【摘要】：從昔日的紙質(zhì)媒介，到今天高技術(shù)含量、日新月異的電子媒介背景下，社會(huì)的興奮中心已轟轟烈烈地發(fā)生了轉(zhuǎn)移。作為一直被視為人類精神食糧的文學(xué)，其存在方式，，創(chuàng)作、傳播、欣賞方式，文學(xué)的承載媒介和操作工具，以及文學(xué)的價(jià)值取向和社會(huì)影響力等方面，都發(fā)生了或正在發(fā)生著諸多的變化。因而，傳統(tǒng)的文學(xué)觀念若是一成不變、固步自封，適應(yīng)不了這種轉(zhuǎn)移，便會(huì)失卻為社會(huì)和人們代言的資本。當(dāng)電子媒介猝不及防地走進(jìn)我們的生活，無(wú)所不在地出現(xiàn)在我們視野中時(shí)，文學(xué)的觀念形態(tài)也必須在思維方式、概念范疇、理論觀點(diǎn)等方面上有所發(fā)展和創(chuàng)新。我們最需要做的是打破自身的思維定勢(shì)，高揚(yáng)變通意識(shí)，重塑電了媒介時(shí)代的新文學(xué)觀。 _本文將以最早的電子媒介之一——電影為例，著重探討文學(xué)本體和其它要素在電影這種異質(zhì)媒介影響下的轉(zhuǎn)向與承續(xù)進(jìn)而研究當(dāng)代消費(fèi)社會(huì)電子傳媒下的新文學(xué)觀。
[Abstract]:From the paper media in the past to the high technology content today, under the background of the ever-changing electronic media, the exciting center of the society has been transferred vigorously. As literature, which has always been regarded as the food of human spirit, its way of existence, creation, dissemination, appreciation, the carrying media and operating tools of literature, as well as the value orientation and social influence of literature, etc., Many changes have taken place or are taking place. Therefore, if the traditional literary concept remains the same and can not adapt to this transfer, it will lose the capital to speak for society and people. When electronic media come into our lives off guard and appear everywhere in our field of vision, the conceptual form of literature must also be developed and innovated in the aspects of mode of thinking, conceptual category, theoretical point of view and so on. What we need to do most is to break our own thinking set, raise our flexible consciousness, and reshape the new literary view of the media age. Taking film, one of the earliest electronic media, as an example, this paper focuses on the turn and continuation of literary Noumenon and other elements under the influence of film, which is a heterogeneous medium, and then studies the new literary view under the electronic media of contemporary consumer society.
【學(xué)位授予單位】：暨南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2004
【分類號(hào)】：I02

【引證文獻(xiàn)】

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1 董青;洪艷;;“體育媒體奇觀”研究——以世界杯足球賽為例[J];北京體育大學(xué)學(xué)報(bào);2010年12期

2 楊蘭;;當(dāng)下文化語(yǔ)境下的電視話語(yǔ)空間[J];電影評(píng)介;2006年18期

3 董青;洪艷;陳捷;;新媒體時(shí)代體育傳播分析[J];體育文化導(dǎo)刊;2011年07期

相關(guān)碩士學(xué)位論文 前3條

1 楊蘭;當(dāng)下文化語(yǔ)境中電視與文學(xué)的互動(dòng)影響[D];華中師范大學(xué);2006年

2 仇云龍;關(guān)于《風(fēng)中奇緣》和《風(fēng)中奇緣2倫敦之旅》的對(duì)比研究[D];東北師范大學(xué);2006年

3 劉寶娜;大眾傳媒時(shí)代的文學(xué)存在[D];河北大學(xué);2009年

本文編號(hào)：2483365