發(fā)布時(shí)間：2018-07-17 19:41

【摘要】： 不同的歷史時(shí)期有不同的文化歷史形態(tài)。這是文藝發(fā)展內(nèi)因與媒體方式外因合力的結(jié)果。隨著媒體方式的發(fā)展，文藝形式也不斷更替，顯示出文化發(fā)展生生不息的創(chuàng)新更生態(tài)勢(shì)。媒體方式按照口語(yǔ)——文字——電子傳媒的序列更迭，而電子傳媒作為語(yǔ)言的一種又是對(duì)各種語(yǔ)言形態(tài)的融匯和創(chuàng)新，它體現(xiàn)的是后現(xiàn)代商品世界的審美性原則，與此相應(yīng)，，圖像文化也成為電子媒介時(shí)代的歷史選擇，成為一個(gè)時(shí)髦的也最有爭(zhēng)議的交叉學(xué)科。 本文力圖闡釋媒體方式與文藝話語(yǔ)的關(guān)系問(wèn)題，分析媒體方式對(duì)文藝決定性創(chuàng)造性的作用，著重于電子傳媒對(duì)當(dāng)代文藝話語(yǔ)格局的解構(gòu)與建構(gòu)，評(píng)述“圖像轉(zhuǎn)向”的動(dòng)因、實(shí)質(zhì)和發(fā)展邏輯。圖像是象外之像，它是現(xiàn)實(shí)的復(fù)現(xiàn)，也可以是觀念的賦形，圖像文化是視知覺(jué)的解放和對(duì)崇高的追求，它是獨(dú)立的文化品類(lèi)，也可以是大眾文化的一枝，這取決于圖像自身的邏輯和我們對(duì)圖像的闡釋與接受。 “圖像文化”是當(dāng)代文化的代表，“圖像轉(zhuǎn)向”是不爭(zhēng)的事實(shí)，本文回顧了傳媒發(fā)展歷史，闡述了媒體的泛語(yǔ)言性質(zhì)以及圖像的內(nèi)涵和闡釋接受等多方面內(nèi)容，以此為媒體方式、圖像文化定位，在此基礎(chǔ)上認(rèn)識(shí)文藝發(fā)展的歷史邏輯，推斷文藝話語(yǔ)的歷史走向。
[Abstract]:Different historical periods have different cultural and historical forms. This is the result of the resultant force of the internal cause of the development of literature and art and the external cause of the media way. With the development of media, literary and artistic forms are constantly changing, showing the continuous innovation trend of cultural development. The mode of media changes according to the sequence of spoken and written electronic media, and as a kind of language, electronic media is the fusion and innovation of various linguistic forms, which embodies the aesthetic principles of the post-modern commodity world, corresponding to this. Image culture has also become the historical choice in the era of electronic media, becoming a fashionable and most controversial cross-disciplinary. This paper tries to explain the relationship between media style and literary discourse, analyzes the role of media mode in literary and artistic creativity, focuses on the deconstruction and construction of contemporary literary discourse pattern by electronic media, and comments on the motivation of "image turning". Substance and development logic The image is the image outside the image, it is the reality reappearance, also may be the idea shape, the image culture is the visual perception liberation and the pursue to the lofty, it is the independent cultural category, also may be the popular culture one branch, This depends on the logic of the image itself and our interpretation and acceptance of the image. "Image culture" is the representative of contemporary culture, and "image turning" is an indisputable fact. This paper reviews the history of media development, expounds the pan-language nature of media, the connotation of images and the interpretation and acceptance of images, and so on. On this basis, we can understand the historical logic of the development of literature and art, and infer the historical trend of literary discourse.
【學(xué)位授予單位】：重慶師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2003
【分類(lèi)號(hào)】：I0-05

【引證文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 鐘琛;消費(fèi)文化語(yǔ)境中的“媒介文學(xué)事件”研究[D];四川大學(xué);2007年

本文編號(hào)：2130729