《納瓦木卡姆》唱詞阿魯孜格律對音樂旋律節(jié)奏的影響
發(fā)布時間：2018-11-08 18:14
【摘要】： 維吾爾族《十二木卡姆》中的部分段落選用了以阿魯孜格律寫成的古典詩歌作為唱詞。產(chǎn)生于阿拉伯文學的阿魯孜格律體系約從公元十世紀開始,經(jīng)由波斯文學傳到了新疆,被維吾爾先民所接受。阿魯孜原本是以阿拉伯語長短音節(jié)的組合與變換為基礎的格律,有八種詩節(jié)、十九種格式。雖然維吾爾語的元音無長短區(qū)別,但經(jīng)過幾個世紀的融合,到了十五世紀,以艾利希爾·納瓦依的作品為代表的維吾爾古典詩歌中,阿魯孜格律的運用已經(jīng)達到了臻于完美的地步。眾多詩人的詩歌作品,被作為《十二木卡姆》部分段落的唱詞在廣大維吾爾人中傳唱。阿魯孜格律長短音節(jié)的構成形式,在兩者的相互融合中,對《十二木卡姆》音樂產(chǎn)生了重要的影響。在對《納瓦木卡姆》唱詞格律與音樂旋律進行對應分析后,我們發(fā)現(xiàn),唱詞中阿魯孜格律長短音節(jié)在音樂旋律中對應的音符時值具有一些相似的特征:短音節(jié)對應時值相對短的一個音符,且只出現(xiàn)在節(jié)奏節(jié)拍的弱位置上,而長音節(jié)對應音符的時值、個數(shù)以及音符所在的位置都比較自由。這就造成了長短音節(jié)結合時,旋律節(jié)奏中常常出現(xiàn)附點節(jié)奏和切分節(jié)奏的原因。
[Abstract]:Some paragraphs of the Uygur "Twelve Mukam" choose the classical poetry written in Aruze's law as the lyric. Aruz system, which originated from Arab literature, was introduced to Xinjiang through Persian literature from the tenth century AD, and was accepted by Uighur ancestors. Aruze was originally based on the combination and transformation of short and short syllables in Arabic. Although the vowels of Uygur have no difference in length, after centuries of fusion, by the fifteenth century, Uighur classical poetry, represented by Alicher Navayi's works, The application of the Aruze law has reached the point of perfection. The poems of many poets are sung among the Uyghur people as part of the passage of "Twelve Mukam". The composition of the long and short syllables of Aruz's law, in the fusion of the two, exerts an important influence on the music of Twelve Mukam. On the basis of the corresponding analysis of the rhyme and melody in Navamucam, we find that, Aruz's short and short syllable has some similar characteristics in musical melody: short syllable corresponds to a relatively short note, and only appears in the weak position of rhythm. The long syllable corresponds to the time value, the number and the position of the notes. This result in the combination of short and short syllables, melodic rhythm often appears in the point rhythm and segmentation rhythm.
【學位授予單位】：新疆師范大學
【學位級別】：碩士
【學位授予年份】：2008
【分類號】：J607
本文編號：2319280
[Abstract]:Some paragraphs of the Uygur "Twelve Mukam" choose the classical poetry written in Aruze's law as the lyric. Aruz system, which originated from Arab literature, was introduced to Xinjiang through Persian literature from the tenth century AD, and was accepted by Uighur ancestors. Aruze was originally based on the combination and transformation of short and short syllables in Arabic. Although the vowels of Uygur have no difference in length, after centuries of fusion, by the fifteenth century, Uighur classical poetry, represented by Alicher Navayi's works, The application of the Aruze law has reached the point of perfection. The poems of many poets are sung among the Uyghur people as part of the passage of "Twelve Mukam". The composition of the long and short syllables of Aruz's law, in the fusion of the two, exerts an important influence on the music of Twelve Mukam. On the basis of the corresponding analysis of the rhyme and melody in Navamucam, we find that, Aruz's short and short syllable has some similar characteristics in musical melody: short syllable corresponds to a relatively short note, and only appears in the weak position of rhythm. The long syllable corresponds to the time value, the number and the position of the notes. This result in the combination of short and short syllables, melodic rhythm often appears in the point rhythm and segmentation rhythm.
【學位授予單位】：新疆師范大學
【學位級別】：碩士
【學位授予年份】：2008
【分類號】：J607
【引證文獻】
相關期刊論文 前1條
1 王慧;;《吐魯番木卡姆》節(jié)奏模式研究——以《潘吉尕木卡姆》為例[J];中央音樂學院學報;2012年03期
相關碩士學位論文 前4條
1 梁秋麗;維吾爾《十二木卡姆》“達斯坦”與歌劇《艾里甫與賽乃姆》唱段與之對比研究[D];新疆師范大學;2010年
2 阿曼古麗·牙生;“賽里木賽乃姆”調查與研究[D];新疆師范大學;2011年
3 王海霞;十二木卡姆在喀什地區(qū)的民間傳承研究[D];新疆師范大學;2012年
4 陳婷婷;吐魯番木卡姆“托克遜版”音樂文化調查研究[D];中央音樂學院;2012年
，本文編號：2319280
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