【摘要】：正一、問(wèn)題的提出音樂(lè)口述史研究是學(xué)界近些年來(lái)興起的熱點(diǎn)之一。特別是2014年9月在北京成功舉辦了"全國(guó)首屆音樂(lè)口述歷史學(xué)術(shù)研討會(huì)",有來(lái)自全國(guó)各科研機(jī)構(gòu)與高等院校的一百二十多位專家、學(xué)者以此為主題進(jìn)行了專門的研討。會(huì)議提交的29篇學(xué)術(shù)論文,就音樂(lè)口述歷史的概念與內(nèi)涵、學(xué)科特點(diǎn)、研究方法、研究容易誤識(shí)的問(wèn)題、已有研究取得的經(jīng)驗(yàn)等問(wèn)題進(jìn)行了充分的研討與總結(jié)。本次會(huì)議就音樂(lè)口述史的若干問(wèn)題達(dá)成了一些共識(shí),取得了一定的成果。雖然就"音樂(lè)口述史學(xué)"的學(xué)科定位問(wèn)題仍有爭(zhēng)論,但從會(huì)議討論的情況來(lái)看,支持者與觀望者在這個(gè)問(wèn)題上還是占有相
[Abstract]:First, the study of music oral history is one of the hotspots in academic circles in recent years. In particular, the first National Symposium on the History of Oral Music was successfully held in Beijing in September 2014, with more than 120 experts from scientific research institutions and institutions of higher learning across the country. The 29 academic papers submitted at the meeting have fully discussed and summarized the concept and connotation of music oral history, the characteristics of subjects, research methods, the problems that are easy to misunderstand, and the experience gained in the existing research. This meeting reached some consensus on a number of issues in the history of oral music, and achieved some results. Although there is still debate about the subject orientation of "music oral historiography", from the point of view of the discussion at the meeting, supporters and watchers still possess each other on this issue.
【作者單位】： 河南藝術(shù)職業(yè)學(xué)院音樂(lè)系;
【分類號(hào)】：J609.2

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