本文選題：《奧賽羅》 + 女性形象�。� 參考：《四川外國(guó)語(yǔ)大學(xué)》2017年碩士論文

【摘要】：西方男性作家筆下的女性形象無(wú)外乎兩種:要么純潔如天使,要么惡毒如蛇蝎。文學(xué)作品中的女性嚴(yán)重脫離現(xiàn)實(shí)。這一現(xiàn)象的背后,是男性作家對(duì)女性的妖魔化。男性作家囿于父權(quán)文化傳統(tǒng),常常在自己的文學(xué)創(chuàng)作中刻意塑造順從的女性,借以達(dá)到貶抑甚或壓制女性的目的。本文試圖從女性主義角度出發(fā)分析戲劇《奧賽羅》中三位女性形象苔絲德夢(mèng)娜,艾米莉亞以及比安卡的妖魔化,從中折射出的莎士比亞的女性觀,以及由此體現(xiàn)出的劇作家的‘厭女癥’傾向。新視角在于將《奧賽羅》中的主要女性形象系統(tǒng)分析的基礎(chǔ)之上發(fā)現(xiàn)所有女性形象無(wú)一例外的被劇作家或者戲劇劇本中的男性形象‘妖魔化’,男性掌握語(yǔ)言的主導(dǎo)權(quán)并以此開(kāi)始?xì)еr中傷女性的人格個(gè)性,男性視角對(duì)女性形象的呈現(xiàn)以及無(wú)一例外的將妻子作為個(gè)人所有。三位本性純潔的女性在男性的呈現(xiàn)中成為不知廉恥的蕩婦,戲劇結(jié)尾以兩位女性非自然性的死亡,以及謎底的揭露展現(xiàn)了男性不僅奧賽羅,伊阿古卡西歐還有劇作家莎士比亞的厭女癥傾向。具體論述中,本文應(yīng)用女性主義批評(píng)的觀點(diǎn)以及女性主義文學(xué)總結(jié)出的厭女癥,從而展開(kāi)對(duì)《奧賽羅》中女性悲劇性命運(yùn),以及男性角色共有的厭女情節(jié)的分析。本文共分為三部分:引言旨在介紹劇作家莎士比亞及其生活的社會(huì)環(huán)境,《奧賽羅》的主要情節(jié)與人物以及引以為分析視角的女性主義批評(píng)。主體部分分為三章具體分析男性對(duì)女性的言語(yǔ)暴力,人格侮辱以及命運(yùn)的摧殘。結(jié)論部分旨在分析隱藏于男性言語(yǔ)、行為之下的強(qiáng)烈的厭女癥,以及由此折射出的莎士比亞的厭女情節(jié)。
[Abstract]:There are two kinds of female images written by western male writers: pure as angels or poisonous as snakes and scorpions. Women in literary works are seriously divorced from reality. Behind this phenomenon is the demonization of women by male writers. Confined to the patriarchal cultural tradition, male writers often deliberately shape submissive women in their own literary creation, in order to achieve the purpose of derogating or even suppressing women. This paper attempts to analyze the demonization of three female characters Desdemona Amelia and Bianca in Othello from the perspective of feminism which reflects Shakespeare's view of women. And the playwright's tendency to be obnoxious. The new perspective is based on the systematic analysis of the main female images in Othello and finds that all female images are 'demonized' by playwrights or male characters in drama plays without exception. Men hold the dominant power of language and begin to slander the personality of women. The male perspective presents the image of women and takes the wife as their personal ownership without exception. Three women of pure nature become shameless sluts in the male presentation, and the drama ends with the unnatural death of two women, as well as the revelation of the riddle that shows that the man is not only Othello, Iago Casio also had the tendency of Shakespeare, a playwright, to be obnoxious. In this paper, the author applies the viewpoint of feminist criticism and feminist literature to analyze the tragic fate of women in Othello, as well as the female loathing plot shared by male characters. This thesis is divided into three parts: the introduction aims to introduce the playwright Shakespeare and the social environment of his life, the main plot and characters of Othello and the feminist criticism from the perspective of analysis. The main part is divided into three chapters. The conclusion is intended to analyze the intense feminishness hidden in male speech, behavior, and Shakespeare's female-loathing plot.
【學(xué)位授予單位】：四川外國(guó)語(yǔ)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I561.073

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相關(guān)期刊論文 前5條

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本文編號(hào)：1785817