本文選題：生態(tài)批評(píng) + 自然寫(xiě)作　； 參考：《山東師范大學(xué)》2005年博士論文

【摘要】：本文從西方生態(tài)批評(píng)(ecocriticism)的淵源、發(fā)展概況、理論依據(jù)、經(jīng)典重塑、解讀策略等方面入手,分析這一新興綠色批評(píng)的內(nèi)涵和理論定位,并對(duì)其學(xué)術(shù)價(jià)值和現(xiàn)實(shí)意義作出評(píng)價(jià)。 全文由導(dǎo)論、四章和余論組成。第一章“生態(tài)批評(píng)概說(shuō)”,首先追溯了17世紀(jì)開(kāi)始的“自然寫(xiě)作”和一個(gè)多世紀(jì)前開(kāi)始的美英“前生態(tài)批評(píng)”,通過(guò)分析“自然寫(xiě)作”的創(chuàng)作特征和“前生態(tài)批評(píng)”的批評(píng)視點(diǎn),厘清它們與生態(tài)批評(píng)的承繼關(guān)系。然后對(duì)生態(tài)批評(píng)從20 世紀(jì)90 年代誕生至今的研究狀況進(jìn)行了考察;根據(jù)其研究視野和基本模式,總結(jié)了生態(tài)批評(píng)的特征;指出了生態(tài)批評(píng)研究的欠缺。 第二章重點(diǎn)研究生態(tài)批評(píng)的理論依據(jù)。第一節(jié)指出,生態(tài)批評(píng)研究是整個(gè)學(xué)術(shù)界“激進(jìn)環(huán)境主義”思潮的一部分。環(huán)境主義思想經(jīng)歷了從“技術(shù)改良”到“文化變革”的轉(zhuǎn)變,隨著對(duì)環(huán)境問(wèn)題根源的認(rèn)識(shí)不斷加深,生態(tài)學(xué)從一種親近與尊重自然的“另類科學(xué)”,發(fā)展成為涵蓋多種學(xué)科的“生態(tài)理論”體系。第二節(jié)的分析表明,生態(tài)理論體系弘揚(yáng)有機(jī)整體的世界觀,強(qiáng)調(diào)“自然的內(nèi)在價(jià)值”和人對(duì)自然的“倫理責(zé)任”,為生態(tài)批評(píng)提供了構(gòu)筑未來(lái)理想社會(huì)圖景的理論依據(jù)。第三節(jié)主要研究生態(tài)批評(píng)如何加強(qiáng)生態(tài)理論與后結(jié)構(gòu)主義文論之間的聯(lián)系。生態(tài)理論與后結(jié)構(gòu)主義文論在理論背景和研究著眼點(diǎn)上雖有相通之處,但其看待“文本內(nèi)自然”與“文本外自然”的觀點(diǎn)卻截然有別。生態(tài)批評(píng)家關(guān)于綠色語(yǔ)言的新思路,有益于促進(jìn)文本內(nèi)外的自然之間的調(diào)和、糾正過(guò)去生態(tài)批評(píng)研究中排斥理論的偏頗。 本文的第三、四章主要著眼于生態(tài)批評(píng)的批評(píng)策略與實(shí)踐方式,特別是其如何區(qū)別于過(guò)去的自然文學(xué)研究。第三章通過(guò)分析生態(tài)批評(píng)的綠色經(jīng)典觀指出,生態(tài)批評(píng)重新詮釋英美浪漫主義文學(xué),發(fā)掘其中的“浪漫生態(tài)學(xué)”蘊(yùn)意,根本目的是通過(guò)強(qiáng)調(diào)自然的有機(jī)整體性,來(lái)實(shí)施自己對(duì)機(jī)械論自然觀的“文學(xué)抵抗”;生態(tài)批評(píng)家重新闡釋綠色經(jīng)典的創(chuàng)作觀念,提倡超越以“阿卡狄亞”為核心意象的舊田園文學(xué)創(chuàng)作模式,強(qiáng)調(diào)自然(尤其是“荒野”)對(duì)文學(xué)和文化建設(shè)的重要性,希望通過(guò)綠色文學(xué)創(chuàng)作和閱讀,為生態(tài)文化建設(shè)發(fā)揮重要作用。 第四章主要研究生態(tài)批評(píng)的文本框架和解讀范疇。第一節(jié)分析生態(tài)批評(píng)如何
[Abstract]:This paper analyzes the connotation and theoretical orientation of the new green criticism from the aspects of its origin, development, theoretical basis, classical reconstruction and interpretation strategy, and evaluates its academic value and practical significance. The full text consists of an introduction, four chapters and a conclusion. The first chapter, "Overview of ecological criticism", first traces the "natural writing" from the beginning of the 17th century and the "pre-ecological criticism" from the United States and Britain more than a century ago. By analyzing the creative characteristics of "natural writing" and the critical viewpoints of "pre-ecological criticism", the relationship between them and ecological criticism is clarified. Then the author investigates the research situation of ecological criticism since its birth in the 1990s, summarizes the characteristics of ecological criticism according to its research vision and basic mode, and points out the lack of ecological criticism research. The second chapter focuses on the theoretical basis of ecological criticism. The first section points out that ecological criticism is a part of radical environmentalism in academic circles. The thought of environmentalism has undergone a transformation from "technological improvement" to "cultural change". With the deepening understanding of the root causes of environmental problems, ecology has changed from a kind of "alternative science" which is close to and respectful of nature. Develop into a multi-disciplinary "ecological theory" system. The analysis of the second section shows that the ecological theory system carries forward the organic whole world outlook and emphasizes the "intrinsic value of nature" and the "ethical responsibility" of man towards nature, which provides a theoretical basis for ecological criticism to construct an ideal social picture in the future. The third section mainly studies how ecological criticism strengthens the relation between ecological theory and post-structuralism literary theory. Although ecological theory and poststructuralist literary theory have similarities in theoretical background and research focus, their views on "nature within text" and "nature outside text" are completely different. The new ideas of ecological critics about green language are helpful to promote the harmony between the nature inside and outside the text and to correct the bias of the exclusion theory in the past studies of ecological criticism. The third and fourth chapters focus on the critical strategy and practice of ecological criticism, especially on how to distinguish it from the past natural literature research. The third chapter points out that ecological criticism reinterprets Anglo-American Romantic literature and excavates the meaning of "romantic ecology" by analyzing the green classic view of ecological criticism. The fundamental purpose of ecological criticism is to emphasize the organic integrity of nature. To implement his own "literary resistance" to the mechanistic view of nature, ecological critics reinterpret the creative concept of the green classic, and advocate surmounting the old pastoral literary creation model with "Arcadia" as the core image. This paper emphasizes the importance of nature (especially "wilderness") to literature and cultural construction, and hopes to play an important role in the construction of ecological culture through the creation and reading of green literature. The fourth chapter mainly studies the text frame and interpretation category of ecological criticism. Section one: how to analyze Ecological criticism
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2005
【分類號(hào)】：I06

【引證文獻(xiàn)】

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