本文選題：國(guó)民性 + 反抗絕望�。� 參考：《西北大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版)》2016年03期

【摘要】：在"暗夜"中探尋光明是大江從魯迅文學(xué)中繼承下來(lái)的精髓所在。通過(guò)對(duì)大江《形見(jiàn)之歌》與魯迅《希望》的比較研究發(fā)現(xiàn),直面"希望"與"絕望"的現(xiàn)實(shí)問(wèn)題,二者都是通過(guò)敘事者"我"在思想上的認(rèn)知轉(zhuǎn)變,關(guān)注民族的過(guò)去與未來(lái),國(guó)家的獨(dú)立與復(fù)興。但在表現(xiàn)形式上又存在著明顯不同:直面"黑暗",魯迅是始終凝視"黑暗",將其內(nèi)化為"希望",但其底色仍然為"黑暗";而大江是在凝視"黑暗"的過(guò)程中,將其外化為象征"希望"的"星星"或者"新人",在"暗黑"中窺視"星星之火"。魯迅主張"毀壞這鐵屋子的希望",是"改造"主義;大江則力主"寬容"異端下的"希望",是"改良"主義。因此,如果說(shuō)魯迅是改造國(guó)民性的啟蒙家,大江則是改良國(guó)民性的啟蒙家。
[Abstract]:Searching for light in Dark Night is the quintessence of the great river inherited from Lu Xun's literature.Through the comparative study of "Song of form" and Lu Xun "Hope", it is found that to face the realistic problems of "hope" and "despair" directly, both of them are concerned about the past and future of the nation through the cognitive transformation of the narrator's "I" in thought.The independence and rejuvenation of the country.But there are obvious differences in the form of expression: facing "darkness" directly, Lu Xun is always staring at "darkness", internalizing it as "hope", but its background color is still "dark", while the big river is staring at "darkness".Externalize it as a star of hope or a new man, peeking at the spark in the dark.Lu Xun advocates that "the hope of destroying this iron house" is "remoulding" doctrine, while Dajiang advocates "tolerant" heretical "hope" and "reform" doctrine.Therefore, if Lu Xun is the enlightenment to reform the national character, Dajiang is the enlightenment to improve the national character.
【作者單位】： 西安交通大學(xué)外國(guó)語(yǔ)學(xué)院;
【基金】：教育部人文社科基金項(xiàng)目(15YJA752003) 陜西省社科項(xiàng)目(2014I24)
【分類號(hào)】：I106-03

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