本文選題：怒江 + 傳統(tǒng)民間藝術(shù)�。� 參考：《云南藝術(shù)學(xué)院學(xué)報(bào)》2010年01期

【摘要】：通過(guò)調(diào)查發(fā)現(xiàn),各級(jí)傳承人是怒江州傳承民間藝術(shù)的主要?jiǎng)恿?民間藝術(shù)團(tuán)隊(duì)作為怒江地區(qū)傳統(tǒng)民間藝術(shù)的現(xiàn)代生存方式正在改變著民眾對(duì)于藝術(shù)的看法,也在激發(fā)著民間藝術(shù)的活力。官方運(yùn)用行政手段對(duì)民間藝術(shù)的推介和弘揚(yáng)能推動(dòng)民眾培養(yǎng)文化自覺(jué)性,對(duì)傳統(tǒng)民間藝術(shù)的傳承起到助力作用。但所有的保護(hù)工作都只有在民眾自覺(jué)自愿的參與和踐行下,才可能完成傳統(tǒng)民間藝術(shù)真正的傳習(xí)。
[Abstract]:Through the investigation, it is found that inheritors at all levels are the main driving force for the inheritance of folk art in Nujiang Prefecture, and that the folk art team, as the modern way of living of the traditional folk art in the Nujiang region, is changing people's views on art. It is also stimulating the vitality of folk art. The introduction and promotion of folk art by administrative means can promote the cultivation of cultural consciousness and contribute to the inheritance of traditional folk art. However, all protection work can only complete the true tradition of folk art with the voluntary participation and practice of the public.
【作者單位】： 云南財(cái)經(jīng)大學(xué)傳媒學(xué)院;
【分類號(hào)】：J120
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本文編號(hào)：1982881