顛覆與重建——女權(quán)主義文學(xué)批評研究
發(fā)布時間：2019-03-20 13:48
【摘要】：女權(quán)主義文學(xué)批評是20世紀60年代興起的以婦女為中心，具 有開放性和顛覆性的一種文學(xué)批評理論，它是西方女權(quán)主義運動 深入到文學(xué)、文化領(lǐng)域的成果。本文通過對西方女權(quán)主義文學(xué)批 評溯源及其基本概念的梳理來進一步論述這種批評理論如何從性 別意識出發(fā)，清理男權(quán)制的性政治以及如何在建立女性美學(xué)和標(biāo) 舉差異中，，不斷建樹自己的理論，并進行影響研究，論述了中國 女權(quán)主義文學(xué)批評的產(chǎn)生與發(fā)展。 西方的女權(quán)主義文學(xué)批評胎生于女權(quán)主義運動，因而具有強 烈的政治色彩。它的理論來源是復(fù)雜的，受到了新馬克思主義、 解構(gòu)主義以及闡釋學(xué)和接受美學(xué)的影響，并且主要繼承了兩位女 權(quán)主義先驅(qū)者弗吉尼亞●伍爾夫和西蒙●波娃的理論創(chuàng)造，呈現(xiàn) 出多元的面貌。 西方女權(quán)主義文學(xué)批評理論以法、英、美三個流派為代表。 法國女權(quán)主義文學(xué)批評主要是針對婦女與語言的關(guān)系問題，創(chuàng)立 了“女性寫作”理論，以激進的態(tài)度來顛覆男權(quán)語言觀對女性的 壓抑。為此法國三位著名的女權(quán)主義文學(xué)批評家朱麗婭●克莉斯 蒂娃、海倫娜●西蘇和露西●伊瑞加雷分別創(chuàng)立了“女性寫 作”、“女性譜系和女人腔”和“符號學(xué)”在語言中建構(gòu)主體。 但她們共同的弱點是過分強調(diào)女性生理和語言，這實際上既是對 政治實踐的逃避，又帶有明顯的空想色彩。 由于英國女權(quán)主義文學(xué)批評結(jié)合了法國女權(quán)主義文學(xué)批評和 馬克思主義文學(xué)批評的理論，又趨向于美國式的文本分析，因而 本文第三部分著重論述美國女權(quán)主義文學(xué)批評對文本和帶有男權(quán) 意識的傳統(tǒng)進行顛覆以及在文本中重塑婦女形象、表現(xiàn)女性意識 和重建女性文學(xué)傳統(tǒng)。 西方的女權(quán)主義文學(xué)批評也影響至中國，中國和西方不同的 國情決定了中國當(dāng)代的女權(quán)主義文學(xué)批評不能完全照搬西方的理 論模式，女權(quán)運動背景的缺失井不能否定中國不可能有“女權(quán)主 義”。隨著中國改革開放的深入，中國婦女女性意識的覺醒、眼 界的開闊以及思想觀念的解放使中國的女權(quán)主義文學(xué)批評有了較 商的起點。從產(chǎn)生到發(fā)展，中國的女權(quán)主義文學(xué)批評墓本呈頁種 態(tài)勢：一是在80年代注重將女權(quán)思想和現(xiàn)實主義批評原則結(jié)合， 形成一股現(xiàn)實主義—一女權(quán)主義文學(xué)批評主嘲。另一種夜勢是90 年代以來女權(quán)主義文學(xué)批評的全面展開，女權(quán)主義文學(xué)批評家們 借鑒西方多元化的文學(xué)理論，用女性的角度對文本、語言、文學(xué) 傳統(tǒng)進行全新的闡釋，用西方的女權(quán)主義文學(xué)批評理論來觀照中 國的文學(xué)創(chuàng)作。使中國的女權(quán)主義文學(xué)批評蓬勃發(fā)展起來。近些 年來，隨善中國女性文學(xué)的興起，為中國女權(quán)主義文學(xué)批評提供 了廣闊的發(fā)展空間。 女權(quán)主義文學(xué)批評的目的是要通過閱讀和寫作的革命，喚起 茁個社會對女性向題的重視，使這個世界變得更加美好，這也是 其定義和價值所在。
[Abstract]:Feminist literary criticism is the beginning of the 1960s with women as the center. An open and subversive theory of literary criticism, It is the western feminist movement in-depth study of literature and culture The results of the field. This article is based on the western feminism literature. The review of the source of criticism and its basic concept to further discuss how the theory of criticism Don't be aware of Let's go, clean the sex politics of the man's right system. and how to build a female aesthetics and bid In the difference, build the own theory of the tree and make a shadow In response to the study, it is discussed The Feminist Literary Criticism in China The Generation and Development of Feminist Literary Criticism in the West Born in a feminist movement, thus having a strong political power. The color. Its theory The source is complex and is subject to new Marxism, The influence of the hermeneutics and the acceptance of the aesthetics, and the main inheritance of the two. The creation and presentation of the theory of Virginia Woolf and Simone Polarova, the first-mover of the women's rights out-of-order The Face of the Yuan and the Western Feminist Literary Criticism The theory is represented by the three schools of Ephraim, Britain and the United States. The French feminist literary criticism is mainly about the relationship between the women and the language, and the "trunk>" female w The theory of "" to subvert the patriarchal language in a radical manner. The expression of a woman's repression. To this end, the three well-known feminist literary critics of France, Julia Celius, Teva, Helena, Sassou and Lucy and Iriega. respectively The "Women's Write", " female genealogy and women's cavity The Construction of Semiotics in the Language The main body. But their common weakness is over-emphasis. The woman's physiology and language, in fact, is both political and real. The escape of a man, with a clear, utopian color. British women The right-to-right literary criticism combined with the French feminist literary criticism and The Theory of Marxist Literary Criticism and the Trend of American Style This analysis, for and the third part of this article focuses on the United States The Study of Feminist Literary Criticism on the Text and the Consciousness of the Men's Rights; The traditional subversion and the remodelling of women's image and performance in the text female consciousness and weight The Traditional of Women's Literature and the Western Feminist Literature The evaluation also affects China, China and the different national conditions in the West It's time for China to make a decision The feminist literary criticism can't completely copy the western theory On the pattern, the missing well in the background of the feminist movement can't deny China There's no "women's rights" ". With the deepening of China's reform and opening-up, China The Awakening of the Women's Consciousness, the Open of the Eye and the Thinking to think of the liberation of the concept of China
