本文關(guān)鍵詞：威爾第歌劇《弄臣》中吉爾達(dá)的形象塑造探究及唱段分析，由筆耕文化傳播整理發(fā)布。

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藝術(shù)碩士學(xué)位論文Art master Thesis威爾第歌劇《弄臣》中吉爾達(dá)的形象塑造探究及唱段分析The image inquiry and ballads analysis of Gilda in Verdi’sopera “Rigoletto”李林蓮Li Linlian西北師范大學(xué)音樂學(xué)院School of Music in Northwest Normal University2012 年 6 月June, 2012II摘要威爾第(Giuseppe Verdi,1813-1901)是 19 世紀(jì)意大利乃至西方歌劇史上最偉大的歌劇作曲家之一,一生中創(chuàng)作了 26 部歌劇,他在保留意大利歌劇精髓的基礎(chǔ)上對其做出了重要的發(fā)展,使歌劇這一藝術(shù)形式更加富有戲劇性和抒情性。他創(chuàng)作的絕大部分作品至今傳唱不衰。《弄臣》是他創(chuàng)作高峰時(shí)期里程碑式的作品,賦予了劇中人物真實(shí)的人性特點(diǎn)和深刻的思想性。其中女主角吉爾達(dá)是他成功塑造的人物典型,具有鮮明、豐富、生動(dòng)的人物形象特征,她的兩首詠嘆調(diào)細(xì)致地刻畫出這一人物的精髓。本文通過理論分析、譜例研究、文獻(xiàn)資料查閱整理等方法,對劇吉爾達(dá)的形象塑造及其兩首詠嘆調(diào)進(jìn)行探究和分析,以準(zhǔn)確把握人物特征和聲音的表現(xiàn)魅力。這對于自身音樂素養(yǎng)、藝術(shù)鑒賞能力的提高,歌唱聲音的運(yùn)用都具有非常重要的意義。本文分為三個(gè)部分:(1)緒論,簡要概述本論文的研究現(xiàn)狀,明確論文的研究重點(diǎn)。(2)歌劇《弄臣》女主角吉爾達(dá)的人物形象塑造。介紹威爾第歌劇《弄臣》的劇情,探究如何塑造吉爾達(dá)的戲劇和音樂形象。(3)對吉爾達(dá)的兩首詠嘆調(diào)進(jìn)行分析。分別從劇情、音樂、聲音、情感方面分析來塑造吉爾達(dá)的人物形象。關(guān)鍵詞:《弄臣》;吉爾達(dá);形象塑造;唱段分析IIIAbstractGiuseppe Verdi(1813-1901) is the great poser in the 19th century’s Italyand the western opera history. He created 26 operas in his whole life. He made animportant development based on keeping in the essence of Italian opera, and made theart form of opera more dramatic and lyricism. The most of the works that he created isknown well.The opera “Rigoletto” is the landmark work in his creation peak period, given thecharacters of real human nature and profound thought. Actress Gilda has the typicalcharacter in his ess creation, has the rich and lively music image. Her two ariashave depicted the figure’s essence in meticulous detail. This article through themethod of theoretical analysis, music score research and literature reviewingarrangement, to analysis the characters’ relations, personalities and Gilda’s two ariaesand create this music image.In order to grasp the performance of voice and thecharacter of the charm. This for our own music quality improvement, the use ofsinging voice and the art appreciation of the ability has the vital significance.This paper is divided into three parts: The first part is introduction, it briefly discussesthe present situation of the study, clarifies the focus of this paper. The second partintroduces Verdi’s opera situation and explore how to build the drama and musicimage of Gilda. The third part analyzes the two arias of Gilda. Mainly through theanalysis for Gilda’s two arias of “Caro nome” and “Tutte le feste al tempio mentrepregava Iddio”, respectively from the plot, the music, the voice, the emotion to shapeGilda’s role.Key words: “Rigoletto”; Gilda; image model; ballad analysis目錄獨(dú)創(chuàng)性聲明................................................................................................................... I摘要..........................................................................................................................IIAbstract...................................................................................................................... III緒論...........................................................................................................................1一、歌劇《弄臣》中吉爾達(dá)的形象塑造...............................

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  本文關(guān)鍵詞：威爾第歌劇《弄臣》中吉爾達(dá)的形象塑造探究及唱段分析，，由筆耕文化傳播整理發(fā)布。