發(fā)布時(shí)間：2018-06-08 05:16

  本文選題：打鼓歌 + 表演形式　； 參考：《江西師范大學(xué)》2007年碩士論文

【摘要】： 贛北武寧打鼓歌作為中國傳統(tǒng)音樂中的一個(gè)組成部分,在長期的藝術(shù)實(shí)踐中積累了豐富的音樂發(fā)展手法和經(jīng)驗(yàn),同時(shí)也切合了贛北人民的審美情趣。本論文在筆者實(shí)地考察的基礎(chǔ)上,以豐富翔實(shí)的第一手資料,將打鼓歌與其賴以生存的社會環(huán)境結(jié)為一有機(jī)整體,并同時(shí)觀照其所置身的地理與人文環(huán)境,用聯(lián)系的觀點(diǎn),對“打鼓歌”進(jìn)行了系統(tǒng)研究。其中主要涉及“打鼓歌”的起源、演唱形式、譜例、歌詞研究、生存狀態(tài),用人類學(xué)、社會學(xué)、民族心理學(xué)、語言學(xué)等多維的視角去研究這一音樂品種。 文中的重點(diǎn)為第二、三兩章。其中第二章主要從旋法特征、音階調(diào)式、使用樂器及鼓點(diǎn)特征、曲式結(jié)構(gòu)這四個(gè)方面對武寧打鼓歌進(jìn)行一個(gè)音樂形態(tài)的分析。第三章主要是從文學(xué)、語言學(xué)的角度對打鼓歌歌詞的內(nèi)容題材、結(jié)構(gòu)特征、襯詞和襯腔進(jìn)行研究。同時(shí),把第二章的音樂分析與第三章的歌詞研究結(jié)合起來談音樂與方言的結(jié)合。通過以上的研究,讓我們對武寧打鼓歌有了充分的認(rèn)識。在第四章中,把湖北通山挖山鼓與武寧打鼓歌做比較,通過這種不同地區(qū)、相似歌種的比較,讓我們對武寧打鼓歌的源流、個(gè)性特征有了更好的把握。 本文的研究價(jià)值不僅在于為武寧打鼓歌這種歌種作一個(gè)歷史見證,還表現(xiàn)出對民族藝術(shù)的人文主義關(guān)懷,對這些“活化石”的生存與發(fā)展提出了自己的期望。
[Abstract]:As an integral part of Chinese traditional music, Wuning Drum Song in Northern Jiangxi has accumulated rich musical development techniques and experience in long-term artistic practice, and has also been in line with the aesthetic interests of the people of Northern Jiangxi. On the basis of the author's on-the-spot investigation, this paper, with rich first-hand information, combines the drum song and the social environment on which it depends to form an organic whole, and at the same time considers the geographical and human environment in which it is placed, and uses the viewpoint of connection. The paper makes a systematic study on Drum Song. It mainly involves the origin, singing form, case study, lyric research, living state, studying this music variety from the perspectives of anthropology, sociology, national psychology, linguistics and so on. The emphasis in this paper is the second. Three or two chapters. The second chapter mainly analyzes the music form of Wuning drum song from four aspects: rotation, scale, musical instrument and drum, and music structure. The third chapter mainly studies the content theme, the structure characteristic, the contrast word and the contrast cavity of the lyric of the drum song from the angle of literature and linguistics. At the same time, the music analysis of the second chapter and the lyric research of the third chapter are combined to discuss the combination of music and dialect. Through the above research, let us have a full understanding of Wuning drum song. In the fourth chapter, we compare the mountain drum of Tongshan in Hubei with the drum song of Wuning. Through the comparison of similar songs in different regions, let us compare the origin of the drum song in Wuning. The research value of this paper is not only to make a historical witness for Wuning drum song, but also to show its humanistic concern for national art. The author puts forward his own expectation for the existence and development of these living fossils.
【學(xué)位授予單位】：江西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2007
【分類號】：J607

【引證文獻(xiàn)】

相關(guān)期刊論文 前2條

1 戴曉敏;石米;;贛北打鼓歌起源探析[J];大眾文藝;2011年15期

2 戴曉敏;石米;;贛北武寧打鼓歌現(xiàn)狀及應(yīng)對策略[J];藝海;2011年08期

相關(guān)碩士學(xué)位論文 前1條

1 連一蘋;福建莆仙文化區(qū)的胡琴類樂器研究[D];福建師范大學(xué);2013年

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本文編號：1994662