文學(xué)翻譯中的風(fēng)格視角
發(fā)布時(shí)間：2019-03-03 12:46
【摘要】：近半個(gè)世紀(jì)以來(lái)，語(yǔ)言研究的成果和進(jìn)展對(duì)翻譯理論的探討和深化起著十分重要的推動(dòng)作用，翻譯理論家正在許多學(xué)科領(lǐng)域進(jìn)行探索，為翻譯理論的建設(shè)開(kāi)拓新的途徑，提供新的論據(jù)，這些學(xué)科領(lǐng)域主要有應(yīng)用語(yǔ)言學(xué)、社會(huì)語(yǔ)言學(xué)、語(yǔ)義學(xué)、符號(hào)學(xué)、邏輯學(xué)、美學(xué)等。文體學(xué)作為一門(mén)重要的學(xué)科進(jìn)入歐美翻譯理論研究工作始于六十年代。翻譯理論之所以能借助文體學(xué)研究，是因?yàn)檫@兩個(gè)研究領(lǐng)域的目的性是并行不悖的，即：如何憑借有效的語(yǔ)言手段進(jìn)行社會(huì)交流；同時(shí)，二者也都不忽視文風(fēng)的時(shí)代性及風(fēng)格的個(gè)人性。翻譯必須隨文體之異、隨原文風(fēng)格之異而調(diào)整譯文，必須保證譯文對(duì)原文文體和風(fēng)格的適應(yīng)性。文體學(xué)的許多研究范圍，如對(duì)語(yǔ)域的研究以及對(duì)句與句之間、段與段之間的邏輯發(fā)展關(guān)系的探討，對(duì)翻譯理論的探討與實(shí)踐都具有不可忽視的意義。 作為文體學(xué)的一個(gè)分支，文學(xué)文體學(xué)專(zhuān)門(mén)研究文學(xué)文體(詩(shī)歌、小說(shuō)、散文、戲劇等)。本文研究對(duì)象為文學(xué)文體，是根據(jù)現(xiàn)代文學(xué)文體學(xué)理論，即結(jié)合語(yǔ)言學(xué)理論(主要研究風(fēng)格的形式標(biāo)記)和有關(guān)的文學(xué)批評(píng)理論(主要研究風(fēng)格的非形式標(biāo)記)，來(lái)探討文學(xué)翻譯中的風(fēng)格問(wèn)題。風(fēng)格是作家在寫(xiě)作中運(yùn)用語(yǔ)言的方式和作風(fēng)，是其世界觀和辭章修養(yǎng)在使用語(yǔ)言中的體現(xiàn)。風(fēng)格的實(shí)質(zhì)從思想內(nèi)容和語(yǔ)言形式兩個(gè)方面表現(xiàn)出來(lái)。作家使用語(yǔ)言時(shí)都有一定的特點(diǎn)，如習(xí)慣使用一定的詞語(yǔ)、句式、修辭技巧等，從而形成語(yǔ)言的個(gè)人風(fēng)格差別，同時(shí)個(gè)人風(fēng)格又是由個(gè)人的思想性格、氣質(zhì)修 養(yǎng)、審美觀以及時(shí)代、處境等因素所決定，因此風(fēng)格的概念比較寬。文體 風(fēng)格是好的文學(xué)文本和好的譯文不可缺少的重要因素，翻譯中風(fēng)格的傳達(dá) 關(guān)鍵在于是否能在轉(zhuǎn)換不同語(yǔ)言符號(hào)的同時(shí)，再現(xiàn)出原文所蘊(yùn)涵的各種風(fēng) 格價(jià)值。本文重點(diǎn)討論風(fēng)格翻譯的必要性和重要性，原文風(fēng)格的識(shí)別和譯 文中風(fēng)格的再現(xiàn)，，說(shuō)明在譯文中盡可能保留和傳達(dá)原文的風(fēng)格是理想翻譯 的重要條件之一。 全文共分六部分，正文共四章。 序言部分簡(jiǎn)述現(xiàn)代文體學(xué)理論的主要研究?jī)?nèi)容及翻譯風(fēng)格論的中心 課題，并對(duì)全文內(nèi)容作出簡(jiǎn)要說(shuō)明. 第一章簡(jiǎn)述風(fēng)格的定義并簡(jiǎn)要回顧翻譯領(lǐng)域?qū)︼L(fēng)格是否可譯的爭(zhēng)論， 陳述自己的觀點(diǎn):通過(guò)實(shí)例證明風(fēng)格在多數(shù)情況下是可譯的，并能譯好，但 同時(shí)指出由于風(fēng)格有其審美和抽象的一面，要做到完全忠實(shí)于原風(fēng)格是非 常困難的，然而在文學(xué)翻譯中，風(fēng)格翻譯具有其必要性和重要性。 第二章著重討論為什么文學(xué)文體學(xué)能夠運(yùn)用在文學(xué)翻譯中。這是因?yàn)?一些傳統(tǒng)的翻譯理論有時(shí)候無(wú)法解決文學(xué)翻譯中出現(xiàn)的問(wèn)題，而借助于文 學(xué)文體學(xué)的研究成果，譯者可以做到正確把握和再現(xiàn)原文風(fēng)格。文學(xué)文體 學(xué)不僅對(duì)作家創(chuàng)作與文學(xué)評(píng)論有指導(dǎo)作用，對(duì)譯家和評(píng)論家評(píng)論文學(xué)譯本 也有重要意義。 第三章是全文重點(diǎn).作為體現(xiàn)特定內(nèi)容或題材的風(fēng)格離不開(kāi)形式方面 的東西，而形式不能獨(dú)立于具體的表現(xiàn)手段，即語(yǔ)言形式。本章從語(yǔ)言學(xué) 的角度對(duì)文本進(jìn)行文體風(fēng)格分析.主要是對(duì)文本形式標(biāo)記以從微觀到宏觀 的方式進(jìn)行分析闡述:l.語(yǔ)音層面2.詞匯層面3.句法層面4.修辭手段，說(shuō) 明如何識(shí)別原文風(fēng)格意義并使之在譯文中得到合理的再現(xiàn)。 第四章主要考察非形式標(biāo)記風(fēng)格符號(hào)系統(tǒng)的具體表現(xiàn)，說(shuō)明止步于風(fēng) 格的語(yǔ)言形式標(biāo)記是不夠的，風(fēng)格還具有所謂神韻、風(fēng)骨、氣勢(shì)、情調(diào)等 特征，它們對(duì)讀者會(huì)產(chǎn)生特定的心理或?qū)徝烙绊�，因此進(jìn)一步透徹理解原 文的總體風(fēng)格是作好翻譯的重要條件，這就需要對(duì)原文作者的精神氣質(zhì)、 寫(xiě)作意圖、原作表現(xiàn)手法及作品本身具有的思想感情進(jìn)行分析，木文還對(duì) 作為原作審美主體的譯者在原文風(fēng)格再現(xiàn)中的作用作了初步的探討。 結(jié)論部分是對(duì)原文的歸納和總結(jié):風(fēng)格視角在文學(xué)翻譯中占有一席重 要地位，它屬于翻譯中的美學(xué)層次。文學(xué)翻譯中，僅能傳達(dá)原文內(nèi)容還不 夠，文章風(fēng)格越接近越好。風(fēng)格分析能幫助譯者從形式和內(nèi)容兩方面把握 原文，體會(huì)原文的精彩之處，為一篇內(nèi)容忠實(shí)，風(fēng)采依然的理想譯文打下堅(jiān) 實(shí)的基礎(chǔ)。 關(guān)鍵詞:文學(xué)翻譯，文學(xué)文體學(xué)，文體分析，翻譯風(fēng)格論，風(fēng)格的形式標(biāo) 記與非形式標(biāo)記 今
[Abstract]:Since nearly half a century, the achievements and progress of language research have played a very important role in the exploration and deepening of the translation theory. These subjects are mainly applied linguistics, sociolinguistics, semantics, semiotics, logic and aesthetics. As an important subject, Stylistics has entered the European and American translation theory research work in the 1960s. The theory of translation can be studied by the stylistics, because the purpose of the two research fields is parallel, that is, how to communicate with the society by means of effective means of language; at the same time, both do not neglect the personal nature of the time and style of the style. The translation must be adjusted with the style of the original, and the translation should be adjusted according to the style of the original text, and the adaptability of the translation to the original style and style must be guaranteed. Many research fields of stylistics, such as the study of the language field and the study of the logical development relationship between the sentence and the sentence, between the segment and the sentence, have the significance to the discussion and practice of the translation theory. As a branch of stylistics, the literary stylistics is devoted to the study of literary style (poetry, novel). The object of this paper is the literary style, which is based on the theory of the literary theory of modern literature, namely, the combination of the linguistic theory (the form of the main research style) and the