【摘要】： 王祖皆、張卓婭是我國(guó)從事音樂(lè)創(chuàng)作的一對(duì)“黃金夫婦”,他們以歌劇《黨的女兒》、《野火春風(fēng)斗古城》、音樂(lè)劇《芳草心》、《玉鳥(niǎo)兵站》、舞劇《繁漪》、合唱套曲《南方有這樣一片森林》、歌曲《眷念》、《兩地書(shū),母子情》等一批優(yōu)秀作品為我國(guó)當(dāng)代音樂(lè)創(chuàng)作事業(yè)的發(fā)展做出了卓越貢獻(xiàn)。 其中歌劇和音樂(lè)劇作品在他們的全部創(chuàng)作中占有更為突出的地位,這些作品不僅在抒情性與戲劇性相結(jié)合方面精湛巧妙,人物形象的塑造生動(dòng)鮮明,同時(shí)在歌劇藝術(shù)的民族化創(chuàng)作道路上做出了許多有益的探索,取得了很高的藝術(shù)成就。音樂(lè)劇《芳草心》成為他們的成名之作,歌劇《黨的女兒》曾獲“文華大獎(jiǎng)”,贏得了社會(huì)各界的普遍贊譽(yù),其中的很多唱段如《小草》、《萬(wàn)里春色滿家園》等已成為深受人們喜愛(ài)的經(jīng)典曲目。 本文從“王張組合”兩部代表作品——音樂(lè)劇《芳草心》和歌劇《黨的女兒》的音樂(lè)分析入手,探討了其中人物形象的生動(dòng)塑造、音樂(lè)與戲劇的結(jié)合、以及“坐北朝南”的音樂(lè)風(fēng)格,在此基礎(chǔ)上總結(jié)出“王張組合”的創(chuàng)作觀念,那便是打造“經(jīng)典唱段”、追求“雅俗共賞”、堅(jiān)持“民族風(fēng)格”,進(jìn)而從音樂(lè)結(jié)構(gòu)特征和主題曲兩個(gè)角度總結(jié)出他們的歌劇、音樂(lè)劇創(chuàng)作特色。最后,筆者結(jié)合中國(guó)當(dāng)代歌劇、音樂(lè)劇的創(chuàng)作現(xiàn)狀,對(duì)“王張組合”在這兩個(gè)領(lǐng)域的創(chuàng)作成就給予肯定,并對(duì)創(chuàng)作中存在的不足之處,諸如忽視歌劇、音樂(lè)劇創(chuàng)作的整體性,歌劇創(chuàng)作形式缺少創(chuàng)新性,音樂(lè)劇的體裁個(gè)性不顯豁等方面提出了個(gè)人思考。
[Abstract]:Wang Zujie, Zhang Zhuoya is a "golden couple" engaged in music creation in our country. They use the opera "daughter of the Party", "the Old City of the Wild Fire and Spring Wind", the musical "Heart of Fangcao", "the Jade Bird Station", and the dance play "Fanyi". Choral ensemble "there is such a forest in the south", songs "nostalgia", "books in both places, mother and child" and other outstanding works have made outstanding contributions to the development of contemporary music creation in China. Among them, opera and musical works occupy a more prominent position in all their creations. These works are not only skillful in combining lyricism and drama, but also vivid and vivid in shaping the characters. At the same time, many useful explorations have been made on the road of nationalization of opera art, and high artistic achievements have been made. The musical "Heart of Fangcao" became their famous work. The opera "daughter of the Party" won the "Wenhua Award" and won universal acclaim from all walks of life, many of which included "grass". "thousands of miles full of spring home" and so on has become deeply loved by the classic music. This paper begins with the musical analysis of the two representative works of the Wang Zhang Combination-the Musical Fangcao Heart and the Opera the daughter of the Party, and probes into the vivid portrayal of the characters and the combination of music and drama. And the music style of "sit north and face south", on this basis summed up the "Wang Zhang combination" creative concept, that is, to create "classic singing", the pursuit of "elegance and common appreciation", adhere to "national style", Then it summarizes their opera and musical creation characteristics from the two angles of musical structure and theme song. Finally, combining the current situation of Chinese contemporary opera and musical production, the author affirms the creation achievements of Wang Zhang Combinatorial in these two fields, and the shortcomings in the creation, such as neglecting opera and the integrity of musical creation. The lack of innovation in the form of opera creation and the lack of genre and personality of musicals put forward personal thinking.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類(lèi)號(hào)】：J643.2

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前6條

1 楊桂蘭;王祖皆、張卓婭聲樂(lè)作品演唱研究[D];河北師范大學(xué);2010年

2 魏薇;現(xiàn)代民族歌劇《野火春風(fēng)斗古城》的音樂(lè)學(xué)分析[D];中央音樂(lè)學(xué)院;2010年

3 易秒櫻;中國(guó)民族歌劇主題歌研究[D];南京藝術(shù)學(xué)院;2010年

4 王璇;民族歌劇《野火春風(fēng)斗古城》女性音樂(lè)形象探析[D];南京藝術(shù)學(xué)院;2010年

5 鄧子娟;論民族歌劇《黨的女兒》中“玉梅”音樂(lè)形象的塑造[D];西南大學(xué);2012年

6 張迪;試論歌劇《黨的女兒》藝術(shù)特色及主要唱段分析[D];曲阜師范大學(xué);2012年

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本文編號(hào)：2379443