性而久遭冷遇,而且其作者之歸屬歷經(jīng)了長(zhǎng)期的論爭(zhēng)。在后世的研究中,這部似與其時(shí)代格格不入的小說恰因強(qiáng)烈的破界與反叛精神而受到關(guān)注。本文著重探討的是,這部雖不入主流卻恰好出現(xiàn)在這個(gè)時(shí)期的作品的特殊性體現(xiàn)在哪些方面,它與當(dāng)時(shí)備受關(guān)注的"人"的問題、人類學(xué)討論有怎樣的關(guān)聯(lián),它在當(dāng)時(shí)的人類學(xué)話語(yǔ)和美學(xué)話語(yǔ)中有何獨(dú)特意義等。
[Abstract]:Since the publication of the German writer Bonaventura's novel Vigil in the early 19th century, it has not only been ignored for a long time because of its strong subversion, but also its author has been subjected to a long period of controversy. In the research of later generations, this novel, which seems to be out of step with its time, has been paid close attention to because of its strong spirit of breaking the boundary and rebellious spirit. This paper focuses on the aspects of the particularity of this work which appears in this period although it is not in the mainstream, and how it relates to the question of "human" and the anthropological discussion, which was paid close attention to at that time. What is its unique meaning in the discourse of anthropology and aesthetics at that time?
【作者單位】: 對(duì)外經(jīng)濟(jì)貿(mào)易大學(xué)外語(yǔ)學(xué)院德語(yǔ)系;
【基金】:對(duì)外經(jīng)濟(jì)貿(mào)易大學(xué)中央高校基本科研業(yè)務(wù)費(fèi)專項(xiàng)資金資助(15QD03) 國(guó)家社科基金項(xiàng)目“1800年前后德語(yǔ)文學(xué)的美學(xué)轉(zhuǎn)向研究”(14BWW063)
【分類號(hào)】:I516.074
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本文編號(hào):1827995

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