【摘要】：作為人類最重要的交流符號(hào),語(yǔ)言建構(gòu)了我們的生存。作為音樂(lè)思想與行為的高度抽象和凝練,中國(guó)傳統(tǒng)音樂(lè)文化在歷史傳承中積累的習(xí)語(yǔ)(或樂(lè)語(yǔ)),為其當(dāng)事人主體對(duì)音樂(lè)的認(rèn)知和實(shí)踐經(jīng)驗(yàn)的升華,是中國(guó)音樂(lè)"傳統(tǒng)(民間)知識(shí)體系"的基本材料。對(duì)其進(jìn)行系統(tǒng)收集和整理,有助于我們加深對(duì)傳統(tǒng)音樂(lè)文化"是什么"和"為什么"的探討。如果說(shuō)以往我們借用西方音樂(lè)理論術(shù)語(yǔ)是遵從一種相似性原則,那么傳統(tǒng)樂(lè)語(yǔ)的調(diào)查和記錄,則是發(fā)現(xiàn)差異,并在差異中領(lǐng)悟使用者的文化觀念、運(yùn)用及音樂(lè)認(rèn)知。尤其是在文化急速變遷導(dǎo)致音樂(lè)傳承中斷、音樂(lè)表達(dá)方式改變的現(xiàn)狀下,花大力氣建立在文獻(xiàn)梳理與田野調(diào)查基礎(chǔ)上的、中國(guó)各民族傳統(tǒng)音樂(lè)自身的"語(yǔ)料庫(kù)"迫在眉睫。
[Abstract]:As the most important communication symbol of human beings, language constructs our survival. As a highly abstract and condensed musical thought and behavior, the idiom (or musical language) accumulated in the historical inheritance of Chinese traditional music culture is the sublimation of the cognition and practical experience of the subject of music, and it is the basic material of the "traditional (folk) knowledge system" of Chinese music. The systematic collection and collation of it is helpful for us to deepen the discussion of what and why traditional music culture is. In the past, if we use western music theory terms to follow a principle of similarity, then the investigation and recording of traditional music languages is to find differences and understand the cultural concepts, applications and music cognition of users in the differences. Especially under the condition that the rapid change of culture leads to the interruption of music inheritance and the change of music expression mode, it is urgent to make great efforts to build on the basis of literature combing and field investigation.
【作者單位】： 上海音樂(lè)學(xué)院音樂(lè)學(xué)系;
【基金】：上海音樂(lè)學(xué)院音樂(lè)研究所2015年重點(diǎn)委約課題 2015年國(guó)家社科基金(藝術(shù)學(xué))一般項(xiàng)目“中國(guó)傳統(tǒng)音樂(lè)表演藝術(shù)與音樂(lè)形態(tài)關(guān)系研究”(項(xiàng)目編號(hào):15BD042)系列論文之一
【分類號(hào)】：J607

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