本文選題：浪漫主義 + 視覺　； 參考：《求索》2014年12期

【摘要】："鏡"與"燈"是浪漫主義詩學中帶有視覺隱喻的關鍵詞。浪漫主義詩人基于"想象力"、"崇高"等詩學要素,區(qū)分了"整體"和"碎片"這兩種視覺體驗;從視覺構(gòu)成上來看,"鏡"代表古典主義者對客觀世界的整體摹仿,而"燈"則是浪漫主義者通過"碎片"化的視覺感知,想象性地構(gòu)建內(nèi)心圖景的方式;這種區(qū)分根植于近代"理性主體"與"審美主體"的分裂當中。通過梳理浪漫主義詩學中的視覺構(gòu)成,有助于拓寬我們對浪漫主義詩學與現(xiàn)代性的認識。
[Abstract]:Mirror and lamp are the key words with visual metaphor in Romantic poetics. Based on the poetic elements of "imagination" and "sublimity", Romantic poets distinguish between "whole" and "fragment", and from the perspective of visual composition, "mirror" represents the overall imitation of the objective world by classicists. The "lamp" is a way for romantics to visualize the inner picture through the "fragmentation" of visual perception, which is rooted in the division between "rational subject" and "aesthetic subject" in modern times. It is helpful to broaden our understanding of Romantic poetics and modernity by combing the visual composition in Romantic poetics.
【作者單位】： 浙江大學比較文學與世界文學所;
【分類號】：I052
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本文編號：1864317