relevant literary criticism theory (the non-formal marking of the main research style) to explore the literature. The style of translation is the style and style of the writer's use of language in writing. The use of the expression in the language. The essence of the style is in the form of ideological content and language. The writer has some characteristics in the use of the language, such as the use of certain words, sentences and rhetoric skills, so as to form the personal style difference of the language, and the individual style is also the personal style the character and temperament of the thought raising and examining beautiful As well as the times and conditions, the concept of the style is relatively wide. The style is a good literary text and a good translation, which is indispensable to the translation of stroke the communication of the grid the key is whether to be able to convert different language symbols, And the various wind lattice values contained in the original text are reproduced. The necessity of style translation The recognition and translation of the original style. the reproduction of the style, which is to be retained as much as possible in the translation It is an ideal translation to convey the style of the original The full text is divided into six parts, A brief introduction to the main research of the theory of modern stylistics The Content and the Center of the Translation Style Subject, and make a brief description of the full text To make a description, the first chapter describes the definition of the style and gives a brief review of the flip-flop A dispute about whether or not a style is to be translated or not. one's point of view by means of an example, the style is translated in most cases and can be translated, but At the same time, it is pointed out that because the style has its aesthetic and abstract side, it must be completely faithful. live in the original wind Ge is not often difficult, but in literary translation, style translation has The necessity and importance Sex. The second chapter focuses on why literary stylistics can be used In the literary translation. This is because some of the traditional lapses The theory of translation sometimes can't solve the problems in the literary translation, and by means of the literary style In the study of the study, the translator can correctly grasp and Replay the original style the literary style The study not only has a guiding role in the author's creation and literary criticism, but also to the translation and evaluation It is also of great significance to comment on the translation of the literature. The third chapter is the focus of the full text. As a kind of style that embodies the specific content or subject matter, it can't be separated from the form Something in the face, not in the form of independence. a specific means of expression, that is, the language The form of a speech. This chapter is a stylistic feature of the text from the perspective of linguistics. In the form of text, it is mainly used to mark the form of text from the micro to the macro in a manner that Line analysis: l. Phonetic level 2. lexical level 3. Syntactic level 4. Rhetoric means how to identify that meaning of the original and to make it in the translation To a reasonable reproduction. The fourth chapter mainly studies the non-form mark style symbol The concrete performance of the system is to explain the stop step The language form of the wind grid is marked as Not enough, the style also has the so-called charm, the wind, the momentum, the sentiment, etc. characterized in that they have a specific psychological or aesthetic impact on the reader, so that it is further thorough and thorough, understanding
【學(xué)位授予單位】：四川大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2003
【分類(lèi)號(hào)】：I046
本文編號(hào)：2433707
[Abstract]:Since nearly half a century, the achievements and progress of language research have played a very important role in the exploration and deepening of the translation theory. These subjects are mainly applied linguistics, sociolinguistics, semantics, semiotics, logic and aesthetics. As an important subject, Stylistics has entered the European and American translation theory research work in the 1960s. The theory of translation can be studied by the stylistics, because the purpose of the two research fields is parallel, that is, how to communicate with the society by means of effective means of language; at the same time, both do not neglect the personal nature of the time and style of the style. The translation must be adjusted with the style of the original, and the translation