本文選題：美國藝術(shù)博物館 + 觀眾��； 參考：《東南文化》2011年01期

【摘要】：二十多年來,美國藝術(shù)類博物館一直致力于找尋不同的方法,如測(cè)試展覽標(biāo)牌以及文字書寫,增添展廳內(nèi)外電腦互動(dòng)的使用,以及開展創(chuàng)作日志、詩歌等的參與性藝術(shù)活動(dòng),以了解公眾與藝術(shù)間的關(guān)聯(lián),并提升博物館創(chuàng)設(shè)的游客體驗(yàn)。丹佛藝術(shù)博物館、克利夫蘭藝術(shù)博物館以及底特律藝術(shù)館等由博物館員工和評(píng)估專家一起開展觀眾研究,調(diào)查觀眾和各項(xiàng)活動(dòng),考證結(jié)果,安排新穎的、響應(yīng)度更高的展覽配套。這些研究是否會(huì)真正帶動(dòng)藝術(shù)博物館展覽的革命,我們拭目以待。
[Abstract]:For more than 20 years, the American Museum of Art has been looking for different methods, such as testing signs and writing, increasing the use of computer interaction inside and outside the exhibition hall, and engaging in participatory art activities such as writing journals, poetry, etc. To understand the relationship between the public and the arts, and to enhance the museum created the tourist experience. The Denver Museum of Art, the Cleveland Museum of Art and the Detroit Museum of Art are joined by museum staff and evaluation experts to conduct audience research, investigate audiences and activities, verify the results, and arrange novel ones. A more responsive exhibition kit. Whether these studies will really revolutionize the art museum exhibition remains to be seen.
【作者單位】： 美國喬治華盛頓大學(xué);復(fù)旦大學(xué)文物與博物館學(xué)系;
【分類號(hào)】：J171.2
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本文編號(hào)：1938692