本文選題：僮子祭祀 + 執(zhí)事��； 參考：《南京師范大學(xué)》2007年碩士論文

【摘要】： 僮子戲是源于遠(yuǎn)古巫覡祭儀，，后漸獨(dú)立成為戲曲音樂的一種特殊音樂品種�，F(xiàn)多改稱“通劇”，主要流行于中國江蘇省南通市及南通、如皋、如東等縣作為地方性很濃的民間音樂品種，僮子戲具有其獨(dú)特的歷史發(fā)展軌跡、音樂風(fēng)格特征和藝術(shù)價(jià)值，在南通乃至江蘇省民間藝術(shù)史上具有不可忽視的價(jià)值和地位。 本文以前人的研究成果和筆者的實(shí)地考察為基礎(chǔ)，著重從以往研究空白環(huán)節(jié)的音樂學(xué)角度，并綜合運(yùn)用民族音樂學(xué)、音樂史學(xué)、宗教學(xué)、文化學(xué)等多學(xué)科的理論知識(shí)與方法，對(duì)僮子祭祀儀式戲曲音樂元素、音樂形態(tài)風(fēng)格特征以及僮子戲在中國戲曲音樂史上的特殊位置等方面作了較系統(tǒng)深入的研究。全文分為導(dǎo)論及四章： 導(dǎo)論主要論述已有的研究現(xiàn)狀及本文的主要研究任務(wù)等。 第一章歷史發(fā)展軌跡及其文化背景考察。旨在研究僮子戲歷史沿革和規(guī)律的基礎(chǔ)上，分析其發(fā)展軌跡所由形成的文化背景因素。 第二章僮子祭祀執(zhí)事與戲曲音樂。分析僮子戲祭祀執(zhí)事的實(shí)例并著重探究其中所包含的戲曲音樂因素，儀式與戲曲音樂之關(guān)系以及戲曲音樂從中脫胎獨(dú)立的過程和原因。 第三章僮子戲的構(gòu)成要素及基本特征。重在從音樂學(xué)角度，基于筆者田野調(diào)查資料的分析，對(duì)構(gòu)成僮子戲的各個(gè)要素進(jìn)行較細(xì)致地剖析，展現(xiàn)其整體面貌，認(rèn)識(shí)其個(gè)性特征。 第四章僮子戲音樂審美特征研究。對(duì)僮子戲音樂的審美形態(tài)、風(fēng)格特征進(jìn)行深入完整的探究和描述。
[Abstract]:Tongzi Opera originated from ancient sorcery sacrificial rites and gradually became a special musical variety of opera music. Now it has been renamed "Tong Opera", mainly popular in Nantong City and Nantong City, Jiangsu Province, China, Rugao, Rudong and other counties as a very local folk music variety. Tongzi Opera has its unique historical development track, musical style characteristics and artistic value. In the history of folk art in Nantong and even Jiangsu Province, it has an unnegligible value and position. Based on the previous research results and the author's on-the-spot investigation, this paper focuses on the musicology of the blank links in the past. And comprehensive use of ethnomusicology, music history, religious education, culturology and other multi-disciplinary theoretical knowledge and methods, to the child sacrifice ritual opera music elements, The characteristics of music form and style and the special position of Tongzi Opera in the history of Chinese opera music are studied systematically and deeply. The full text is divided into introduction and four chapters: the introduction mainly discusses the existing research status and the main research tasks of this paper. On the basis of studying the historical evolution and law of Tongzi Opera, this paper analyzes the cultural background factors of its development track. Chapter two is about offering sacrifices to deacons and opera music. This paper analyzes the examples of offering sacrifices to deacons in Tongzi Opera, and probes into the musical elements of opera, the relationship between ritual and opera music, and the process and reason for the birth of opera music. Chapter three, the constituent elements and basic characteristics of Tongzi Opera. From the point of view of musicology, based on the analysis of the author's field investigation data, this paper makes a more detailed analysis of the elements that make up the play, shows its overall appearance, and recognizes its personality characteristics. Chapter four is the study of the aesthetic characteristics of the music of the Tongzi Opera. This paper explores and describes the aesthetic form and style characteristics of the music of Tongzi Opera.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2007
【分類號(hào)】：J617.5

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本文編號(hào)：1996905