should be adjusted according to the style of the original text, and the adaptability of the translation to the original style and style must be guaranteed. Many research fields of stylistics, such as the study of the language field and the study of the logical development relationship between the sentence and the sentence, between the segment and the sentence, have the significance to the discussion and practice of the translation theory. As a branch of stylistics, the literary stylistics is devoted to the study of literary style (poetry, novel). The object of this paper is the literary style, which is based on the theory of the literary theory of modern literature, namely, the combination of the linguistic theory (the form of the main research style) and the relevant literary criticism theory (the non-formal marking of the main research style) to explore the literature. The style of translation is the style and style of the writer's use of language in writing. The use of the expression in the language. The essence of the style is in the form of ideological content and language. The writer has some characteristics in the use of the language, such as the use of certain words, sentences and rhetoric skills, so as to form the personal style difference of the language, and the individual style is also the personal style the character and temperament of the thought raising and examining beautiful As well as the times and conditions, the concept of the style is relatively wide. The style is a good literary text and a good translation, which is indispensable to the translation of stroke the communication of the grid the key is whether to be able to convert different language symbols, And the various wind lattice values contained in the original text are reproduced. The necessity of style translation The recognition and translation of the original style. the reproduction of the style, which is to be retained as much as possible in the translation It is an ideal translation to convey the style of the original The full text is divided into six parts, A brief introduction to the main research of the theory of modern stylistics The Content and the Center of the Translation Style Subject, and make a brief description of the full text To make a description, the first chapter describes the definition of the style and gives a brief review of the flip-flop A dispute about whether or not a style is to be translated or not. one's point of view by means of an example, the style is translated in most cases and can be translated, but At the same time, it is pointed out that because the style has its aesthetic and abstract side, it must be completely faithful. live in the original wind Ge is not often difficult, but in literary translation, style translation has The necessity and importance Sex. The second chapter focuses on why literary stylistics can be used In the literary translation. This is because some of the traditional lapses The theory of translation sometimes can't solve the problems in the literary translation, and by means of the literary style In the study of the study, the translator can correctly grasp and Replay the original style the literary style The study not only has a guiding role in the author's creation and literary criticism, but also to the translation and evaluation It is also of great significance to comment on the translation of the literature. The third chapter is the focus of the full text. As a kind of style that embodies the specific content or subject matter, it can't be separated from the form Something in the face, not in the form of independence. a specific means of expression, that is, the language The form of a speech. This chapter is a stylistic feature of the text from the perspective of linguistics. In the form of text, it is mainly used to mark the form of text from the micro to the macro in a manner that Line analysis: l. Phonetic level 2. lexical level 3. Syntactic level 4. Rhetoric means how to identify that meaning of the original and to make it in the translation To a reasonable reproduction. The fourth chapter mainly studies the non-form mark style symbol The concrete performance of the system is to explain the stop step The language form of the wind grid is marked as Not enough, the style also has the so-called charm, the wind, the momentum, the sentiment, etc. characterized in that they have a specific psychological or aesthetic impact on the reader, so that it is further thorough and thorough, understanding
【學(xué)位授予單位】：四川大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2003
【分類(lèi)號(hào)】：I046
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