【摘要】：反諷理論是來自于古希臘的一種修辭學(xué)，從古至今引起了社會(huì)各個(gè)方面的專家的極大關(guān)注，總結(jié)起來主要是集中在文學(xué)、語言學(xué)、心理學(xué)甚至是哲學(xué)方面的領(lǐng)域。自上世紀(jì)50、60年代以來，人們?cè)谖膶W(xué)及語言學(xué)的修辭學(xué)領(lǐng)域里研究較多，并且出現(xiàn)了許多比較有權(quán)威的理論學(xué)說，像是Muecke三分說和Fish動(dòng)態(tài)假設(shè)等學(xué)說�？偨Y(jié)起來，反諷理論主要體現(xiàn)在：從說話的表層語義之外，來讓聽者能夠進(jìn)行深入的理性思考。通過不斷從各個(gè)領(lǐng)域的深入探討，使這一理論得到了不斷的發(fā)展和更新。在語言學(xué)上，人們總是在想辦法解答“為什么會(huì)有這種不符合日常用語的語言形式存在”。但是，，人們對(duì)這一理論，總是很難界定一個(gè)比較統(tǒng)一的識(shí)別標(biāo)志或判定的標(biāo)準(zhǔn)。[1]國外的反諷理論研究較多，而國內(nèi)之前的反諷研究多是以文學(xué)作品為研究的對(duì)象，卻很少在幽默語言尤其是相聲語言中去理解反諷的語用功能。因此，本文將從修辭學(xué)的角度去分析反諷理論在傳統(tǒng)聲語言中的應(yīng)用。 本文會(huì)選取郭德綱代表的新式傳統(tǒng)相聲語言為研究對(duì)象，對(duì)他在網(wǎng)絡(luò)上流傳較廣的70余段相聲進(jìn)行了比較深入的研究。從修辭和語用的角度對(duì)郭德綱相聲語言中的反諷理論進(jìn)行分析，并試圖揭示出反諷理論在郭德綱相聲語言中的構(gòu)成、語用特色、藝術(shù)表現(xiàn)心理機(jī)制以及對(duì)相聲語言制造笑料因素的構(gòu)成所起的重要作用。從而豐富了以相聲語言為藍(lán)本的反諷理論的研究情況。
[Abstract]:Irony theory is a kind of rhetoric from ancient Greece, which has attracted great attention from experts in all aspects of society since ancient times. In conclusion, it is mainly concentrated in the fields of literature, linguistics, psychology and even philosophy. Since the 1950s and 1960s, there have been many researches in the field of rhetoric in literature and linguistics, and many authoritative theories have emerged, such as Muecke theory and Fish dynamic hypothesis. To sum up, irony theory is mainly embodied in: from the surface semantics of speech, to enable the listener to conduct in-depth rational thinking. This theory has been continuously developed and updated through the in-depth discussion in various fields. Linguistically, people are always trying to figure out why there are such forms of language that are not in line with everyday language. However, it is always difficult for people to define a relatively uniform identification mark or criterion for this theory. [1] there are more studies on irony theory in foreign countries, while most of the previous studies in China have focused on literary works. However, the pragmatic functions of irony are seldom understood in humorous language, especially in crosstalk language. Therefore, this paper will analyze the application of irony theory in traditional acoustic language from the perspective of rhetoric. This article will select Guo Degang's new traditional crosstalk language as the research object, has carried on the thorough research to his more than 70 paragraphs crosstalk which has been widely spread on the network. From the perspective of rhetoric and pragmatics, this paper analyzes the irony theory in Guo Degang's cross talk language, and tries to reveal the composition and pragmatic characteristics of the irony theory in the cross talk language of Guo Degang. The psychological mechanism of artistic expression and its important role in the making of comic dialogue language. It enriches the research of irony theory based on crosstalk language.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：H15

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