清末民初時(shí)期是中國(guó)文學(xué)翻譯極其活躍的時(shí)期，數(shù)量之多可謂空前。以往相關(guān)的研究，可以大致劃分為兩種思路。一是從翻譯學(xué)的角度出發(fā)，探討這一時(shí)期翻譯作品的質(zhì)量和譯者個(gè)人的技巧；二是將這一時(shí)期的翻譯文學(xué)納入中國(guó)文學(xué)發(fā)展史的范疇予以討論。然而，前者的研究往往單純從現(xiàn)當(dāng)代對(duì)于翻譯本質(zhì)、質(zhì)量及技巧的認(rèn)識(shí)著眼，或多或少忽視清末民初特殊的歷史文化背景，因此對(duì)譯者的翻譯不忠于原著以及對(duì)西方文學(xué)及文化缺乏認(rèn)識(shí)頗多指責(zé)。而后者則更多關(guān)注翻譯文學(xué)的影響，卻疏于研究影響之所以形成的復(fù)雜機(jī)制。有鑒于此，本文以第一人稱敘事小說(shuō)在近代中國(guó)的譯介作為切入點(diǎn)，對(duì)這一時(shí)期的翻譯活動(dòng)作一個(gè)新的綜合的探討。在掌握大量原始譯作資料的基礎(chǔ)上，運(yùn)用譯介學(xué)、敘事學(xué)、文化學(xué)等理論，對(duì)中國(guó)翻譯界、文學(xué)界認(rèn)識(shí)與接受小說(shuō)第一人稱敘事的歷史過(guò)程進(jìn)行客觀描寫性研究，旨在闡述翻譯活動(dòng)與中國(guó)本土文學(xué)傳統(tǒng)的互動(dòng)影響，揭示翻譯在近代中國(guó)文學(xué)演變與轉(zhuǎn)型中的歷史作用。 本文由5個(gè)章節(jié)組成。第1章在縱覽國(guó)內(nèi)外譯學(xué)研究現(xiàn)狀之后，提出以描寫模式和譯文取向模式重新審視清末民初翻譯文學(xué)的必要，并指出研究第一人稱敘事小說(shuō)譯介的學(xué)術(shù)意義和價(jià)值。第2章以敘事學(xué)為理論框架，... 

【文章來(lái)源】：西南交通大學(xué)四川省 211工程院校 教育部直屬院校

【文章頁(yè)數(shù)】：73 頁(yè)

【學(xué)位級(jí)別】：碩士

【文章目錄】：
1 Introduction
    1.1 Literature Review
    1.2 Translation Studies: A Descriptive and Target-Oriented Approach
    1.3 Objective: The Translation and Reception of the First-Person Narrative
2 The Narrative Traditions in Chinese and European Fictions
    2.1 Narratology: Narrative Perspectives
        2.1.1 The Omniscient Perspective
        2.1.2 The Limited Perspective
        2.1.3 The Objective Perspective
        2.1.4 Distinction between 'Author' and 'Narrator'
    2.2 The Narrative Tradition in Chinese Fictions
        2.2.1 Fiction before the Song Dynasty
        2.2.2 Prompt Books and Zhanghui Fictions
    2.3 The Narrative Tradition in European Fictions
        2.3.1 The First-person Narrative Tradition
        2.3.2 The Omniscient Narrative
3 Translation Strategies and Reasons
    3.1 Translation Strategies
        3.1.1 Adequate Translation
        3.1.2 Addition of Explanations
        3.1.3 Combination of the First-Person Narrative with the Third-Person Narrative
        3.1.4 Complete Transformation
    3.2 Reasons for Manipulations
        3.2.1 The Dominant Ideology in the late Qing Dynasty
        3.2.2 Poetics
        3.2.3 Chinese Translators'Attitude Toward Foreign Fictions
    3.3 A Case Study
        3.3.1 The First Version: Complete Transformation of the First-Person Narrative
        3.3.2 The Second Version: The First-Person Narrative with Traditional Chinese Narrative Characteristics
        3.3.3 A Comparison between the Two Versions: Different Motivations and Different Manipulations
4 Reception of the First-Person Narrative
    4.1 Reception of the First-Person Narrative in Translations
        4.1.1 A Development Line in Translator's Understanding
        4.1.2 The First-Person Narrative Fully Recognized
    4.2 Writers' Innovative Attempts
        4.2.1 The Initial Attempts by the New Fictionists
        4.2.2 The Subsequent Attempts by the May 4th Fictionists
5 Conclusion
    5.1 Necessity to Evaluate the Translations in the Socio-Cultural Context
    5.2 Mutual Impacts between the Translations and the Native Literary Norms
Acknowledgement
Bibliography
Publications While Registered with the MA Program


【參考文獻(xiàn)】：
期刊論文
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[2]中國(guó)小說(shuō)敘事模式的現(xiàn)代轉(zhuǎn)型[J]. 顧瑯川.  紹興文理學(xué)院學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版). 2000(01)
[3]論中國(guó)近代外國(guó)小說(shuō)翻譯的敘事語(yǔ)態(tài)特征[J]. 劉樹(shù)森.  外國(guó)語(yǔ)(上海外國(guó)語(yǔ)大學(xué)學(xué)報(bào)). 1997(05)
[4]西學(xué)東漸與外國(guó)文學(xué)的輸入[J]. 施蟄存.  中國(guó)文化. 1991(02)



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