本文選題：詩(shī)意 + 文學(xué)語(yǔ)言　； 參考：《安徽大學(xué)》2004年碩士論文

【摘要】： 文學(xué)語(yǔ)言問(wèn)題長(zhǎng)期以來(lái)是一個(gè)備受文論家關(guān)注的問(wèn)題，也是一個(gè)具有意義的課題。文學(xué)是用語(yǔ)言構(gòu)筑的藝術(shù)世界，文學(xué)是以語(yǔ)言為媒介的藝術(shù)。正是語(yǔ)言這一獨(dú)特的構(gòu)筑方式使文學(xué)和其它藝術(shù)形式得以區(qū)別開(kāi)來(lái)。語(yǔ)言對(duì)于文學(xué)是如此重要，但是至今我們?cè)谖膶W(xué)語(yǔ)言方面研究得還很不夠。 本文將文學(xué)語(yǔ)言限定在文學(xué)的范圍之內(nèi)，是一種詩(shī)意的文學(xué)語(yǔ)言(Poetic Literary Language)。本文試圖以文學(xué)創(chuàng)作中的詩(shī)意邏輯為基本出發(fā)點(diǎn)，來(lái)探究詩(shī)意的文學(xué)語(yǔ)言的相關(guān)問(wèn)題。 本文正文的第一部分，主要就長(zhǎng)期以來(lái)具有代表性的西方語(yǔ)言觀作了概述和分析。分為傳統(tǒng)語(yǔ)言觀、哲學(xué)意義上的語(yǔ)言論轉(zhuǎn)向和文學(xué)意義上的語(yǔ)言觀三個(gè)方面，對(duì)于傳統(tǒng)工具論，存在主義、解構(gòu)主義等哲學(xué)語(yǔ)言派別，俄國(guó)形式主義、英美新批評(píng)派、結(jié)構(gòu)主義等文學(xué)語(yǔ)言觀點(diǎn)分別進(jìn)行了評(píng)述，這些理論雖然具有某些合理性，但是都沒(méi)有揭示出文學(xué)語(yǔ)言所獨(dú)具的詩(shī)意性本質(zhì)和獨(dú)特的發(fā)生過(guò)程。 文學(xué)語(yǔ)言是在文學(xué)創(chuàng)作過(guò)程中所發(fā)生的，因此研究文學(xué)語(yǔ)言必須結(jié)合文學(xué)創(chuàng)作的特殊邏輯思維形式，即詩(shī)意的邏輯，進(jìn)行分析。詩(shī)意邏輯是以表達(dá)或馳騁審美理想為目的的藝術(shù)思維的特殊邏輯形式，它是一種表現(xiàn)體驗(yàn)真實(shí)的邏輯，，在藝術(shù)虛構(gòu)中實(shí)現(xiàn)，并采用形象概括的思維方式，追求一種動(dòng)態(tài)的生命形式。在詩(shī)意邏輯的指導(dǎo)下，文學(xué)語(yǔ)言的生成機(jī)制與普通語(yǔ)言、科學(xué)語(yǔ)言有著根本的區(qū)別。作家在進(jìn)行創(chuàng)作時(shí)，先是在腦海中形成一定的內(nèi)心意象，然后才有文學(xué)語(yǔ)言的表達(dá)。本文正文的第二部分討論的就是上述問(wèn)題。 最后，本文論述了文學(xué)語(yǔ)言的詩(shī)意特征。文學(xué)語(yǔ)言的獨(dú)特性建立在詩(shī)意邏輯的基礎(chǔ)之上，是一種內(nèi)指性的語(yǔ)言，以此為前提，文學(xué)語(yǔ)言的詩(shī)意特征主要表現(xiàn)在四個(gè)方面：文學(xué)語(yǔ)言是一種通過(guò)整體情境來(lái)把握的語(yǔ)言，它具有豐富的民族文化內(nèi)涵和心理蘊(yùn)含性，文學(xué)語(yǔ)言是在藝術(shù)形式中運(yùn)行的，具有多義性和含混性。 以上的論述雖然致力于從一個(gè)新的角度揭示文學(xué)語(yǔ)言的本質(zhì)和特征等問(wèn)題，但也僅僅是觸及到了冰山一角。因此關(guān)于文學(xué)語(yǔ)言這一復(fù)雜豐富的理論論題，還有待于我們進(jìn)一步深入研究。
[Abstract]:The literary language problem has long been a matter of great concern to the literary critics . It is also a meaningful subject . The literature is the art world constructed by language . The literature is the art of language . It is the unique construction of language that distinguishes literature and other forms of art . The language is so important for literature , but so far we have not studied in literary language .









This paper defines the literary language as a poetic literary language . This paper attempts to explore the related problems of poetic literary language by using poetic logic in literary creation as the basic starting point .









In the first part of this paper , the author gives an overview and analysis of a long - term representative Western language view . It is divided into three aspects : traditional linguistic view , linguistic expression in philosophical sense and linguistic view in literary sense .









Literary language is in the process of literary creation , so the study of literary language must be combined with the special logical thinking form of literary creation , that is , the logic of poetic meaning .









Finally , this paper discusses the poetic characteristics of literary language . The uniqueness of literary language is based on poetic logic , it is an inner - finger language , which is the premise that the poetic characteristics of literary language mainly appear in four aspects : literary language is a language which is grasped through the whole situation , it has rich national cultural connotation and psychological implication , and literary language is run in artistic form , and has ambiguity and ambiguity .









Although the above discussion is devoted to revealing the essence and characteristics of literary language from a new perspective , it is only touching the tip of the iceberg . Therefore , the complex and rich theory of literary language is still waiting for us to study further .
【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2004
【分類(lèi)號(hào)】：I04

【引證文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 王薇;先秦言意觀的發(fā)展及其對(duì)唐前文學(xué)的影響[D];東北師范大學(xué);2010年

本文編號(hào)：1921224