【摘要】：在德國,音樂創(chuàng)作和音樂學分屬兩個不同的領域和歸屬。前者重視音樂實踐,側重技術訓練,隸屬于音樂學院或藝術學院;而后者則被看成是人文學科,側重精神領域的研究,歸類于綜合大學的文科類。它們長期以來平分秋色、各有所長,是德國音樂發(fā)展中的兩個重要分支。本文以德國當代作曲家、音樂學家為例,針對他們的言論、音樂創(chuàng)作,提出自己的一些看法和思考。
[Abstract]:In Germany, music creation and music are divided into two different fields and attribution. The former attaches importance to music practice, focuses on technical training, and belongs to music college or art college;The latter is regarded as a humanities subject, focusing on the research in the spiritual field, which is classified into the arts category of the comprehensive university. For a long time, they are both important branches in the development of German music. This paper takes German contemporary composers and musicists as an example, and puts forward some views and thoughts on their comments, music creation.
【作者單位】： 德國布萊梅大學音樂學、音樂教育學系;西安音樂學院音樂學系;西北民族音樂研究中心;
【分類號】：J605
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本文編號：2523537