【學(xué)位授予單位】：鄭州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2000
【分類號】：I06
本文編號：2444273
[Abstract]:Feminist literary criticism is the beginning of the 1960s with women as the center. An open and subversive theory of literary criticism, It is the western feminist movement in-depth study of literature and culture The results of the field. This article is based on the western feminism literature. The review of the source of criticism and its basic concept to further discuss how the theory of criticism Don't be aware of Let's go, clean the sex politics of the man's right system. and how to build a female aesthetics and bid In the difference, build the own theory of the tree and make a shadow In response to the study, it is discussed The Feminist Literary Criticism in China The Generation and Development of Feminist Literary Criticism in the West Born in a feminist movement, thus having a strong political power. The color. Its theory The source is complex and is subject to new Marxism, The influence of the hermeneutics and the acceptance of the aesthetics, and the main inheritance of the two. The creation and presentation of the theory of Virginia Woolf and Simone Polarova, the first-mover of the women's rights out-of-order The Face of the Yuan and the Western Feminist Literary Criticism The theory is represented by the three schools of Ephraim, Britain and the United States. The French feminist literary criticism is mainly about the relationship between the women and the language, and the "trunk>" female w The theory of "" to subvert the patriarchal language in a radical manner. The expression of a woman's repression. To this end, the three well-known feminist literary critics of France, Julia Celius, Teva, Helena, Sassou and Lucy and Iriega. respectively The "Women's Write", " female genealogy and women's cavity The Construction of Semiotics in the Language The main body. But their common weakness is over-emphasis. The woman's physiology and language, in fact, is both political and real. The escape of a man, with a clear, utopian color. British women The right-to-right literary criticism combined with the French feminist literary criticism and The Theory of Marxist Literary Criticism and the Trend of American Style This analysis, for and the third part of this article focuses on the United States The Study of Feminist Literary Criticism on the Text and the Consciousness of the Men's Rights; The traditional subversion and the remodelling of women's image and performance in the text female consciousness and weight The Traditional of Women's Literature and the Western Feminist Literature The evaluation also affects China, China and the different national conditions in the West It's time for China to make a decision The feminist literary criticism can't completely copy the western theory On the pattern, the missing well in the background of the feminist movement can't deny China There's no "women's rights" ". With the deepening of China's reform and opening-up, China The Awakening of the Women's Consciousness, the Open of the Eye and the Thinking to think of the liberation of the concept of China
【學(xué)位授予單位】：鄭州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2000
【分類號】：I06
【引證文獻】
相關(guān)期刊論文 前2條
1 孟娜;;中西方女性意識之異同[J];神州;2011年17期
2 田璐;;伊斯蘭女權(quán)主義研究的文獻綜述[J];現(xiàn)代婦女(下旬);2013年01期
相關(guān)碩士學(xué)位論文 前3條
1 劉yN;從《狐火》看喬伊斯·卡羅爾·歐茨對傳統(tǒng)“性政治”的反叛與超越[D];華中師范大學(xué);2011年
2 屠獻芳;從女性主義視角解讀《革命之路》[D];浙江大學(xué);2011年
3 張純靜;中國大陸流行歌曲中的女性形象研究（1996-2006）[D];西南大學(xué);2008年
本文編號：2444273
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