本文選題：阿赫瑪托娃　切入點(diǎn)：敘事性　出處：《北京外國語大學(xué)》2017年碩士論文

【摘要】：安娜·阿赫瑪托娃(AHHa AHлpеевна AхMаTOBа,1889-1966)是俄國白銀時(shí)代的著名女詩人,阿克梅派的代表人物之一。詩人的早期(1912到1923年間)作品多以抒情短詩為主,因描寫少女情懷和愛情經(jīng)歷而被認(rèn)為主題狹窄,被稱作"室內(nèi)抒情詩"。晚期(1935年之后)詩人轉(zhuǎn)向了敘事長詩的寫作。這不僅僅是體量上的增長,也是詩人文學(xué)空間的擴(kuò)大,更是其內(nèi)心空間的充盈。阿赫瑪托娃詩歌中敘事性的特點(diǎn),一開始就被她的好友曼德爾施塔姆(OсипMанделльштам)注意到。他認(rèn)為阿赫瑪托娃的作品來源于十九世紀(jì)的小說而非詩歌,具有散文的特征。然而,在大多數(shù)評論家那里,不是過于強(qiáng)調(diào)阿赫瑪托娃的形式和語言風(fēng)格,就是偏重其后期宏大的主題和對時(shí)代的記錄,尤其在中文的研究文獻(xiàn)中,還鮮有針對其早期作品中的敘事性特點(diǎn)做專門研究的成果。既然我們已經(jīng)知道,阿赫瑪托娃的詩歌具有散文式的語言、戲劇式的情節(jié)和小說式的心理等具有敘事性的特點(diǎn),因此,我們有必要討論阿赫瑪托娃作品中的這些特點(diǎn)是如何運(yùn)作的。本文選擇阿赫瑪托娃的早期作品作為研究對象,一是因?yàn)樵娙嗽谠缙陔A段處于阿克梅派理論和實(shí)踐的框架之中,便于我們以阿克梅派其他詩人的觀點(diǎn)和理念作為創(chuàng)作理論的參照進(jìn)行探討;二是因?yàn)槠湓缙谧髌分饕嵌淘姷男问?而我們所要研究的正是詩人如何使用敘事性手法在抒情短詩的狹小空間中構(gòu)建出巨大的精神空間。本文的研究目的是考察作為一種話語形式的敘事性對詩歌結(jié)構(gòu)的作用是什么樣的和如何發(fā)生的,著重從文本的內(nèi)部入手,分別從時(shí)間和空間這兩個(gè)角度研究文本的敘事性特征。首先研究詩歌文本的時(shí)間層面,從聲音與情節(jié)兩方面探討詩歌抒情與敘事的節(jié)奏;然后,從詩歌的空間層面,探討敘事性對詩歌空間建構(gòu)的作用,事件性與敘事性密不可分,阿赫瑪托娃擅長在狹窄的詩歌中選取事件最高潮的部分,使之成為詩歌空間結(jié)構(gòu)中的重要支撐。而空間中也有權(quán)力關(guān)系,但是這種關(guān)系產(chǎn)生的張力感卻不至于使詩歌的整體結(jié)構(gòu)四分五裂。最后,詩人的敘事從"室內(nèi)"走向"室外",從私有空間轉(zhuǎn)向公共空間,從個(gè)體記憶的敘事走向集體記憶的敘事。語言觀念的轉(zhuǎn)變代表的是信仰發(fā)生的顛覆,阿赫瑪托娃的詩歌是時(shí)代的記錄,是俄國文化記憶的書寫。
[Abstract]:An Na Ahmadova TOB (1889-1966) is a famous poet in the silver era of Russia and one of the representative figures of Akemite school.From 1912 to 1923, the poet's works were mainly lyric short poems, which were regarded as narrow themes because of the description of teenage girls' feelings and love experiences, and they were called "indoor lyric poems".Late (after 1935) poets turned to the writing of long narrative poems.This is not only the growth of the volume, but also the expansion of the poet's literary space and the filling of his inner space.The narrative characteristics of Ahmadova's poems were noticed by her good friend Mandelstam from the beginning.He believed that Ahmadova's works originated from novels rather than poems in the nineteenth century and had the characteristics of prose.However, in most critics, either too much emphasis is placed on Ahmadova's form and language style, or emphasis is placed on his later grand themes and a record of the times, especially in the Chinese literature.There are few achievements of special research on the narrative characteristics of his early works.Now that we already know that Ahmadova's poetry has the characteristics of prose language, dramatic plot and fictional psychology, so,We need to discuss how these features work in Ahmadova's works.This paper chooses Ahmadova's early works as the research object. Firstly, the poet is in the frame of Akemite theory and practice in the early stage.It is convenient for us to use the views and ideas of other Akemite poets as the reference to the creative theory; second, because their early works are mainly short poems,What we want to study is how to use narrative techniques to construct a huge spiritual space in the narrow space of lyric poems.The purpose of this paper is to investigate what and how the narratability as a form of discourse acts on the structure of poetry, focusing on the interior of the text and studying the narrative characteristics of the text from the perspectives of time and space.First of all, it studies the time level of poetry text, discusses the lyric and narrative rhythm of poetry from the aspects of voice and plot, and then, from the spatial level of poetry, discusses the function of narrative to the construction of poetry space, which is closely related to event and narration.Ahmadova is good at selecting the climax of the event in the narrow poetry, making it an important support in the poetry spatial structure.There are power relations in space, but the tension produced by this relationship does not break the whole structure of poetry.Finally, the poet's narration moves from "indoor" to "outdoor", from private space to public space, from the narrative of individual memory to the narrative of collective memory.The transformation of linguistic concepts represents the subversion of faith. Ahmadova's poetry is the record of the times and the writing of Russian cultural memory.
【學(xué)位授予單位】：北京外國語大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I512.072

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 李心釋;;當(dāng)代詩歌敘事性的維度[J];黑龍江社會科學(xué);2016年03期

2 李孝弟;;敘事作為一種思維方式——詩歌敘述學(xué)建構(gòu)的切入點(diǎn)[J];外語與外語教學(xué);2016年01期

3 譚君強(qiáng);;詩歌敘事學(xué):跨文類研究[J];思想戰(zhàn)線;2015年05期

4 羅軍;;詩歌敘事學(xué)研究評述:開拓與展望[J];長春工業(yè)大學(xué)學(xué)報(bào)(社會科學(xué)版);2014年03期

5 譚君強(qiáng);;論抒情詩的敘事學(xué)研究:詩歌敘事學(xué)[J];思想戰(zhàn)線;2013年04期

6 尚必武;;“跨文類”的敘事研究與詩歌敘事學(xué)的建構(gòu)[J];國外文學(xué);2012年02期

7 羅軍;;走向當(dāng)代西方敘事理論新領(lǐng)域:詩歌敘事學(xué)[J];長春理工大學(xué)學(xué)報(bào);2012年04期

8 董曉燁;;文學(xué)空間與空間敘事理論[J];外國文學(xué);2012年02期

9 閆建華;;試論詩歌的空間敘事[J];外國語(上海外國語大學(xué)學(xué)報(bào));2009年04期

10 布賴恩·麥克黑爾;尚必武;汪筱玲;;關(guān)于建構(gòu)詩歌敘事學(xué)的設(shè)想[J];江西社會科學(xué);2009年06期

，

本文編號：1730744