【摘要】：京族作為中國和越南跨境而居的同源民族,在秦漢時(shí)期,中國南部居民大批遷徙至交趾(今越南北部紅河平原一帶,包括海防);明朝時(shí)期從越南遷移到中國東興京族三島時(shí)自稱"越族",約有500年的歷史,后因心向"北京",改為"京族"。其民歌在傳承和發(fā)展中難免遭遇各種困難。本文以文獻(xiàn)研究、田野調(diào)查等研究方法,論述中、越京族民歌傳承的意識(shí)、行為方式、現(xiàn)象、特點(diǎn)等問題。并以縱向的歷史、橫向的多學(xué)科方法進(jìn)行立體的考察,力求突破現(xiàn)階段該研究的不足,提出有關(guān)京族民歌保護(hù)和傳承的構(gòu)想,開拓京族民間音樂研究的新領(lǐng)域。
[Abstract]:As a cross-border Chinese and Vietnamese people of the same origin, during the Qin and Han dynasties, a large number of residents of southern China moved to the toe (now the Red River Plain in northern Vietnam, including coastal defense); During the Ming Dynasty, when they moved from Vietnam to the three islands of the Jing nationality in Dongxing, China, they called themselves "Yue nationality", which had a history of about 500 years, and then changed from "Beijing" to "Beijing nationality" because of their hearts. Its folk songs inevitably encounter all kinds of difficulties in the inheritance and development. Based on the methods of literature research and field investigation, this paper discusses the consciousness, behavior mode, phenomenon and characteristics of Yuejing folk song inheritance. In order to break through the deficiency of this research, the author puts forward some ideas about the protection and inheritance of Beijing folk songs and opens up a new field of the folk music research of the Jing nationality by means of the longitudinal history and the horizontal multi-disciplinary method.
【作者單位】： 廣西藝術(shù)學(xué)院音樂教育學(xué)院;
【基金】：2011年國家社會(huì)科學(xué)基金藝術(shù)學(xué)重點(diǎn)項(xiàng)目“瀾滄江——湄公河跨界民族音樂文化實(shí)錄”(項(xiàng)目編號(hào):11AD002)的研究成果之一
【分類號(hào)】：J607

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本文編號(hào)：2475037